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Itaca Nel Sole - Cercando Gian Piero Motti

Itaca nel Sole is the name of a climbing route on El Caporal, a wall in Piedmont, Italy, that resembles the worldwide renowned El Capitan. Among climbers, the fame of the route is due not so much to the considerable technical difficulty, but to the symbolic charge that still holds hold on legions of climbers and enthusiasts. Itaca's image is linked to an exceptional character: Gian Piero Motti. Mountaineer, writer and mountain philosopher, Motti embodied the doubts and anxieties of a generation at the crossroads. Through testimonies, photos, and archival materials, his story is articulated through his famous writings.

Itaca Nel Sole - Cercando Gian Piero Motti

10.0 2018
ST( )MA

A subtle and atmospheric designed-nature film, following a beetle traversing through its newly found home, intertwined with and supplemental to the free electro-acoustic jazz album of the same name, by Cristiano Calcagnile. Complex and accessible from and in many directions, it in-cludes its elements and their displacement along the elusive boundaries of a penetrating dance, that you soon give up wanting to define, and entrusts its appeal to complexity and countless perspectives.

ST( )MA

NR 2018
13 Attempts To Shoot My Father

After his retired father, Franco, nearly dies from a heart attack, Francesco decides to make a film about him. Francesco’s ruthless directing methods, as well as Franco's dubious acting efforts, generate both absurd and intimate dialogues which mostly occur between the takes. Edited as the “making of” for a film that was never finished, '13 attempts to shoot my father' follows the tragicomic journey of the director-son and his actor-father attempts at overcoming, with the help of a camera, their inability to communicate

13 Attempts To Shoot My Father

NR 2018
5x7

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

5x7

NR 2018
Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Opéra National de Paris: Verdi's La Traviata

NR 2018
La Fuitina Sbagliata

The story of Romeo and Juliet is exactly the opposite: two families, the Casisa and the Vitrano, who adore each other, and their two children, Anna and Claudio, students away from home and longtime lovers, who hate each other and want nothing to do with each other. When they return home, the two find an idyllic situation: the friendship between their families is so strong that they've even joined forces in business. The Casisa, ricotta producers, and the Vitrano, producers of cannoli shells, will sell "the lovers' cannoli," for which Claudio and Anna will be the unwitting ambassadors. It's so difficult to tarnish that picture that the two not only lack the courage to admit they've broken up, but, gripped by an increasingly childish fear, they complicate matters by telling outright lies: not only do they announce their wedding, but also the imminent birth of a child. From here, a hilarious game of misunderstandings begins, which will lead them to commit the wrong elopement.

La Fuitina Sbagliata

6.3 2018
It can't always be summer

It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.

It can't always be summer

NR 2018
Open to the Public

The Institute for Public Housing in Naples employs about 100 people. When the office is open to the public, employees receive residents who live in the 40,000 houses managed by the institute. Their task is to find solutions to citizens’ problems and trigger the bureaucratic procedures to solve them. But managing these chaotic lives within rigid legal structures is not an easy task and employees are often forced to resort to a singular art: “bureaucratic compromise”. (Tënk)

Open to the Public

9.0 2018