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Selima and Selim are twins who have just celebrated their 20th birthday. Orphans since their mother died giving birth to them, they live in Tunis with their father ALI, a lawyer at the Tunis Bar. Ali has never recovered from his wife's death. He blames his children for their mother's death and stubbornly refuses to answer their questions about her. One day, Selima discovers that girls inherit only half as much as their brothers. She asks her father, "Do fathers love their daughters only half as much?" When their father dies, Selim leaves to live abroad. What will become of Selima?

In 1972 16-year-old Marie-Claire became pregnant after a rape. With help from her mother Michelle and three other women, she underwent a clandestine abortion. Under a 1920 law, the five women were arrested and charged. Supported by a procession of well-known French (eg Simone de Beauvoir), the five were released and the law was adapted.

In the heart of Portugal, amid the mountains, the month of August is abuzz with people and activity...

Arbres is the story of the Tree and trees. It begins with the Origins and then embarks upon a journey through the world of the tree and the trees of the world. The film reveals the huge differences and slight similarities between the Tree and Man, investigating the fascinating idea that, amongst plants, the tree fulfils the role played by man in the animal kingdom.

A drug addicted, middle-aged detective, beaten down by life and bureaucracy, investigates a series of murders of prostitutes in the slums of Mashhad.

Filmmaker Lech Kowalski explores his belief that struggle is "the epitome of living" in this documentary which compares the wildly different life experiences of himself and his mother. Kowalski's mother came of age in Poland during the early stages of World War II, and after failed attempts to outrun both Nazi and Russian forces she and her family were sent to a Soviet concentration camp, where inmates were tortured, mistreated, and starved to the point where some ate their own lice in a desperate struggle to survive. Kowalski also depicts his own self-inflicted season in hell during his years on the New York City punk rock scene as he wallowed in the sordid underbelly of drug addiction, pornography, prostitution, and streetwise decadence. On both stories, Kowalski finds a message of hope and strength in the midst of almost certain peril.

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

Michel Gondry assembles alternate version of his The Science of Sleep from cut scenes and B-roll footage.

'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not... The police are perplexed by a series of crimes including disappearances and a murder. They conclude that they are dealing with a madman... After he proposes, Léa breaks up with Kurt. The attempt to find a new girlfriend leads to a shooting by Kurt, now calling himself André. Léa's information identifies Kurt/André as Roberto Succo, psychiatric patient and parental murderer. The police hunt for Roberto covers three countries.

An elderly woman wants to meet her son’s murderer. A sixteen-year-old girl who has crossed paths with a young hoodlum needs an adult to accompany her to the prison visiting room. A young medical supplies delivery man is offered a deal to take the place of a gangster inmate so that the latter may escape. Two women, one man, three destinies that come together in the visiting room of a prison…

A group of pupils visits an immense castle. One of the children lingers a few seconds in front of a statue and gets split off from the rest of the group.

When Yuki finds out that her parents are separating and she is moving to Japan with her mother, she and her best friend Nina devise ways to reunite the feuding adults.

The unexpected acquaintance with a young prostitute helps the venerable writer to overcome writer's block. Quite shocking story of her life inspires him for a new book.

Film restored by Yves-Marie Mahé from several recordings made during past screenings, notably in the basement of the L’Etna laboratory. A car journey, then the bedroom. The naked body in bed, sleeping or smiling at the camera, splits in two and overlaps. Accompanied by Christophe’s melancholic pop songs, a raw tenderness emerges.

This program of short films by Vincent Ravalec (Never twice, Le Masseur and Les Mots de l'amour) deals with themes such as desire and death through the journey of a group of characters.

When the forests have no end. When the vampires are pretty and it's not good to run away. And then especially when it is made into a film...

Massenet's opera centres on its charming but contrary heroine, the vivacious young Manon who longs for luxury and excitement. We first encounter her en route to a convent, where her family are sending her to be educated. Along the way, she falls in love with the young student Des Grieux, and, impetuously, runs off with him. She soon leaves him, however, to become the mistress of a rich nobleman. Thus begins her descent into criminality and depravity, all too soon dragging the besotted Des Grieux with her, until she is imprisoned. Despite its tragic story, the opera is full of French charm and vitality – typified by the ambiguous Manon herself. Her plight is touching because of the subtle play of innocence and calculation in her character. The score contains many sparkling arias and ensembles, moving rapidly from moods of exuberance to tenderness, with perfect dramatic timing. Recorded live at the Staatsoper Unter den Linden, Berlin, April/May 2007.

Social comedy about 2 forty-somethings who're looking for a new purpose in life.

How, after four years of occupation, France was liberated between the spring and autumn of 1944. Patrick Rotman, writer, historian and director, offers a historical and political analysis of this significant period in history, from operations "Overlord" and "Dragoon" - the landing of Allied troops - to the celebrations organized for the liberation of Paris.

This 2007 behind-the-scenes documentary on the making of PERSEPOLIS features interviews with codirectors Marjane Satrapi and Vincent Paronnaud as they undertake the complex process of adapting Satrapi’s graphic novel into a film.

The prey becomes the predator on a quest for murder-fuelled orgasm.

Cameroonian filmmaker Jean-Marie Téno profiles a poor but lively neighborhood in the capital of Burkina Faso, where a cine club proprietor tries to include Burkinabe films among the action and Bollywood fare.

An interview with film scholar Olivier Cuchod on Jean Renoir's 1939 film THE RULES OF THE GAME.

Little is necessary for everything to appear differently. The date, the hour, the weather, the space's layout, one's glance or presence of mind . . . can make everything change. The boats sail out of the Vieux port in Marseille to be amongst the poppy fields.

The film is about a very stern looking man who has come to a very unusual flat to repossess the belongings of an old man in a wheelchair. However, again and again, the home seems to play tricks on the guy--driving him half-mad in the process.

Victoire wakes up one morning to find the body of her partner, Felix, lying on the floor of her bedroom. Without being able to reconstruct the course of the last few hours, but convinced that she was not completely to blame, she decides to flee. Wherever she is, all bridges are cut, a certain Louis-Philippe, however, curiously always knows how to find her and keeps her informed of the outcome of the "affair". But Louis-Philippe does not tell everything. What is he hiding? Who is who? Who is lying, fabricating, denying, who is the other's denier? And what really happened?

A banker has died. He trafficked in nuclear material, so French intelligence assign two agents to find his list of contacts, which are on a flash drive: Muriel - the boss, acerbic, willing to sleep with any man, wondering if she should have a child - and Philippe, younger, boyish, meticulous, bothered by Muriel's frank sexual interest. They watch Constance, the banker's widow: a naïve, friendly, open, trusting. She's taking opera lessons, so the French spies join the class, which Muriel enjoys. It seems that other spies are after the same USB, and some of them sing as well. Singing, spying, and sex lead to duets of all kinds as well as to an eventual showdown.

A former world champion boxer who had hung up his gloves is forced to return to the ring. It is as much the need for money as the desire to regain a faded glory that pushes him to attempt this improbable comeback. For two years, the camera will accompany the boxer in his daily life, a man in the grip of his doubts and contradictions. We will discover that the object of the quest is sometimes less important than the quest itself and the company of those with whom we undertake it.

Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends Mika and Koko, and the appearance of a hunky farmhand, pull Eric out of the doldrums.

A bouquet of roses her. Petals brush up against each other. And this goes on as the image traces the feelings which invade me. The forms mingle, blend, and carress one another. Sixteen minutes to let oneself be carried off in this swirl of pink clouds.

In 1988, supported by François Mitterrand, Loïk Le Floch-Prigent ran for the presidency of Elf. Alfred Sirven, through Christine Deviers-Joncour, introduced him to Roland Dumas. A year later, Le Floch-Prigent was appointed CEO of Elf Aquitaine. Sirven becomes Director of General Affairs at Elf...

This documentary follows the life of a one-of-a-kind man, and his one-of-a-kind library. Luis Soriano is a Colombian schoolteacher who spends weekends taking his donkey, and book collection, to the poverty-ridden towns of Magdalena Province. Facing down drug dealers, dangerous creatures, and overbearing heat, Soriano bravely faces down fear to promote education and literature.

Mehdi, 17, is sentenced to perform hours of community service for a minor offense. He arrives in Auvergne where he must serve his sentence - six weeks with a taciturn lumberjack, Abel Vagnier, owner of a sawmill which he operates alone with Tonton, a former wrestler. Abel, overwhelmed, accepts the placement of Mehdi, who discovers work, the countryside and life the hard way, the shock is harsh. He finds himself immersed in a universe where his bearings no longer apply. Communication, initially difficult, is slowly established despite everyone's failings...

Anne's ex-husband, a corrupt policeman, breaks one night in this house, in violation of a restraining order. During the discussion, the man accidentally falls down the stairs and dies instantly. But when the police show at home, the body is gone and Anne proves to be the prime suspect in the mysterious disappearance of her ex-husband.

A very private moment in which the body becomes an artificial and fabricated entity. A young man changes in front of a mirror. He cleans the scars on his stomach, takes out his contact lenses, removes his dentures and brushes his teeth before leaving. This brings up the question of appearances: here we see what we are not in the habit of seeing. There is also the question of intimacy.... A question, however, that remains unanswered.

Short film by Boris Labbé

Antoine and Remi have been living together for more than three years. Remi films their life with the aid of a Super 8 camera. One day, he finds himself thinking: "there's no longer any desire between us…" Maybe he's inventing problems so as to turn his life into a real film… How can he make desire ignite from the ashes? By creating an obstacle? Finding a lover? And what if the camera becomes the obstacle in the new couple, between Remi and his new lover?

In 2007, the French filmmaker and my dear friend Agnès Varda called me before coming to L.A. with a question: would I agree to let her film my L.A. story? The video you are about to watch is the story of our first encounter in Paris in 1996 and in the years since, how our shared reverence for cinema formed the bonds of an everlasting friendship, and how the Cinematheque became like home.

The peaceful lives of Antoine and the dowser Noé are disrupted by the irruption of a woman they find crying on the side of the road.

Since he first saw Christina, his grandmother’s nurse, Ildutt has set out on a desperate and pointless quest to become normal. Since returning from a fishing trip in Scotland that sent him off the deep end, Ildutt has hidden out in the highlands in a crazy state. Now he wants to get well. He’s prepared to do anything to win Christina over. He’ll start seeing his psychiatrist again and clean up his act. But he’s also ready to follow a weird guru’s teachings that risk turning his world upside down again. Sometimes Christina seems real, sometimes she seems like something out of a fairy story and sometimes she’s like a ghost. She intermittently reappears in Ildutt’s life, and slowly becomes more real to him. Ildutt is no longer lost in the cosmos; he’s firmly on earth, beside the slopes of the Lorient river. He has a cousin, a grandmother, a few friends, an old Mercedes convertible – and a bass guitar that he’ll eventually start playing again.

a short film by Giovanni Quéné.

A young journalist (Lespert) helps the French President compile his memoirs.

Guitarist Marc Ribot, a longtime legend among musicians but little-known outside the industry, finally gets the recognition he deserves in this compilation of performance footage from intimate clubs in New York's Lower East Side and Europe. These shows prove that Ribot deserves his reputation as one of the most talented and inventive composers and guitar improv performers working today, and why he accompanies so many top stars.

Can madness be described? Is it possible to express the pain that it entails? In 1994, when she was about to fall prey to her illness, Khady Sylla met Aminta Ngom, who exhibited her madness freely, without fear of provocation. During her years of suffering, Aminta was her window to the world.

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

Vanille explores how different races of people are connected by blood to each other, how certain tendencies and quirks can be identical in siblings who have never met and yet live very different lives with the same intensity. Brought together again the bond intensifies.