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The Music Box

When six-year-old Sophie is tragically orphaned guardianship is assigned to her estranged aunt Annabelle. The two move into a large, eerie, Victorian house where Sophie unearths a locked wooden box with a strange symbol drawn on it. Desperate to connect with her niece Annabelle pries the lock open revealing a beautiful music box. Each time the music box is wound and replayed it's surprisingly chilling melody plays slightly longer, captivating Sophie even more. When the music box begins affecting Sophie's behavior and health Annabelle seeks the aid of a child psychologist and clairvoyant who soon discover the music box is possessed by an evil spirit who seeks to haunt Sophie and destroy Annabelle. As the haunting intensifies time begins to run out and Annabelle finds herself racing against the music box's melody to defeat the spirit before the last note plays.

The Music Box

4.3 2018
Der Beobachter

Gillian Ward believes that the secret of her secret love affair with John Burton, an ex-police officer, is in good hands with her friend Tara. When she decides for the family and ends the relationship, her husband is murdered. The traces at the crime scene point to a serial killer. Her neighbor Samson Segal, who secretly observed and meticulously documented Gillian's life, is targeted. Fearing for herself and her daughter, Gillian seeks refuge with Tara while the police search in vain for the fugitive Samson.

Der Beobachter

5.5 2015
The Tooth

Every child knows full well that losing a tooth is only the prologue to a magical experience—namely, a night-time visit from the tooth fairy and the gift she leaves behind. So why, in this case, is the tooth fairy a no-show? These are the sorts of questions a father needs to be able to answer for his son… In this brilliantly simple animated short, Quebec cartoonist Guy Delisle brings to the screen the titular parent of his popular series, Le guide du mauvais père (A User’s Guide to Neglectful Parenting), published by Delcourt. Inspired by a common childhood experience, Delisle uses his trademark wry humour to reflect on the vagaries of parenting. A slice of everyday life, courtesy of the Comic Strip Chronicles.

The Tooth

NR 2017
Hôtel La Louisiane

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Hôtel La Louisiane

NR 2015
A House in Ninh Hoa

The old paternal house of the Le family, set in a rural scenery at the fringes of the small town of Ninh Hoa, close to the southern coast of Vietnam: A household dominated by women, neither rich nor poor, with chicken behind the kitchen and rice paddies bordering the plot. Through the everyday life of the inhabitants of the house, the constellation of the extended family becomes visible. A constellation that is fundamentally marked by the course that history took in the second half of the 20th century, and that has made Germany a substantial reference point in the life of the Le family.

A House in Ninh Hoa

8.0 2016
The Dreamed Ones

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.

The Dreamed Ones

8.2 2016
The Screen Illusion

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

The Screen Illusion

3.8 2010