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Crossing's End

On a winter night in 2002, a couple in their early 20s is breaking up atop a bridge, when the woman falls down. Is it a suicide or accidental death? The man asks a friend to call an ambulance, but the woman dies. The man and his friend are imprisoned for murder when an eyewitness reverses her original statement and says that she saw the two men throwing the woman from the bridge. After more than a decade, director Shih Yu-Lun collaborates with the ‘Taiwan Innocence Project’, a private organization that helps innocent people who have been unjustly convicted, to re-investigate the case.

Crossing's End

NR 2021
Freedom Under the Wall

In 1949, the Republic of China suffered a major defeat in the Chinese Civil War, and the Government was forced to relocate to Taiwan. The Government enacted the Declaration of Martial Law in Taiwan, prosecuted anyone who was suspected to be Chinese communists spy. Tin, an innocent farmer, was falsely accused and imprisoned. During the days in jail, Tin got lots of support from his inmate, Kok. With the hope that Kok gave him, Tin gradually found that it is impossible for him to be released from prison.

Freedom Under the Wall

NR 2019
Yang Tsu-chuen and the Green Field Charity Concert

Documenting Taiwan’s first large-scale postwar outdoor concert, this film revisits the 1978 Grass Field Charity Concert, an unprecedented gathering of over 4,000 people. Organized by singer and television host Yang Tsu-Chun (楊祖珺) during the height of the island’s folk song movement, the event foregrounded music’s relationship with everyday life rather than overt political messaging. Yet its significance was inseparable from the era’s tensions: Yang’s self-titled album had recently been banned for the perceived “left-wing” social consciousness of her lyrics, and despite the concert’s stated charitable intent, its scale and popular appeal drew the scrutiny of Kuomintang (KMT) intelligence agencies. Framed against late-1970s Taiwan, the film documents how music, public space, and cultural expression intersected under authoritarian surveillance, marking a pivotal moment in the history of popular music and collective gathering.

Yang Tsu-chuen and the Green Field Charity Concert

NR 1978
Love and Courage

With Siao-lu’s classmate Yu-Tin’s (played by Gigi Lin) help Siao-lu finds coach Chang who trains disabled player. Siao-lu happens to know coach Chang is Jie’s father. Even though she wants to help them to reconcile, she couldn’t find a way. On the other hand, she has her own thinking towards her dream. On her 20 years’ old birthday, she announces her plan of receiving training to her family. Although her mother is against it, with her sister’s help, Xiao-Lu finally convinces her mother with doctor’s approval; her mother approves her request reluctantly Flinging into the training completely, Siao-lu doesn’t pay attention to the change of her body condition. On the eve of the competition, fate forces Siao-lu to compete with time. Can Siao-lu accomplish her dream? Can Jie and Coach Chang reconcile? Can Siao-lu complete the training and the competition with her love and courage in her heart ?

Love and Courage

NR 2005
My Nostalgia, My Songs

My Nostalgia, My Songs is a poetic documentary centered on Lin Hwai-min’s landmark dance work for Cloud Gate Dance Theatre of Taiwan. The music, curated by iconic photographer Chang Chao-tang, weaves Taiwanese folk melodies into reflections on urban migration and collective memory. Through the cinematography and editing of Christopher Doyle, the stage becomes a cinematic space, transforming performance into a sensory meditation on Taiwanese identity and cultural displacement in the 1980s.

My Nostalgia, My Songs

NR 1991
The Boat-Burning Festival

Shot by Chang Chao-Tang and cinematographer Christopher Doyle, The Boat Burning Festival captures the ceremony worshipping Wangye(王爺), the local god of plague, held every three years in Sucuo Village(蘇厝) in Tainan(台南), Taiwan. Chang timed the work to "Ommadawn", a Celtic-inspired progressive rock album by Mike Oldfield. Defying genre conventions and deviating stylistically from television or ethnographic documentary, the film testifies to the tense and complex coexistence of traditional rites, local folklore, and discourses about modernisation and identity in 1970s Taiwan.

The Boat-Burning Festival

NR 1979
The Weight Of Memories

How does a piece of sugar taste of history?⁣ A century ago, in Erlin, a land susceptible to winds and floods, the Erlin Sugarcane Farmers' Association was born. It was Taiwan's first modern organization to advocate for farmers. They held lectures and established rural schools, but ultimately faced imprisonment.⁣ A century later, many have forgotten this history. On the crimson monument at the site of the incident, only the faded inscription "Erlin Sugarcane Farmers" is visible, reflecting against distant chimneys.⁣ What kind of future awaits Erlin's rural villages? Looking back at history, what can we learn?⁣ "Before Crystallization" tells the story of how people were treated before sugarcane became a symbol of sweetness.⁣ "Before Crystallization" discusses what efforts we still need to make before memory becomes a collective identity.⁣ Let the Erlin Sugarcane Farmers' Association lead the way, as we travel through time together and begin a century of reflection.⁣

The Weight Of Memories

NR 2025