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Infinite marks by clockwork frogs.

A faintly interwoven story, of a boy who wrote poetry beneath the shadows of a sleepless city, of an old man who lives simply to light fireworks and calling out to another world far beyond, of a young teacher who once believed, with all her heart, that art could reshape the world and a young woman who was at once, a dream, a hope, and a wound. Their conversation will carry through the night in an empty bar, clinging to what’s left of themselves and trying to preserve their identities in a world where nothing is certain, except change.

A ruined wedding photo sparks a journey through Taiwan’s iconic pre-wedding photographers—uncovering stories of fantasy, rebellion, and pain, and leading to a deeper reflection on femininity, absence, and the unreachable idea of perfection.

The conversation between me and my house, the overlap between people and places.

Seoul Station at dawn. An old man crosses the plaza, humming as he pulls a cart full of discarded paper. During his brief sleep, the city awakens and daily life resumes.

Juwon and Soyun, who are in the same poetry class, sit on a rooftop watching the sunset. Juwon resents the setting sun, and Soyun must help him write a poem. She whispers into his ear, “Stop spinning and revolving.”

Nearing college graduation, Soyeon returns home.

Losing friends, searching in a cesspit. A short film by 706younglings.

Ju-won and Sol have very different personalities and backgrounds. Ju-won wants to pursue music, but she keeps having conflicts with her mother. Sol, on the other hand, lives in poverty and feels a sense of boredom and anxiety about life. One day, Ju-won happens to hear Sol singing and suggest that they perform together. As they prepare for the performance, they comfort each other and begin their journey toward independence and self-discovery.

With a continued interest in bodies that remain hidden due to invisible disabilities and stigmatized names, Between Word and Body explores how to position portraits and voices that are recorded for documentation yet rendered unusable. The film critically engages with the mechanics of projection—the spatial reproduction of digital technologies that capture the body, such as video and voice recording—and resists the act of “right seeing.”

In a city of silent hearts, Ah-Hua meets Xiao-Ya online. He then feels a fleeting warmth in his still life. When she vanishes, his world dims. Their sudden reunion feels like fate... but is it a second chance, or just another beautiful illusion?

We often hear that parents’ love is priceless and selfless. But accepting that love can come at a cost: a price of being controlled, a price of living under expectations. When this love intertwines with children’s rebellion, it creates a complicated and painful dynamic.

Grandpa, Daddy, and two sons, Spanning three generations. Embark on a journey to Hungary to reunite with the mother. This road trip documentary captures the diverse natural environments and culturesthey encounter as they travel through various countries to reach their destination.

Through fragments of everyday speech, this documentary constructs an alternate dimension of portraits for characters featured in earlier films. These previously unused materials—marked by the repetition of certain words—reveal deeper layers of social and environmental context.

After a heated argument with his girlfriend, Yoonjo uncovers devastating betrayals within his inner circle, awakening a dark, seductive force that rips his friends apart.

Sun-ah, a first-year high school student, serves as a peer helper to her classmate So-hee, who lives with a brain lesion. When Sun-ah is selected as a model student by the Department of Education, she basks in a moment of pride and recognition. But the honor is short-lived, as the challenges of supporting So-hee begin to weigh heavily on her—testing not only her patience, but the very ideals that earned her the spotlight.

The story starts with the flower on the head of the main character, and tells the story of Xiaochun, a monkey, who is the first to stand out in a world of rules and regulations that domesticate and suppress people's nature, and is the first to blossom his own “flower of nature”, thus making everyone's “flower of nature” blossom. The story of the “Flower of Nature”.The music design of the film is based on the traditional Chinese opera “Qinqiang”, an ancient and passionate form of music that complements the traditional Chinese art style of the film.

"Have you ever wanted to just leave everything behind and take off to a faraway place?" Here are two people who didn’t just imagine it but actually made it happen. Do-won and Myung-chul left behind their familiar and convenient city life to start anew in an unfamiliar place—Cheongsan (靑山). Cheongsan Island reveals itself only after a six-hour bus ride from Seoul, followed by another hour-long ferry journey. In a place where even those in their sixties are considered young, the arrival of a couple in their thirties was nothing short of astonishing. Wherever they go, their youth stands out. Do-won works as a social worker at a local children’s center, while Myung-chul volunteers at a church café. Though they are still adjusting, little by little, they are building a home for themselves on the island. In Cheongsan, a designated "Slow City" where slowness is considered an art, Do-won and Myung-chul lead surprisingly busy lives.

Nabuhito, 9-year-old stauttering boy, comes home and finds his mother unconscious on the floor. He tries to call 911, but his speech impediment prevents him from speaking.

In the region of Masafer Yatta in the West Bank, Palestinians are being subjected to ethnic cleansing. Homes that have been passed down since the days of their grandparents are being reduced to rubble by bulldozers. Families who have lived by farming olive trees are forcibly displaced, and Israeli settlements are built in their place. Under international law, these acts are clear violations, yet they continue unabated. In the space of this grotesque violence—where Palestinian homes are demolished to make way for Israeli settlements—there is a familiar logo affixed to the heavy machinery. It belongs to HD Hyundai, one of South Korea's largest conglomerates. Suddenly, what once felt like a distant geopolitical issue jump-cuts into our lives—right to our doorstep.

A child practicing gymnastics on the playground looks down at themself and their friends from a bird's-eye perspective. The frame shifts with each era, shaping the politics of movement, and within a finely segmented timeline, the body transcends a single score.

Su-yeon, burdened by guilt over the death of Hye-gyung, receives a letter from Hye-gyung's twin sister, Ja-yeong. While sorting through Hye-gyung's belongings, Su-yeon discovers that the address in the letter was the home they had planned to share. Confronting Ja-yeong, the two women share their grief and begin to heal, each finding their own way forward as time starts to flow again.

Chinese horror film.

Ching, working overtime on a stormy night, encounters Mr. Ghost. He asks for help in fulfilling his last wish before reincarnation. Ching agrees, but soon discovers that Mr. Ghost is from another time and place.