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Curse of the Stone Hand

Hands sculpted in stone, hidden in the niches of an ancient house, are regarded as sources of a curse by the present inhabitant, a country gambling addict. Indeed, he goes to an early grave after experiencing bankruptcy. The house passes to another family, one of whose sons becomes obsessed with the hands. (A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.)

Curse of the Stone Hand

2.9 1965
Corpi

Janusz is not a man easily impressed. As Prosecutor, he engages in specific research, analyzing the crime scene in detail. Despite the extreme conditions in which clashes, he works hard. Maybe too much. Yet, in the face of her daughter Olga, anorexic, still mourning the death of his mother, he feels helpless. It 'a story, tinged with irony, where the dif fi culty to overcome the grief they collide / meet real bodies (that of a father who fails to help her daughter, anorexic after her mother's death) and invisible, such as those with which plan to be in contact the psychologist who is treating the daughter of the Prosecutor, Olga ...

Corpi

7.0 1969
Bitch

“Andy Warhol called Marie Menken and Willard Maas ‘the last of the great bohemians,’ and, in 1965, made Bitch, his real-life parody of Edward Albee’s play Who’s Afraid of Virginia Woolf?, with Willard and Marie sitting on the couch in their living room, drunk and arguing on a Sunday afternoon. Unscripted, shot with a stationary camera in his signature home-movie documentary style, Warhol’s Bitch has never before been seen by the public—until now…” (Philip Gefter).

Bitch

8.0 1965
You Have to Run Fast

Dr. Frank Harlow is in the process of trying to save a man badly beaten by two gangsters whom he identifies to the police. When the victim dies the charge becomes murder and Harlow hightails it to the far woods where he finds a job as clerk Roger Condon in a sporting-goods store. Harlow's plan is to lay low until the gangsters forget about him. But complications arise from two different sectors. First, Harlow falls in love with the local beauty Laurie Maitland and second, the murderers find out where he is hiding.

You Have to Run Fast

6.7 1961