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La Fiancée qui venait du froid

Paul is a playboy: a former girlfriend asks him to marry Zosia, a Polish girl, opponent of the regime of her country (it's 1981,December would see the state of siege in Poland and the arrest of many opponents) Paul hesitates but they told him so: it will be an unconsummated marriage and they will divorce shortly after. Against all odds, Paul, who is a happy-go-lucky guy, who does not care about politics,flies to Warsaw: Zosia is a gorgeous blonde, and during their honeymoon, he falls in love with her. But it's not that easy; back in Paris, Zosia is still a political activist whose friends look upon Paul as an intruder.

La Fiancée qui venait du froid

5.4 1983
Black Mic Mac

This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

Black Mic Mac

5.7 1986
La Garçonne

The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.

La Garçonne

6.3 1988
Les Sous-Doués En Vacances

A group of friends are planning how to spend their summer vacation. One plans to go to the Seychelles with his American girlfriend. At the airport she dumps him for another guy. He has no money so he steals a backpack and goes camping. Somehow he meets a pretty girl and convinces her to share his tent. But a famous singer sees the girl and wants her too. He convinces the luckless guy to act like a fool and the girl leaves him and goes with the singer to the French Rivera.

Les Sous-Doués En Vacances

5.4 1982
Périgord noir

The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.

Périgord noir

4.6 1989
Bolero

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Bolero

6.9 1981
Séo!

The film shows Catherine Destivelle's trip to Dogon Country, in Mali, where she will make spectacular free solo rock climbing ascents in the sun-warmed cliffs of Bandiagara. Destivelle is accompanied on this trip by a friend climber, Lucien Abbet. A film by Pierre-Antoine Hiroz produced in 1987 by Paradoxe and also featuring Tidjani Koné, Ibrahim Dolo, and the Dogon inhabitants of the Bandiagara Escarpment. The film won the Genziana D'argento for best free climbing film at the Trento Film Festival in 1987.

Séo!

8.0 1987
Rat Race

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Rat Race

5.4 1980
The Murdered House

After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?

The Murdered House

6.7 1988
Paradise Hotel

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

Paradise Hotel

9.0 1986
Love Unto Death

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but returns to life. Despite declining further medical tests, the couple are forced to grapple with the possibility of his death. Eventually, they tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...

Love Unto Death

6.7 1984
Partenaires

Most of the action takes place in two dressing rooms of a Parisian theater during the performance of a successful play. Marion, 40, beautiful and famous, is the star. Gabriel, her 55-year-old husband, is less fortunate: he's the one who discovered Marion, but never managed to impose himself. That evening, throughout the performance, the couple will indulge in a savage settling of scores, while the anecdotes of the evening and the other actors provide a comical counterpoint to the monstrous confrontation.

Partenaires

7.0 1984
Equator

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

Equator

4.1 1983