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Quick Draw Joe

One day, a lone horseman rides into town with a wounded man strapped behind him. Joe, the Ace, had captured one of the bandits who had held up the armored payroll car headed for the dam construction site, takes the wounded man to the police and claims the reward offered. He is told to wait until the driver of the armored car returns to identify the bandit and goes over to the Blue Star where he is introduced to Mishima, the owner of the cabaret, who is highly respected in the town. Joe then meets Saburo, while fishing, and his lovely sister, who seem to sense the real man beneath the rough appearance and take him into their home. Word reaches Joe that the bandit he'd captured had been shot and he hurries over to the hospital.

Quick Draw Joe

NR 1961
Red Peony Gambler: Second Generation Ceremony

The industrial revolution comes to Japan with the introduction of the railroad system. This led to clashes between boatmen, who livelihoods are threatened, and the railroad construction workers. Oryu the Red Peony returns to her home in Kumamoto to accept her position as second generation leader of the Yano Family. But the ceremony is interrupted by fighting between local boatmen and railroad works. And it seems a rival family is pulling the strings behind the clashes.

Red Peony Gambler: Second Generation Ceremony

6.6 1969
Flowers on the Road

Yae and Kiku, daughters of drapers in Edo, must travel to Kyoto in place of their sickly fathers to attend to some businesses affairs. On their way to Kyoto, the two ladies are ambushed by a group of bandits. However a good Samaritan named Santaro comes to their rescue. Santaro is aiding a young samurai named Sanshiro who is on an official mission to deliver a message to a noble in Kyoto. When Yae and Kiku discover that a gang of assassins is after Sanshiro, they decide to help Sanshiro to complete his mission.

Flowers on the Road

5.0 1961
Red Peony Gambler: Biographies of a Gambling Room

Oryu the Red Peony, a wandering female yakuza on a soul-searching journey after the death of her father. After collecting her sickly follower from jail, she is taken in by a fishing village. Feeling indebted to their generosity, she stays to work for the village and promises to leave her yakuza ways behind. When a dispute breaks out for the gambling rights to a local festival, the villagers are harassed by a gang of thugs. When the harassment turns violent, Oryu must decide wither to keep her promise or protect the villagers.

Red Peony Gambler: Biographies of a Gambling Room

6.2 1969
The Sex Check

Ken Ogata plays Shiro Miyagi, a sprinter with Olympic aspirations whose dreams were shattered by WWII. A broken man, he leads the dissolute life of a gigolo until a chance meeting with a fiery young athlete named Hiroko (Michiyo Yasuda). Realizing that she has talent as a sprinter, Miyagi sees a second chance at Olympic glory in becoming her coach. Following Miyagi’s unconventional, military-style training, Hiroko sets a record for the 100-meter dash, but her greatest hurdle proves to be a “sex check” which all professional athletes must pass.

The Sex Check

8.0 1968
Zatoichi's Revenge

Itinerant masseur and master swordsman, the blind Zatoichi, is near the village of his teacher, Hikonoichi, so he decides to visit. He learns of Hikonoichi's recent robbery and murder and the imprisonment of his virginal daughter, Osayo, in a brothel. Through friendship with Denroku, a local dice thrower and devoted father, Ichi uncovers an unholy alliance between the governor and the area strongman: among their scams is falsifying tax records to put farmers in debt, then forcing their daughters into prostitution at the boss's brothel. With help from Denroku's daughter, Otsuru, Ichi comforts Osayo until he can provoke showdowns with the villains and their henchmen.

Zatoichi's Revenge

6.6 1965
The Temple of Wild Geese

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The Temple of Wild Geese

6.5 1962
The Gambling Monk

One summer day, the chief monk of the Hojuin Temple dies. Harumichi rushes back to town hearing about his brother's death and requests for a grand funeral. He had been unwilling to take over the family business and had chosen a life as a middle school teacher far away from home, but considering the circumstances, he changes his mind. As the new chief of Hojuin, Harumichi scrambles around day after day for donations. He has kept strictly to the straight and narrow, until he passes a bicycle race track where the sounds of cheering fans induce him into a new way of life...

The Gambling Monk

NR 1963
Judo Life

Sonny Chiba's first martial arts film, a partially fictionalized judo biopic based on prominent judoka Shiro Saigo (Chiba), the second student of judo founder Jigoro Kano (Naoki Sugiura). Akira Kurosawa’s Sanshiro Sugata is based on the same character and shares some scenes, but Judo for Life focuses more on the martial arts philosophy and training, including scenes depicting how the protagonist learned his famous cat-like landing, coined the term judo, and trained with Tsunejiro Tomita (Hideo Murata). There’s also a slight yakuza film influence. The port street ambush scene is found in both films, but in Judo for Life it’s not Kano but a travelling yakuza that jumps out of the rickshaw. Entertaining and beautifully old fashioned, one does however with there were more shades of gray between good and evil, and a stronger ninkyo-like moral / honour conflict.

Judo Life

NR 1963
Samurai Banners

Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

Samurai Banners

7.4 1969