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Along Newfoundland's Shores

This short documentary includes three vignettes about life off the coast of Newfoundland. In Island of Birds, we visit Green Island, a sea bird sanctuary where puffins frolic. In Caplin Harvest, little silvery fish called caplin spawn by washing ashore along the waves, making an easy catch for fishermen. In Outports on the Move, off-shore houses are pried loose from their foundation and floated to the Newfoundland mainland, where schools, hospitals, stores and services are available to the community.

Along Newfoundland's Shores

NR 1962
Don Quichotte de Cervantes

This TV program tries to show how the illustration from the 17th to 20th century of the famous novel written by Cervantès has in the same time improved and impoverished our knowledges of this novel. Improved, because the illustration help us to discover that the physical aspect of the caracters influences the comical features and the symbolism of this masterpiece. Impoverished, because it neglected, especially since the 19th century, the representation of the age and the context, thus favoring abusive adaptations and condensations.

Don Quichotte de Cervantes

7.8 1965
The Boy Next Door

A family moves into a house in the suburbs. Jacques, the adolescent son, speaks only French. Jimmy, the adolescent boy who lives in the house next door, speaks only English. There is an initial curiosity between the two from afar, but the language issue places an immediate strain between them. But the initial curiosity and interest in "little boy things" overcome the problems they have. This meeting begins a friendship between the two, which they're both going to need and rely upon as they explore the "haunted" house in the neighborhood inhabited by the scary man.

The Boy Next Door

9.0 1962
The Maltese Cross Movement

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

The Maltese Cross Movement

7.1 1967
Creative Person: Leonard Cohen

Canadian poet Leonard Cohen, who now resides on the island of Hydra in Greece, is shown in his native city of Montreal. The program explores Cohen's childhood and his subsequent development as one of Canada's leading new writers. The film takes viewers to the house Cohen was brought up in as well as to the places of Montreal he enjoys frequenting—his favorite bistro, a three dollar-a-day hotel, the public park, the exclusive section called Westmount, and a Greek grocery store. Cohen himself is shown at a recording session, at public readings of his poetry, displaying home movies of his childhood, and commenting on university life. He also reflects on his visit to Cuba, his girlfriend in Greece, his obsession with danger and his friends and their personalities.

Creative Person: Leonard Cohen

NR 1967
Cattle Ranch

This short documentary offers a portrait of life on a cattle ranch, for both its human and animal inhabitants. Featuring sprightly music by folk singer Pete Seeger and narration by theatre actress Frances Hyland, the film is shot through the seasons on a large Canadian cattle ranch near Kamloops, British Columbia. With hundreds of cows and calves on the ranch, there’s no shortage of work to be done: soil cultivation and crop maintenance are taken care of by seasonal ranch hands while the resident cowboys—“anxious guardians”—brand and breed their bovine charges.

Cattle Ranch

10.0 1961
Joseph Howe: The Tribune of Nova Scotia

This short drama is a portrait of Nova Scotian journalist and politician Joseph Howe (1804-1873) and his battle for freedom of press. When, in 1835, Howe was accused of seditious libel, no lawyer dared defend him. Choosing to defend himself, he addressed the jury for over 6 hours, urging jurors to leave an unshackled press as a legacy to their children. Though the judge instructed the jury to find Howe guilty, jurors took only 10 minutes to acquit him - a landmark event in the evolution of press freedom in Canada.

Joseph Howe: The Tribune of Nova Scotia

10.0 1961