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Autist Daan sees the world very differently from his little sister Millie. The day begins normally, but when Daan accidentally kills Millie's bird, it triggers a chain reaction of feelings in the two children.

The cameras get an exclusive look into the daily lives of the millionaire visitors that have made Saint-Barthélemy much more than just an exotic paradise. The combination of natural beauty, luxury accommodations, exclusive lifestyle and high-profile events makes this island a magnet for billionaires.

Few right-wing extremist groups are as openly anti-democratic as the Third Way (Der III. Weg). According to the German authorities, many of its members are ready to take action. "ARTE Regards" followed this movement, which now has some 600 members, for several months.

In early 2020, the lockdown has brought the world to a halt. Homes become space stations, hermetically sealed off from the outside world. Nobody goes out, only the thoughts go wandering. Students of seven international universities exchange personal impressions of and reflections on this forced isolation online and get to know each other through this joint project.

In northern Germany, the Teutoburg Forest is home to many Germanic legends. Since the end of the 19th century, the statue of Hermann – known in Latin as Arminius –, hero of the Germanic people of the Cheruscans, has watched over the vast Teutoburg Forest. Did this warlord really allow the Germans to repel the Romans two thousand years ago? A few kilometers from the statue stands an impressive rock formation called Externsteine. Have these steep cliffs kept traces of ancient Germanic civilizations?

The Girl with the Cutter is an experimental art film and it’s inspired by a true story. Cofi Valduvieux plays a tormented woman who battles the urge to cut herself. She spends her time fighting voices, having visions of a demonic version of herself and trying to figure out the best way to harm herself. With her mental suffering mounting, things start to escalate.

The story of the transformation of traditional cooking into nouvelle cuisine through 100 years of history at Donostia's Arzak restaurant, run by Juan Mari Arzak and his daughter Elena Arzak.

Ryan is a struggling son dealing with a constant internal battle regarding the inevitable loss of his Mother, and Sunny is desperate to escape the suffocating life that is depicted for her by her overbearing parents due to her being on the Autism spectrum. Both characters (and subsequently estranged family members) find themselves car-sharing to a funeral in Scotland. They have 3 days to feel comfortable in each other's company while feeling comfortable in their own skin.

In connection with Horst Wegener's new song "Werden", he and Arne Schramm made the short film "Schweigemahl" about experienced discrimination. Using expressive images of everyday racism, the film tells the story of a German family with a black mother and a white father who work as theatre actresses and directors - and their process of reflection on the fact that even in a family marked by diversity, subliminal and obvious racism is omnipresent. A call to acknowledge one's own racisms and to question the structural inequality that still persists.

Mónica is a childhood friend of Helena, Eva and Ángela, but before entering university the relationship between them has been broken, so Mónica will be forced to choose one side so as not to lose them all.

Inspired by the original micropub craze in Kent, three entrepreneurial Londoners decide to open their very own micropub and revitalise their high streets through a love of real ale, conversation and community spirit.

Performance artist Marina Abramovic invites Alan Yentob into her home, opens her archive, travels to her birthplace in Belgrade and talks about turning her life into art.

In this piece, Canoura gives new meaning to a collection of black-and-white snapshots of a small village (showing both its more traditional and modern sides), superposing and interweaving them with colored visual elements. A work that marks a further step in Canoura’s exploration of texture in moving images.

Art is in the eye of the beholder, they say. Shelly Silver’s beholders range in age from seven to nineteen years. They focus their attention on artworks in the Leipzig Museum of Fine Arts. Their spontaneous interpretations of the works allow for resonances: both, the paintings as well as their young reviewers, reveal different things about themselves, depending on the point of view.

Program focuses on the lasting appeal and cinematic brilliance of The Ladykillers. Included in it are clips from interviews with broadcaster and author Stuart Maconie, film editor Catherine Shoard, actor and writer Reece Shearsmith, and author Ronald Harwood, amongst others.

When she agrees to accompany her partner to visit her wealthy family, trainee nurse Anna begins to suspect that her presence may have more to do with ritual sacrifice than it does meeting the parents.

A boy and his ageing grandfather are connected by the music his grandfather plays. When the grandfather suddenly can’t remember how to play and his very own light goes out, the boy must find a way to bring his grandfather and the light back.

The story of a little quarrel with a good friend.

A heated argument breaks out when Carlos finds out his longtime girlfriend Maria is pregnant.

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. This moving collection of powerful songs examines life, love and the choices that we make.

Nineteenth century. In the middle of the forest, Laura and Hipólita drag the corpse of their victim. In a stop on the road, the conflict arises between them when they realize that, moved by guilt, both want to get out of this in very different ways.

The Grolls, victimized minions of a dungeon, are relentlessly attacked by knights in search of adventure.

A child is watching television, but suddenly a food advertising has a strange interference.

Through a landscape dream sequence with few written words, Ana Bravo Pérez’s Woman with a Suitcase asserts the value of the performative in relation to the fields upon which one dreams.

Zenti is looking for his wife. Zenti is haunted by memories that aren't his. Zenti has no control over the present but he will never give in. He will write poems until he dies to find her, and himself.

Giuseppe looked at the horizon as one observes a desire, as something to be reached in order to try to be free. Since childhood, his daughter Alessia, the director, often saw him looking out the window, wondering what was able to attract his attention in such an intense way. Several years later, during a return trip to Naples, her father's hometown, Alessia finds herself observing her father again. Also this time Giuseppe is always in profile and, while the landscape flows framed in the window of a train, his gaze tries to capture every moment, to stop those moments and save them from the fast passage of time.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

Hear the incredible accounts from military officers on both sides of the war as they recount harrowing true stories from their time in aerial combat.

A documentary studying the archetype of the witch in Hollywood cinema from the 1930s to the present and shows, between the lines, how it is linked to the social history of female power.

A storm breaks out in a high mountain village. Thirty-year-old Maude then discovers a mysterious bird, which will inevitably lead her to a witch's abode.

A young woman organizes a meet-up party at her house where things go awfully wrong where some of the guests mysteriously disappear. They keep on haunting her in unexpected circumstances.

“At last it's party time, at last there's the fire,“ sing Clem and Ibra in the middle of a deserted village. Succumbing to the heat wave, languor consumes them. In the distance, the lights of the city and the celebration attract them.

Veso Golden, a transgender woman from Ghana who lives distanced due to the social rejection she faces and dreams of wearing the crown in the international beauty pageant.

Lech Kowalski has gotten us used to movements for a long time now. Movements of the street, of punks, of fetishists, of his mother, of Polish farmers, of strikers: the list is long, it is the almost endless inventory of a demoted humanity. But is it a habit? Definitely not, more like the effect of a camera that remains untamed. And here we are, subjected to its kicks, its tricks, its rebellions, its rages, its heartfelt cries, we are blown away, and it exhilarates our souls. Once again, the idea is simple: to remake An American in Paris. One small point though, this time the American will be a Native American, sporting a baseball cap with the slogan “Native pride” on it; and Paris will be the rough areas along the roads of the capital, busy with homeless people and migrants from all around the world.

In the global North, the DC-3 is regarded as a vintage plane and tourist attraction. In Colombia, however, it is still used as an airliner and serves as the only link to the outside world for remote villages in the Amazon region – the story of a former “Raisin Bomber”.

Chloe begins to work in a new plant of his hospital, hematological oncology. She is a nurse and at first she is overcome by the situation until she meets Laura, a patient who will leave her mark.

Malva was 95 years old. She was a transvestite who outlived three times over the average life expectancy of a trans person. She told us everything about her life during a year and a half. Together with Marlene Wayar, a Trans referent, we tried to unveil the mystery, analyzing her avant-garde militant activity and the impact she made in our lives.

Some dust flies in the last lights of a film projection.

Rome, 1968: at the pinnacle of his artistic career, Pino Pascali died in an accident. 50 years later the Pascali Museum in Apulia—where Pino was born—buys and exhibits one of his works. This is the story of a work of art returning to its origins told through Pino Musi and Pino Pascali’s photographs.

Expectations on all sides. In front of the camera and behind it. On the screen and in front of it.

"(Daniel) Petit Lu" is a film which celebrates Petit Beurre by the Nantes company LU. The title of the film is a pun between the actor - Daniel Petit - and the famous Petits Beurre. In "(Daniel) Petit Lu", Daniel Petit devours small butter in a biscuit choreography and to the tunes of advertising songs from the 1950s extolling the taste qualities of Petits Beurre LU.

Aitziber’s father travels to the city daily in order to prevent his childhood home from demolition. This apparently senseless action will end up becoming a way to vindicate his own memory.

Opera star Jonas Kaufmann is known as the “King of Tenors”. This emotional and personal film reveals the man behind the star. Here he is chatting with friends, rehearsing for the next concert or simply enjoying family life with his wife and children.

Werner Träsch moves into an apartment with his great love Gabi Hertz. However, he can hardly help with the furnishing of her apartment because he is campaigning to save his favorite restaurant "Zur Traube".

Maja Witt and Klaus Burck have been a well-rehearsed team for years, ensuring law and order as police officers in Bremen. At least that's what they try to do. Time and again, however, they are shown their limits. Criminals are set free again, and they themselves get no respect at all. When the arrogant teenager Ahmed Issa spits at Klaus during a mission, this finally goes too far: the two fight back and start to take the law into their own hands, using any means necessary. But the other side is not standing idly by...