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I Don't Understand You Anymore

On entering her bathroom, Luisa finds a naked man showering. She calls the police at once and the man is arrested. At the police station Alberto, a psychiatrist, recognizes the man: he is Paolo, Luisa's husband. Alberto offers to help Paolo, but when the two men arrive at his home, Paolo still in his bathrobe, Luisa hugs Alberto and calls him Paolo. The two men try everything they think of to help Luisa regain her memory until the last (but not too unexpected) surprise.

I Don't Understand You Anymore

6.5 1980
Arrivederci e grazie

Tired of married life and of his profession, Carlo decides to leave the company he owns in the hands of his wife and leaves home to move to a rented house in the heart of old Rome. The man's son, Paolo, is a playwright looking for a coveted success and he too is looking for a new apartment: due to a mistake by the agency, they both end up sharing the same room. However, the two have an irreconcilable character and soon their differences come to light, with the situation taking a further unexpected turn with the arrival of the second son Giacomo and his wife Francesca, who is expecting a child.

Arrivederci e grazie

5.5 1988
Uno scandalo perbene

Based on a real-life mystery in the newspapers after World War I, this conventional, straightforward story is about a poorly-dressed man who is brought into the police station in Turin for stealing flower pots from the cemetery. He is rather brutally interrogated, and then because he has no idea who he is or where he belongs, he is put into an asylum for the mentally disturbed. After his photograph is published in the newspapers, a woman shows up at the institution claiming that he is Professor Canella, her missing and wealthy husband. The news obtains the release of the amnesiac, but his claim is quickly and hotly contested by another family, arguing that the man is an imposter. As a result, his case goes back to court and in the meantime, the "professor" is put in jail. As the courtroom drama continues, there are various clues that suggest whether or not the amnesiac has been accurately identified and by whom.

Uno scandalo perbene

5.6 1984
Nothing Underneath

Bob Crane has long maintained a psychic connection to his twin sister, Jessica, who works as a fashion model in Milan. When Bob senses that his sister might be injured or killed, he travels to Italy to look for her, only to discover that she's vanished without a trace. Enlisting the help of about-to-retire Commissioner Danesi, Bob soon finds himself embroiled in a web of mystery and terror, when a scissors wielding killer begins to strike and all clues lead back to Jessica...

Nothing Underneath

5.7 1985
This and That

Two episodes. The 1st is 'Amore impossibile' (Impossible love). Giulio is a comic book draftsman. He is passing through a creativity depressed period. One day his editor makes him meet a blond nice girl. Immediately Giulio fall in love and starts to draw his impossible love story into a new comic book. The 2nd is 'Quello dal basco rosso' (the one with the red beret). Sandro, a mature man, meets one of his former girlfriend and her daughter Daniela. Daniela couldn't have sex with her boyfriend because of a childhood remembrance. In fact she always remember her mother having sex with a man wearing a red beret. She discovers that man is Sandro, makes love with him and soon recovers from her obsession.

This and That

4.7 1983
Count Tacchia

In 1900 in Rome, the poor carpenter Francesco, by a twist of fate, is recognized component of a noble family in the process of decay. Francesco knows the cynical and ruthless Prince Torquato Terenzi, disappointed by life and progress, and also falls in love with the beautiful Duchess Elisa. When Prince Terenzi dies, Francesco realizes that he's not enriched for nothing with the inheritance, because the noble family is broke; so he enlistes himself for the war in Libya, but quickly returnes to Italy, disgusted by the atrocities of the fighting. His dream is to be a singer, and so he goes to America with the Duchess Elisa.

Count Tacchia

6.1 1982
Thus Spoke Bellavista

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.

Thus Spoke Bellavista

8.0 1984
Camorra (A Story of Streets, Women and Crime)

After Annunziata (Angela Molina) opens up a hostel with her friend Antonio (Daniel Ezralow), she is saved from being raped by a Camorra boss as the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others, and always with the same “signature” — a syringe in one of the testicles of the victims. As the gangsters continue to be killed off, the identity of the killer – or killers – slowly becomes obvious.

Camorra (A Story of Streets, Women and Crime)

6.0 1986
Daughter of the Jungle

Two college students decide to take a vacation to the Amazon. While in a small village getting supplies, they provoke the anger of a local scoundrel, whose ruffians beat them up. After renting a boat and sailing down the river in search of some good scenery, the two kids become lost and are forced to jump in the water to avoid a cascade. Now totally lost, they enter a small village, where the natives eye them mysteriously. It is here that they meet a bizarre jungle female, who happens to be the last survivor of a helicopter crash that occurred years ago. She soon develops a bond with the two adventurers...

Daughter of the Jungle

3.4 1982
Lucia di Lammermoor

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Lucia di Lammermoor

10.0 1983
Bankomatt

With three of his companions in a fatal gas-station robbery drowned while evading a police roadblock, the surviving young thug has no reason to turn himself in to the police, since they don't know about his existence. At least, that's the way his rescuer Bruno (Bruno Ganz) sees it. Besides, Bruno needs such an overly enterprising fellow to help him pull off a really big heist that he's been planning for a long time. It takes some doing, but the boy and his girlfriend are recruited by the older man, who has been keeping a low profile by working as a gardener.

Bankomatt

8.0 1989
The Magic Screen

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

The Magic Screen

4.4 1982