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Letter From A Guarani Woman In Search Of Her Land Without Evil

The Land Without Evil is the mythology that guides the Guaraní communities. It narrates the search for a lost paradise. From the moment that Europeans crossed the Atlantic, it became the anima of a resistance discourse. How many different weapons does it take for a fight? The solo exhibition of Patrícia Ferreira Pará Yxapy, one of the most engaged women among Brazil’s Indigenous filmmakers combines new works and the archive behind her audiovisual journey over the past 15 years, always in close collaboration with the Mbyá-Guarani Cinema Collective. It presents Indigenous cinematic practice as a tool of resistance and healing showcasing intimate and painful thoughts on the feminine, on spirituality, colonization, and the relationship to land.

Letter From A Guarani Woman In Search Of Her Land Without Evil

NR 2020
A Nascente Mora Aqui

Amid São Paulo’s rapid urbanization, Praça Homero Silva endures as a green refuge and a symbol of community, memory, and ecological balance. The documentary sheds light on the social, environmental, and cultural significance of this space, known for its many natural springs and its extensive area of native vegetation. By highlighting the community’s relationship with the square, the film invites reflection on the preservation of common goods and the right to the city.

A Nascente Mora Aqui

NR 2020
The Bamboo Bridge

A puzzle to Western eyes, China is a giant that imposes itself through the barriers of language, traditions and history. With testimonies and images of historical and sentimental value, journalist Jayme Martins and his family lead us to a comprehension of China through the unprecedented narrative of his experience in that country: Communism, Mao’s Cultural Revolution, the Celestial Peace Square Massacre, the reforms that culminated with the country becoming a superpower. Director Marcelo Machado dives into these memories and visits the country with which he possesses an affective liaison.

The Bamboo Bridge

NR 2020
Rodson ou (Onde o Sol Não Tem Dó)

These are the pre 3000 years. Art is a crime. Reflecting is prohibited. Reading is no more. Only mass production and consumption are allowed. RODSON®. A boy with his animalistic artistic instinct repressed by the society around him, just one of many… The anarcocrenty government makes the mistake of thinking that the beast has been under control, but its mind conceives CALEB® the RODSON @ alterego that launches it off the road, abandoning air conditioners in search of the perfect hallucination under the merciless sun of 2000°C that the last layer of exosphere provides the current society.

Rodson ou (Onde o Sol Não Tem Dó)

5.0 2020