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Бронекатер

In November 2017 in Volgograd, the BK-31 armored boat was raised from the bottom of the river. According to historical data, from July 1942 until the month of October, the ship took an active part in the Battle of Stalingrad. Built at the special request of the NKVD "BK-31" at that time was a ship unique to the river fleet. After getting up on board, artifacts, the remains of the team, various weapons and a huge amount of ammunition were discovered on it, the latter indirectly confirms the historians' version of the “special” tasks that the navy had to carry out.

Бронекатер

NR 2020
Sententia

Devoted to the last days of Soviet writer, poet, and Gulag survivor Varlam Shalamov, this film follows the efforts of two of Shalamov’s most devoted admirers to preserve the author’s legacy. Having lost his sight and hearing and living in a retirement home, he carried on doing the only thing that mattered to him — writing — until his final breath. This film is a testament to the value of writings that tell the unpalatable truths of the 20th century. To evoke the gritty texture of the Soviet world, Sententia is shot on 16mm black and white film.

Sententia

10.0 2020
From Orel to Prague. Black Knife Division

In 1942, the Ural Volunteer Tank Corps entered the battle on the Oryol-Kursk Bulge. It is the only corps in the world created with money collected on a voluntary basis. Those who assembled these tanks fought in it. The competition for the right to fight in the corps was 14 people per seat. In the first battles at Oryol, every third soldier of almost 3,000 Perm soldiers died. Such was the bitter price of the victory. After the Kursk Bulge, Perm tankers took part in the liberation of Lvov, Poland, Berlin, Prague. Who are they, Perm participants of these battles? What did they look like, what did they think and what did they dream about?

From Orel to Prague. Black Knife Division

NR 2020
The Last Meal

The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…

The Last Meal

NR 2020
Daybreak, Sunset, Cow Milk

The once exemplary livestock and dairy farm in the Altai region is now declining. Milk cows live here. Their whole life passes between the barn and the "maternity ward". Everything here is subordinated to the task of obtaining a useful product. All days at the farm have the same schedule: morning milking, evening milking, “maternity ward”, dairy. The milkmaids arrive early, when it is still dark. People come into the space inhabited by cows, combining animals and mechanisms, creating hybrids of cows with mechanical udders. In the evening, the milkmaids come and milk the cows again. The milk is transported to the dairy section and from there, it leaves the farm. Calves are born in the “maternity ward”, where cows can temporarily return to their natural life. Several women perform these extremely hard and low-paid jobs to keep the barn alive. This is life on a farm.

Daybreak, Sunset, Cow Milk

NR 2020
The Sun Above Me Never Sets

Having quarreled with his father Altan goes to work in the North. He will have to spend a month alone on a deserted island. But soon a neighbor appears. He is old Baibal who has come to the island to spend the last days of his life there. He asks Altan to bury him next to his wife. But the guy finds out that long ago the old man’s daughter went missing. He talks the old man into publishing an entertainment blog to find his daughter and put of the man’s death. Every day Altan does his best to stimulate the old man to live another beautiful day.

The Sun Above Me Never Sets

7.5 2020
Two Hours Till Silence

94 years old, Russia. An old BMW drove into an abandoned precast concrete plant. Two men in leather jackets went to the trunk, took out a shovel, a man and his knapsack. One of them indicated the place, the second loaded the Makarov. Only the word "Dig" slipped out in an orderly tone. The man looked around, picked up a shovel and, without any questions, began to dig his own grave. Such a calm behavior under the circumstances raised doubts about one of the bandits.

Two Hours Till Silence

NR 2020
News From the Other World

The Mamleev family portrait, set in the cramped interior of a small Moscow flat, is an experiment in metaphysical documentary making. Yury Mamleev, the great writer of the Russian chthonic, plays with a cat while his wife, the translator Maria Mamleeva, flips through a photo album from their émigré years in Paris and America. But something eerie seeps into these scenes of simple comfort, vaguely manifesting itself in the elliptical editing and the soundtrack’s unsettling, abstract humming.

News From the Other World

NR 2020
Hey! Teachers!

Two young intellectuals, Katya and Vassya, come to a small industrial town to work as teachers. They want to change the system of scholastic education and the social situation in difficult regions. The school is a closed conservative world, where obedience and discipline are of the highest value. Young teachers discover that nationalism, sexism and homophobia are typical for their new environment. Children see the school as a prison and are completely indifferent to any new ideas. During one school year we observe attempts of our protagonists to bring new practices into the system. Young teachers try to speak with children about feminism, human rights and Russian politics, but the system pushes them out, and a comedy turns into a drama.

Hey! Teachers!

8.0 2020
#IAmHere

Natasha, 36, awaits a court verdict that is to decide whether for the next eight years she is to stay under police observation. Persons like her are called repeat offenders: She committed a new crime, even though she had been released on parole. “Lost trust” — this legal formula has become the real punishment for the main character. These six months is the main penitentiary term of her lifetime, the last chance to feel life in all its versatility, and she makes a list of all things she needs to cram into that short timespan: a rock concert, a ballet, a soccer championship, going to the seaside, meeting up friends, and, most importantly, meeting her father to whom Natasha did not have the courage to tell the truth about her second imprisonment.

#IAmHere

5.0 2020
Prisoner in Kimono

More than 70 years have passed since the end of world war II, but a peace Treaty has not yet been signed between Russia and Japan. While the diplomats decide, ordinary citizens will hold their peace talks: the Russian, the granddaughter of the head of the pow camp, and the Japanese, the son of a pow who was in this camp. They met in the Khabarovsk territory, where this Stalinist camp was located. On the way, they told each other about how their ancestors were involved in the world war, about where they met the end of this war, about their wives and children… Can they come to an agreement? There's so much that separates them…

Prisoner in Kimono

3.0 2020
Naked

The heroes of the film are young people who, contrary to the widespread opinion about youth, renounce self-interest and selfishness in search of meanings, strive for self-restraint, to protect humanity and love - students, workers, artists, athletes, military men, environmentalists. “Life is meaningless without love” is the main thesis of the film. The heroes of the film "Nudity" are vulnerable, vulnerable, like everything young, alive, flexible, gaining strength. They are ready to break ties, overstep limits, hit the road. They make mistakes, for which they themselves pay. Each of them carries a charge of its own time.

Naked

NR 2020
Rider

Zina stubbornly goes on dates, flirts with strangers on social networks and bypasses the dance floor, because she doesn't dance well. But one day it is her turn to shine with happiness. In the life of Zina, a man finally appeared, and that very ideal one. Flowers, restaurants, gifts - a true gentleman, gallant boyfriend and a big fan of Matisse (Pavel Derevyanko) is in a hurry to please all her whims. And everything would be fine, but the protracted platonic relationship does not suit Zina, she wants something more. But for some reason, the gentleman is in no hurry with closeness. And for that he has his own reasons.

Rider

7.0 2020
Dark Matter

The camera hovers above the Mir diamond mine in Sakha, northeastern Siberia, one of Earth's largest kimberlite pipes. This colossal crater spans a continuum of Soviet and Russian resource politics from Stalin to Putin, where technology and ideology inscribe military and economic imperatives into a landscape transformed by radioactive residues and industrial toxicity. Dark earth is excavated and transported, the images governed by extraction processes that sustained the Soviet Union through Sakha's mineral wealth. Out of dense nocturnal fog, debris and dimly lit industrial plants slowly crystallize, apocalyptic scenery alternating with undulating earthworks evoking folds of velvet. The observational camera remains still, registering rather than narrating, while a finely arranged soundscape transmits the ceaseless whirring of machines. Finally, the camera descends into the open pit, its contours dissolving into darkness, like an infinitely slow fall into bottomless depths.

Dark Matter

NR 2020
Walls

On the night of August 13-14, the authorities started a mass release of protesters against rigged presidential elections from prisons on Akrestsina street in Minsk and Zhodzina. All these days hundreds of relatives waited, and some continue to wait under the walls of the detention facility for their children, wives, husbands, brothers, sisters, parents and friends. Detainees come out of prisons and tell about the violence and abuse which they experienced. Information about this is instantly spread on the Internet. People already know the truth. Film director Andrey Kutsila will depict not the stories of torture victims themselves, but their relatives. Under the walls of the prison on Akrestsina street, they are in some emotional state of uncertainty, confusion and hope. The camera will “pick up” individual faces from the crowd and supposedly overhear conversations of Belarusians, filled with pain, anger and despair.

Walls

NR 2020