Discover Movies

11,136 Matches Found

The Private Right

Following the end of the liberation struggle against British Colonial Rule in Cyprus, an EOKA rebel fighter travels to London to exact revenge on the collaborator who betrayed him and applied water torture. The film contains the first ever scenes of water-boarding showing the rebel being tortured supervised by a British intelligence officer. A dramatic search through the streets of London follows, culminating in a tense life or death confrontation. The film became a cause-célèbre in England, was critically acclaimed and discussed in the Houses of Parliament.

The Private Right

10.0 1968
Nothing Barred

Penniless Lord Whitebait's plan to save his sinking fortunes is to open stately Whitebait Manor to the public. But the public ignores his gesture, and his fortunes fade even further, with a stream of debts threatening to run into a deluge when his daughter's fiancé demands a plush and costly wedding. Where is the cash to come from? Whitebait and his servant Spankforth's answer is a scam involving the theft of a valuable painting from the Manor. How could such a cunningly original ruse fail?

Nothing Barred

7.0 1961
Loop

Loop ended up being a film that also 'ended' Upside Down Feature (1967-72) and was a negative upside down portrait as well....in negative, the person moving, or blinking, or smiling, or not smiling, become gestures distanced whilst simultaneously apprehendable perceptually...a kind of conscious objectification of the subject and subjectification of the object, the abstract as the real, and at the same time a dissolution through repetition, no more an identifyable 'it' after all due to both the reification and no less dissolution through repetition...

Loop

3.0 1968
Passion in a Seaside Slum

In this silent color 8mm film shot in Venice Beach in 1961, Taylor Mead plays “the faggot” who persistently cruises a butch guy intent only on fishing in one of the canals. Mead uses the magic wand of a radio antenna to transform himself into ever more implausible drag figures in his attempts to garner the guy’s interest, but only succeeds in soliciting his amused laughs. “I played eight or more roles in this film–all bizarre, outrageous, non-pornographic but upsetting to many mores.” (Taylor Mead) Preserved by the Academy Film Archive in partnership with Anthology Film Archives in 2011.

Passion in a Seaside Slum

NR 1962
Yippie

The Youth International Party, whose members were commonly called Yippies, was a radically youth-oriented and countercultural revolutionary group opposed to war and the status quo of American culture. Known for using theatrics and humor to advocate social change, several Yippies were notably on trial as the Chicago 7. Primarily consisting of footage from the 1968 Democratic National Convention in Chicago which sparked massive demonstrations that were met by violence and hysteria caused by the police. This film also includes found newsreel footage as well as Pigasus - the pig the Yippies advanced as a candidate for President of the United States.

Yippie

5.4 1968
Richard Knows Too Much

The film is set in the early 18th Century and involves smugglers and preventative officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited with the father.

Richard Knows Too Much

NR 1962
Flaming Creatures

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

Flaming Creatures

4.7 1963