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The Magic Screen

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

The Magic Screen

4.4 1982
Happy to Be Different

The film takes us on a voyage to a hidden Italy rarely addressed on film: Gay Italy as it was lived in the 20th century, from the turn of the century up to the 80s. The documentary gives voice to those who personally had to bear the weight of being "different", remembering how their lives were shaped by this situation during Fascism and in the aftermath of World War II, in an anthropologically and culturally widely diverse nation. Theirs is a mixed testimony of repression, censorship, dignity, courage, and happiness, making way for the final image of a world - our world - that still has a long way to go towards respect and liberty for everyone.

Happy to Be Different

6.2 2014
Pasolini Requiem

Film made for the thirtieth anniversary of the writer's death. A tribute to the cinema and life of the famous director-writer through the most spectacular sequences, transforming Anna Magnani, Totò and Ninetto Davoli, Franco Franchi and Ciccio Ingrassia into cartoons. The film refers to Pasolini's youth in Friuli with the collection of poems "Le ceneri di Gramsci", then moving on to his arrival in Rome with clips referring to the novels "Ragazzi di vita" and "Una vita violenta", made with the most varied techniques, up to the final episode which took place on 2 November 1975 at the Idroscalo in Ostia regarding the tragic murder of a scandalous intellectual.

Pasolini Requiem

NR 2009
Secret Passage

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.

Secret Passage

4.7 2004
James Brown Live At The Apollo '68

This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.

James Brown Live At The Apollo '68

5.3 2008
Demonia

Professor Malcolm Evans leads his archaeological expedition into the Valley of Temples in southeast Sicily. His companion and former student, Liza Harris, is looking forward to her very first dig. But Liza feels a strange sympathy with the valley and her recurring nightmares seem strongly tied to the nearby ruins. She is drawn to the remains of a 16th Century convent and its grisly legend of crucifixion. The local villagers rise to protect the entombed secrets of their ancestors, as Liza's obsession with uncovering the truth takes her deeper into the forbidden ruins and further from sanity!

Demonia

5.0 1990
The Devil's Wedding Night

The 1800s: scholarly Karl Schiller believes he's found the ring of the Nibelungen, which holds great power. It's at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it's the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?

The Devil's Wedding Night

5.3 1973
Mozart: Le Nozze di Figaro

Le Nozze di Figaro New Production Teatro Real in co-production with Bilbao’s ABAO and Las Palmas Teatro Pérez Galdós. From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece Le nozze di Figaro. Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favors of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.

Mozart: Le Nozze di Figaro

NR 2009