Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
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Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
A woman rejects her father-approved groom, runs away, and falls in love with a petty thief/gambler.
An atheist falls in love with a married devout woman who has forsaken materialistic life.
Sent to a hostel as a punishment, a rebellious lad leads a revolt and creates havoc in the institution.
Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.
Kamla and Mahapatra pray to Bhagwan Shree Indra and are blessed with a male child. Despite his upbringing, Raghu is won over by the four temptations of Lobh, Madh, Kaam and Krodh.
A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.
Bada Bhai is a movie directed by K. Amarnath featuring Kamini Kaushal, Ajit.
Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.
A young man goes on a quest to find his mother and to restore justice in a kingdom that has fallen into the hands of traitors.
Chandni and her dad belong to a well-off family. Iftekhar feels that Chandni has come of age and must get married, and he selects a groom for her and asks her to marry him. She refuses and runs away from home. She meets up with Fooman and Dhaboo and gets into a series of adventures with them, including eluding the police. One of their adventures lands them aboard a ship captained by Prem, who is transporting Princess Shehzadi to her native land. The princess likes Prem and would like him to marry her, but Prem refuses, and as soon as they land, Prem is arrested by the King, imprisoned, and tortured. Fooman, Dhaboo, and Chandni plan to help Prem to escape, which jeopardizes their own lives.
A young couple’s romance blossoms into marriage, only to collide with family tensions and societal expectations. Jeewan Jyoti introduces Shammi Kapoor and Chand Usmani in a heartfelt story of love, duty, and resilience.
A ruthless spice merchant in pursuit of ultimate wealth must choose between his fortune and the only woman who knows the true measure of his heart.
An incident from Mahabharata wherein the Pandavas were exiled.
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.
After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.
A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.
Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.
The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.
The king of Maninagaram is cheated, dethroned and banished from the country by Regent Chandra Varma. The royal priest and army officer Prathapan lend support all the treacherous plans of the Regent. When the noble army chief Rajendran voices his protest against the Regent and the priest, he is imprisoned.
On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.
Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.
Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.
Raja lives a wealthy lifestyle with his somewhat upper Caste Hindu, eccentric, woman-hating dad, Hazurdas, and mom. He is friendly with Kishore, and both are aspiring doctors. On their way to college, they meet with two young women, Rani Mehra and Kamini.
A 1953 Historical Patriotic Bengali Film directed by Sudhir Mukhopadhyay.
Sargam is a 1950 Bollywood family drama film directed by P. L. Santoshi and starring Raj Kapoor.
1950 bollywood film.
The story of Shri Chaitanya Mahaprabhu .
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.
Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.
During the reign of Akbar the Great, a young singer sets out to avenge his father's death and challenges the killer to a musical duel.
A newly orphaned brother-sister duo take refuge in a temple where they receive help from people who believe in them and push them to overcome several hurdles.
Shanta agrees to marry a lesser educated man.
A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too. The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.
A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.
Leela is a beautiful young lady who wishes to marry her sweetheart and poor artist Shyam. By chance, Leela meets Sita, a Rani whose son falls instantly in love with Leela, leaving the young lady with a life-changing dilemma.
Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.
Prince Rashid fights to regain his kingdom
After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!
Badal is mistakenly presumed to be dead. Kamini, his love, is heartbroken and is married off to Thakur. Badal returns and not knowing the truth, is filled with vengeance for Kamini.
Based on one of the four tragic romances of the Punjab, it is only one of over a dozen film versions of the tale.
An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.
Driven by the devastation of a famine, a patriotic landlord joins a secret brotherhood of warrior monks to lead a fiery revolt against the British East India Company, embracing the motherland's freedom as a sacred and ultimate sacrifice.
Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala, best know for popularizing the Lavani dance form and for writing the classic raga Ghanashyam Sundara Shirdhara.
A 1954 Bengali Drama Film directed by Bholanath Mitra, featuring Mahanayak Uttam Kumar.
The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka
A wealthy heiress's life is tragically upturned when she discovers her illegitimate, look-alike sister—a street-wise courtesan—who quickly falls for her fiancé, forcing a crisis of identity, love, and sacrifice.
Shekhar falls in love with Lilly D'Souza, a performer, only to discover she is a British spy. He hands over Lilly and her sister, Dolly, to the INA, which sentences both to death.
Binda, an old musician in a village near Bombay, has brought up his son Rajan, in the hope that one day Rajan will become a great musician.
A love triangle, the story revolves around two brothers (Ajit and Sajjan), both in love with an orphan girl (Madhubala), who is given shelter by their family.
Sunder, a laid-back young man, cares nothing about responsibilities towards his own future or of his family's. At much persuasion by his widowed mother, Sunder leaves on a journey to find a suitable groom for his sister Laajo. Situations arises and Sunder ends up marrying Pilu, daughter of Mooley Shah from the neighboring village. Sunder's mother and maternal uncle Bishandas are happy for Sunder's marriage but are disappointed by Sunder's irresponsibility towards Laajo's marriage. This time Bishandas decides to accompany Sunder for a groom hunt. After a few attempts they find a boy for Laajo, Atmaram, a government employee. The marriage takes place, but Atmaram's father Lala Kedarnath asks for money as dowry. This puts Laajo's marriage in jeopardize. Finally, Bishandas manages to make Atmaram to disown his father and accept Laajo.
When Brijmohan moves out with his ailing mother due to a family dispute, he comes across a runaway woman on his quest for a new job. What follows is the journey and trials and tribulations of these two strangers as they traverse, courtship, marriage and family politics.
Tapan Sinha's debut film is based on a Narayan Ganguly story SAINIK, which figured an elephant in the central character.
Patal Pari is currently a lost movie featuring Shakila.
Directed by D.D. Kashyap. With Shekhar, Geeta Bali, Begum Para, Leela Chitnis.
Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]