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Tom Schuler: Cobbler Statesman

This animated Cold War film commissioned by the U.S. Information Service tells the story of a cobbler who gradually becomes interested in politics due to business challenges in the 1780s. He becomes a supporter of the new U.S. Constitution, then a delegate to his state ratifying convention. The film sketches the reasons for the Constitutional Convention, the debates in Philadelphia, and the structure of the federal government. It was created for foreign audiences.

Tom Schuler: Cobbler Statesman

NR 1953
Confidential File: Horror Comics

In 1954 the Senate Subcommittee on Juvenile Delinquency conducted an investigation into how the comic book industry was supposedly contributing to the moral decay of a nation's youth. The investigations were spurred on by a number of articles that blamed comics for the rise in juvenile delinquency in post-war America. Chief among the critics was Doctor Frederic Wertham, whose book, "Seduction of The Innocent" has been blamed for nearly single-handedly crippling the entire comics industry. "Confidential File" was aired in 1955, after the senate hearings and the formation of the Comics Code, but it serves as a perfect example of how the media reacted to the comic book industry, and sought a scape goat by blaming the comic book publications for society's own lack of responsibility in raising its children.

Confidential File: Horror Comics

NR 1955
Red Garters

A spirited cast kicks up its heels in a lively musical spoof of cowboy films crammed with spur-jangling tunes by Jay Livingstone and Ray Evans and decked out with colorfully stylized, Oscar.-nominated sets. Rosemary Clooney heads up the high-kicking, red-gartered girls of the Red Dog Saloon. They can-can. but she won't-won't unless Jason (Jack Carson) asks her to get hitched. Guy Mitchell and Gene Barry are gun-totin' polecats who think they've got a feud to settle. And Frank Faylen and Buddy Ebsen are among the folks who hope the gunslingers get itchy fingered - so they can hold a town barbecue during the funeral!

Red Garters

5.0 1954
I Love Lucy: The Movie

The film plays out, with three first-season episodes edited together into a single story: "The Benefit", "Breaking the Lease", and "The Ballet", with new footage included between episodes to help transition the episodes into one coherent storyline. As the series routinely took the format of filming scenes in chronological order, this adds to the "show within a show within a show" format of the film, as viewers watch the cast perform the episodes live. The film itself ends with a "curtain call", as the cast comes out and Arnaz thanks the audience for their support.

I Love Lucy: The Movie

7.7 1953
Freedom

Freedom, Nigeria's contribution to the 1957 Berlin Film Festival, was based on a play commissioned by the Moral Re-Armament Association. Based on a stage piece, the film is an unabashed paean to the MRA, demonstrating how the organization helped to check British colonialism and radical insurrection in Nigeria and bring peace to the troubled country. Subtlety is not the film's strong suit, and as a result the film seems at times to be a self-parody. Reportedly the first African production to be lensed in color, Freedom benefits from the cinematographic expertise of Scandinavia's Richard Taegstrom and Aimo Jaederman. The film was enthusiastically received at the Berlin festival, but fared less well when released internationally.

Freedom

8.0 1957
The I Don't Care Girl

This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.

The I Don't Care Girl

7.3 1953
Green Grow the Rushes

Efforts to move Britain into the modern age don't sit well with the people of the small village of Anderia Marsh, who have claimed a right (going back to Henry III) to evade government-imposed import duties and taxes. And when the government decides to curb this right, the whole village quietly rises up in a comical rebellion. After their vessel runs aground during a storm and is impounded by the British authorities, local smugglers must find a way of disposing of their contraband brandy cargo before it's discovered by the Customs Officers.

Green Grow the Rushes

6.0 1951
Return of the Texan

A young widower named Sam Crockett returns from Kansas City to his small hometown in rural Texas, bringing with him his feisty grandfather and two young sons, Steve and Yoyo. He tries to make a go of the old family homestead but faces financial problems and pressures from his well-to-do neighbor, Rod Marshall. He also begins an on-again-off-again romance with Rod's sister-in-law, even though she's engaged to wed the town's doctor. Events come to head when Sam's grandfather suffers a stroke.

Return of the Texan

6.7 1952
Three Dark Horses

A campaign boss is looking for three delegates to the presidential convention, delegates that are too stupid to discover that his candidate, Hammond Egger, is a crook. Enter the stooges as janitors sent to clean the man's office. After some of their antics, the boy's suitability for the job is apparent and they're hired. The stooges go to the convention, but double cross their boss and vote for another candidate, Abel Lamb Stewer. When the boss and his muscle man come looking for revenge, the boys defeat them in a wild fight.

Three Dark Horses

7.0 1952
Blonde Bait

Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran' Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran' stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran' to keep the police informed of Angela's movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster's moll.

Blonde Bait

5.8 1956