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The Priest Lorenzo

A heart-warming and entertaining chronicle of Salesian priest Lorenzo Massa. His work in the Almagro neighborhood of Buenos Aires in the early 1900s led to the founding of San Lorenzo de Almagro, one of the best soccer clubs in Argentina. (Pope Francis, who grew up in this neighborhood in the 1940s, is a fan). Father Massa (Ángel Magaña), an athletic young priest, is sent to serve a working class community, where he initially faces indifference and hostility. Following the conventions of the Hollywood biopic, the film describes the characters and their plights with affection, and a dash of drama, as they are changed by the example of the priest.

The Priest Lorenzo

7.5 1954
Afternoon at the Bulls

Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter

Afternoon at the Bulls

5.3 1956
Un caballero andaluz

In the farmhouse Los Laureles, owned by Don Juan Manuel Almodovar, wealthy Andalusian landowner, everything is being prepared to receive José Luis, only child of Juan Manuel, who is being educated in a Jesuit school in England and is returning for a holiday with his father. Since the death of his wife, Juan Manuel has set all his love in his son. The father does everything his child says, even when he is asked to accompany him to the Venta del Remedio where a blind gypsy called "Colorín" lives. But at the after party a serious accident occurs

Un caballero andaluz

10.0 1954
Before Breakfast

A man, whom we don't identify, kills himself with his razor because he can no longer bear the complaints of his wife, whose face we can't see well either. An impressionistic work with very close shots that cut out reality until, for example, the faces of the characters are omitted. A kind of description and brief chronicle of daily life in a house for a few minutes serves as a framework for the irruption of an unusual tragedy. Filmed without sound, it lacks any subsequent dialogue, although a piano band with a jazzy air has been added.

Before Breakfast

5.0 1955