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Life's Good

Directed by Lih-Kuei Chen, this film honours Professor Chiou’s legacy and traces his journey from early disillusionment under martial law in Taiwan, to formative years in the United States, and decades of community-based activism in Australia. Through interviews, archival footage, and his own writings, the film explores Cold War exile, the making of diasporic identity, and the small but powerful role of critical thought in shaping transnational Taiwanese democracy. More than a portrait of a single intellectual, the documentary reflects on broader dynamics of cultural resistance, diaspora diplomacy, and the political life of ideas beyond the Taiwan/China binary.

Life's Good

NR 2025
Drifting

Mr. Lin Song-ji, an Amis man from Hualien, lived a life that mirrors Taiwan’s history. His father was of Japanese descent. As a young man, he was forced to leave his homeland when the government pushed a forestry plan. He moved to the city to survive and spent years working as a driver, which kept him from forming a deep bond with his children. The home he built with his life’s effort now faces demolition due to urban development. His descendants cannot return to the mountains and struggle to survive in the city. Yet, they remain distant from him. In the end, he is left alone.

Drifting

NR 2025
Tomatoes are poisonous

This is a tale of tomatoes and desire: In the 17th century, tomatoes were feared as poisonous across Europe. It wasn’t until a French painter dared to face death that the world was finally able to taste the tomato’s beauty. After twelve hours of anxiety and fear, the painter emerged not only unharmed but found the flavor of the tomato exquisite, his appetite awakened. One evening, a woman prepared a delightful dish of tomato pasta with red sauce, waiting in both anxiety and anticipation for the return of a man.

Tomatoes are poisonous

NR 2025
The Mother’s Voice

A woman from Chiang Mai speaks in Thai, Mandarin, and Yunnanese. That is the voice I am the most familiar with, the one I first sensed and heard from within her womb. It is also my mother tongue. I chat with my mother about her family of origin and childhood memories. When we are not talking, I wander around the house, touching light and air. Those scents and traces of where my mother resides, along with the fleeting images of her presence, are my intimate gaze of her.

The Mother’s Voice

NR 2025
thóo-kong-á

[thóo-kong-á] is a stop-motion short film centered on the Taiwanese tradition of “bone collecting.” The story follows a boy who was raised by his grandfather, a professional bone collector. Since childhood, he was often asked to help with the ritual, though he never understood its meaning — only finding it exhausting and unpleasant. But through repeated experiences, he gradually comes to see that bone collecting isn’t something taboo — it is a gentle, meaningful practice. It’s a way for the living to say a proper farewell to the dead. In the end, with newfound understanding and respect, he personally performs the final bone collecting for his grandfather.

thóo-kong-á

NR 2025