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OL Training: Harassing

Masaru Aihara plans a mountain climbing trip as a company get-together. There are six participants. The weather was fine and the mood was harmonious, except for Maya Akiyama who had no presence. On the way, Aihara and Chika Kawaguchi engage in a fight under the watchful eyes of the participants. Takahashi witnesses this and is not at peace. He and Chika were having an affair, and Takahashi was in the midst of a divorce because of it. And as if he knew what was going on in Takahashi's mind, the weather collapsed...

OL Training: Harassing

2.0 1996
常世の恋人

One knows how to love and how to hurt. Art students Naoya and Kono. They are different types but like each other. They ask Reiko, an art model who comes to their drawing class, to be their model for an extra-curricular production. The two are simultaneously attracted to her shadowy side, but while Kono falls straight for Reiko, Naoya worries that he is unable to portray her true self, and begins to search for a veil over Reiko's true face. Kono receives pocket money from his companion's lover through mother-son-like conversations. Naoya visits Reiko's house and takes off his coat in front of the front door. The accumulation of small details creates quiet pauses that not only highlight the outlines of the characters, but also give the film an elegance and tranquillity that is probably a quality of the director.

常世の恋人

NR 1995
こわれもの

I'm telling you to be a great person like my dad. Tokuichi was at one time a prominent figure in an amateur band. Now he's unemployed, behind on his rent and alimony for his divorced wife and children. One day, his old bandmate, Kiichi, invites him to be the singer of his new band. When he goes to his shop to ask her about it, he finds the woman he had met before waiting for him with a message from Kiichi. The two hit it off and go to Kiichi's training camp, but when they arrive, the band has already broken up. A man who is clumsy and always misses his luck, a man who eats up other people's dreams and is always on the move, and a woman who stands dangerously between the two. The more the story progresses, the more we see the many facets of each of them, and the more the story lingers. From the noisy dialogues and cuts, music can be heard.

こわれもの

NR 1993
Annyong Kimchi

Japan and Korea have had a troubled relationship over the centuries, and discrimination against Korean residents in Japan has been legendary. But how important is the issue of race to a younger generation born and raised in the country? Tetsuaki Matsue, a third-generation zainichi attempts to get to grips with the issue of his own national identity in this autobiographical video documentary made as the then 21-year-old director's graduation project from the Japan Academy of the Moving Image. (Midnight Eye)

Annyong Kimchi

9.0 1999