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Yonaguni is an island on the far western end of Japan, bordering Taiwan. One day, the people of Yonaguni decided they wanted independence and to establish diplomatic relations with Taiwan. These two islands share similar backgrounds. Both are in the peripheral vision of the world. I came here by boat as a tourist, but rediscovered myself on this strange land.

Charles Heung does battle with ruthless triads during the early years of the republic

Taipei in the 70's, a small village, with people from different backgrounds whom are tightly connected with each other. The Liu's daughter - Liang Liang is seven years old, she is a naive and lively child. One day, she bravely save her little friends from a fire in a car accident, unfortunately she fell into a coma. In her coma, she dreamed of participating in the nation's first marathon...

A wizard vampire haunts a number of warriors. He has several zombie servants. The warriors must defeat both threats.

23-year-old young artist aims to build a settlement in Central Taipei, offering the artists a place to work with total freedom. As a result, he sets up a tent on the Huashan Grassland and carries out an experimental project called the “120 Grassroots Self-Autonomous Zone.” As the settlement gets bigger and bigger, the Utopia gradually takes shape. Nonetheless, when the shocking murder and dismemberment of a woman happens on the Grassland, the authorities demolish the settlement and these young artists are chased out of the Grassland by the public opinion. Having experienced the rise and the fall of the 120 Grassroots Self-Autonomous Zone, where would this group of young people go as they are forced into exile?

A 12-year-old XiaoJing survives a car accident unscathed. She bravely deals with the trepidation alone, until her father rushes to the hospital. She thought that her anxieties and emotional injuries could be alleviated, but is forced to face a more severe difficulty.

Summer 1996. Days after finishing their national college entrance exams, teenagers Simao, Awai and Qiming crashed their car at dawn following a night out in Beihai - with passengers An'an and Xiaomei. Simao, the driver, hovered near death in ICU for three months while his grandmother and traumatized friends kept vigil. Unbeknownst to the comatose youth, two life-altering events occurred that summer: his long-absent mother visited secretly, and his college acceptance letter arrived. This coming-of-age story traces the trio's journey through guilt, confusion and fractured dreams in Simao's shadow. When he finally awakens three years later - his innocence preserved like a time capsule - his friends confront bittersweet truths: their struggles to outgrow teenage skins now mirror the very fractures that once bound them.

Joseph Kuo's final film.

A Hawaiian ninja, drawn into a global struggle to control an alien fuel discovered on the moon, is forced to confront the consequences of his life decisions.

The refracted gaze on Mianhua Islet, Taiwan's eastern de facto border, turns the concrete landscape of physical territory into a mirage of topography and politics. The fragmented image of the frontier reflects the ambivalent state of Taiwanese subjectivity. The camera slowly sweeps over the contour of the islet as if touching the country's body to ensure its existence. The ever-imaginary border that eludes, obscures, and fictionalizes the construction of a nation confronts us with its external mirrored image, as a subject and as a site, where the process and paradox of forming national subjectivity are materialized, embodied, and caught in a liminal space.

San Mei Zheng Lang

This dance film presents Nine Songs as reimagined by Lin Hwai-min and performed by Cloud Gate Dance Theatre of Taiwan, directed for screen by Chang Chao-Tang. Drawing on ancient ritual poetry, the work evokes prayers to heaven and earth, spirits and ancestors, as well as love and mourning. Masked gods and human figures move together in a ceremonial structure, staging a timeless vision of human experience. Premiered in 1993, Nine Songs became one of Cloud Gate’s most important works. A studio fire in 2008 nearly caused the piece to be lost, but a surviving ceremonial mask remained as a trace of its legacy. This film records the production before the fire, preserving its original form. Moving across layered time and space, the choreography creates a powerful, immersive atmosphere. Through moments of wonder, grief, and ecstasy, the work unfolds toward a state of clarity and quiet transcendence.

Literature and tales of the military dependents' villages leave a unique and precious character in Taiwanese history since the Great Retreat in 1949. The people have gradually formed a culture within the villages. To dive into the richness of military dependents' villages, the film interviews many prominent Taiwanese writers who grew up in the first and second generation of military dependents' villages and quotes extensively from literary passages, creating the reappearance of the unforgettable lives in the villages and of the cultures of Waishengren.

Shiba San and Meow Chan, a hit children's show in which the two brothers act a dog and a cat respectively, has been sweeping through kids and thus bringing fame to the two. Though radiant on stage, they both have something on their minds. Shiba san has been secretly in love with a married man, while Meow chan miss his remarried mother and it confused him when she abandoned him. An journey later on will lead the two strays to confront their emptiness inside.

Ogygia tells an urban love story that evolves around a Greek mythology.

A spy film about two spies, one male and female (Pai Hung cross-dressed as male), cracking down the villainy gang The Devil Gang.

During the Japanese occupation, Little Tiger, an honest cook in Shanghai, takes exception of two Chinese that pass from insult to sexual harassment against a beautiful and modest girl servant. During the fight, the pair of molesters receive help from a number of colleagues from the same martial arts school - who are in support of the Japanese - while Little Tiger is helped by young men from his own school. A major fight develops, and the cook accidentally kills one of the thugs. The Police comes to arrest Little Tiger and to close down his school, but they resist and the cook escapes. Little Tiger is now a fugitive, living in disguise. When a duel between the two rival schools is arranged in an open-air site, Little Tiger is watching disguised as an old man, but he can't resist. He takes off his false beard, declares his name, and demands to join in the competition - beating up all competitors.

"Wild Cursive" is the third piece of Taiwanese dancer and choreographer Lin Hwai-min's Cursive trilogy, a captivating series translating the development of the fascinating art form of Chinese calligraphy into dance. As Lin says himself, the final part marks the climax of the trilogy, because it corresponds to the completely detached, free and highly abstract forms of “spontaneous” calligraphy. The performance contains elements of Tai Chi and is musically accompanied by compositions by Jim Shum and Liang Chun-mei. The performance was recorded in 2009 at the National Theater in Taipei, Taiwan.

Taiwanese horror fantasy movie from 1981

The story begins in the 1950's when a group of happy naive primary school students surround a young female teacher. These playmates from childhood are now going through an embarrassing age of adolescence. They get together once again at high school and return to their almamater paying a visit to their teacher. Their reunion goes wonderfully until one of them drowns. Their teacher's husband gets killed while attempting to save the students. In their early 20s, most of them graduated from college and subsequently start their first jobs. Some of them start their career early, some decide to study abroad, and others get married. As for their teacher, she devotes herself to "special education" following in her husband's footsteps. When they are reunited at the age of 40, each of them has experienced different trials of life. In search of good old memories of childhood, they gather together again to walk the corridors of their almamater.

Private cook Lai solves her clients' problems but struggles with her husband. Secretly learning to drive becomes her anchor. On her first road lesson, a small change unsettles her life.

Chou,Shih-Ching is a senior radio broadcaster. On another side of her, she is a daughter who takes care of her aged mom who suffered from the Alzheimer's disease for years. Shi-Ching feels suffered and suffocated along with her mom’s progressively worsen disease. However, recently she easily forgets things and fails to recall what have happened. She feels she is no longer herself anymore. As her daily life sliding into chaos, her husband Liu, Kuang-Hsuan, who has disappeared for ages and her aggressive daughter suddenly come home, adding various and unpredictable factors into her life. While Shih-Ching confirms her Alzheimer, she plans to get everything ready and settled before her memory fades away….

A gongfu feature about the mysterious deaths that keep occurring at an inn in the forest.

Mr. Chang arrives to his 'Spiritual Temple' in the afterworld, a place that represents one's destiny. To solve his marital crisis and financial problems, he summons his guardian- The Thunder God, to modify the temple from the ground up. It turns out to be a big mistake...

Taiwanese romance film.

1979 Taiwanese adaptation of Ayako Miura's novel.

When Iron Umbrella was a child, he woke one night to find his parents murdered by a sinister man with a long sword scar across his forehead. Ironman comes upon the boy and decides to raise him as his own. Iron Umbrella grows to become a man, and sets off to avenge his parents' death.

A rural magistracy encounters three scourges that threaten destruction to the entire village: a fierce tiger, a demonic dragon and a criminal convict fugitive who turns out to be the only hope for salvation to defeat the other two evils.

In a hyper-efficient, colorless society, a mysterious corporation maintains its monopoly on "vibrancy" by harvesting pigments directly from the life force of its employees. As their essence is systematically drained, individuals are reduced to mere industrial consumables for the world's aesthetics.

Two kidnappers, a female host who’s lost her shine, cross paths with high school students. Each character harbors their own secrets. As they discover something supernatural in a large hotel, they attempt to host both spirits and flesh.

Yuexin is trapped in an endless time loop—each time he wakes, he's confronted by his wife, Shuchun, holding a photo of his affair and asking the same question: “Why?” He’s tried apologizing, explaining, yelling, even staying silent, but no matter how he responds, the outcome never changes.

Is being in a foreign land, separated from one’s familiar daily life and human relationships, another form of escape? Four seemingly unrelated footages from CHUNG Mong-hong's overseas studies represent a contemplation of the foreign land and self-identity. Fleeting images of the city, surrealist compositions, the multifarious landscapes and imageries presage CHUNG’s early experimental features. The monologue at the end narrates the absence of the father and the resulting solitude and regret, reflecting CHUNG’s delicate sensibilities towards family and human relationship. The local religious chants serve as a stark cultural contrast against the life overseas, highlighting the cultural barriers and loneliness brought about by estrangement.

Yu Ting, a 16-year-old high school student, comes home one day to find a "sister" of her age, her cousin from Vietnam, her mother’s hometown. Yu Ting's mother has promised to get the underage girl to work in Taiwan under the disguise of her "adopted" daughter Yu Lan.

This is a story about communicating, relying and eventually growing up. Say "bye bye" to the past me.

Made as Taiwan’s economy took off in the 1960s, Early Train from Taipei is a classic country-to-city melodrama of development. To save her bankrupt rural family, Xiulan takes the train to Taipei to earn money. Boyfriend Huotu is horrified to find she has been tricked into becoming a dancer in a nightclub when he visits, and tries to persuade her to leave the next morning on the early train from Taipei. Tragedy piles upon tragedy in this cautionary tale, which touched a nerve with audiences and inspired a raft of sequels.

A do it in collective punk musical movie of sapphic/trans rebellion in which a troubled, young, non-binary Taiwanese named T, is in the grip of a heroin addiction. T meets Shui, a betel nut seller and daughter of a famous Taoist exorcist who wants to perform an exorcism on his daughter. They eventually encounter a character called Big Sister 13, and in a web of desires, neon lights, and songs, together they will fight against the destructive presence of addiction, a sinister creature, and a pro-family terrorist group. They will learn how to care for one another, exorcizing a haunted past and flowing into the immensity of love.

Since deciding to give up on resuscitating his estranged father, Cheng Yi hasn't been able to sleep properly. The funeral rituals seem like a dream, so real yet so elusive. During this period, Cheng Yi's daughter noticed his gradual decline and fatigue to some extent. She knew how much Cheng Yi longed for Gung Chin to come into his dream, and to tell him whether he made the right decision or not.

On a rainy night, a robbery took place in a villa and some invaluable jewels were taken. One of the robbers was shot dead, the other wounded. The wounded robber dropped the leather case containing the jewels and it fell on to a rock beneath a suspension bridge. Chiang Wen Hua was a schoolteacher who was separated from her husband. On a Sunday afternoon, Chiang and her daughter Hsiao Ching went picknicking near the suspension bridge. Hsien Ching's paper windmill was carried away by the wind, and, in looking for it, Hsiao Ching found the leather case containing the jewels...

The sound of billiard balls on a table, a montage series from television shows, steam rising from a bowl of instant noodles, reflections in the window of a public bus, a sun dressed in drab army green, daze caused by intermittent sleep, and the words hidden in a telephone card. The old wait for their coffins, the young wait to leave the island, the recruits wait and count the number of days before discharge, the rocks wait for people to come back, and I wait for the end of the film.

Using black-and-white images ranging from African statues to contemporary film posters and political meetings, Chihying considers aesthetic dynamics between the West, China and Africa. How did so many African artefacts end up in European museums? And what if this Western power of selection were replaced by Chinese control?

Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.

The story begins with a funeral in high school and ends with a wedding in adulthood, framing a journey from youthful grief to mature rebirth.

There is a another soul living in CaCa's body. Just as she decides to come clean with her biological gender, her boyfriend proposes to her. Should she confess, at the risk of losing all the happiness she ever had, or should she keep things the way they are? A phone call then takes her back to her hometown which she had long left behind, where her sister needs her to take care of their mother who is mentally ill.

"Where was he pushing the car toward? I don't know. Maybe, just for the sake of it. Sometimes, making films, I shoot just for the sake of it."

A strange wind blew up the gate on the top floor. Jia-wei was stuck on the rooftop. He had to ask for help and get out as soon as possible. Otherwise, he would be late for the party with his girlfriend's family. He carefully prepared to leave a good impression on the parents of both parties, and his success would also be broken.

Chubby always eats, walks, and plays alone—until one day, he meets a masked tree spirit named Little Tree under a giant tree. Their bond sparks laughter, friendship, and the creation of the “Little Tree Defense Squad,” where four children protect their secret green haven. But when humans threaten to destroy the tree, Little Tree must return to the forest. For the first time, Chubby steps forward, determined to find his friend and protect the world they love with his own courage.