Discover Movies

"Have you ever wanted to just leave everything behind and take off to a faraway place?" Here are two people who didn’t just imagine it but actually made it happen. Do-won and Myung-chul left behind their familiar and convenient city life to start anew in an unfamiliar place—Cheongsan (靑山). Cheongsan Island reveals itself only after a six-hour bus ride from Seoul, followed by another hour-long ferry journey. In a place where even those in their sixties are considered young, the arrival of a couple in their thirties was nothing short of astonishing. Wherever they go, their youth stands out. Do-won works as a social worker at a local children’s center, while Myung-chul volunteers at a church café. Though they are still adjusting, little by little, they are building a home for themselves on the island. In Cheongsan, a designated "Slow City" where slowness is considered an art, Do-won and Myung-chul lead surprisingly busy lives.

One day, a junior high school student, Midori, goes missing. Her friend Honoka searches for her desperately. Upon seeing a news report about people vanishing along with money, Honoka devises a plan to rescue Midori. Can she save her friend before it's too late?

Isolating herself from the outside world, Yoo-sung receives a call from her ex-lover, Hye-won.

If you thought the movie's psychedelic effects would kick in so quickly, you're completely mistaken. Give the psychedelic magic a little more time to sink in, and just let yourself go. Hop on your magical skateboard and ride between the lines, allow yourself to be chased by the impermanence, and fully enjoy the moment, not knowing where this story will lead you…

A butterfly yearns for distance, a caterpillar seeks comfort. Their park life begins to change as a strange structure expands.

An island, isolated yet sovereign, where humans and nature coexist between the ebb and flow of the tides — rising and falling, supporting one another in quiet balance. Through the beauty and sorrow of an island, we reflect on the gendered dynamics of power in contemporary island life. What does it truly mean to live freely? And how do we know which choices in life are the right ones?

Songju, a taxi driver, is a man who cannot honestly express his confused feelings to his father. He usually writes poems to manage his emotions. One day, after visiting his father at the hospital, Miae asks Songju to take her by taxi so she can visit her mother.

Spending time with his dog, A moves to new places and comes across various landscapes and people.

Su-yeon, burdened by guilt over the death of Hye-gyung, receives a letter from Hye-gyung's twin sister, Ja-yeong. While sorting through Hye-gyung's belongings, Su-yeon discovers that the address in the letter was the home they had planned to share. Confronting Ja-yeong, the two women share their grief and begin to heal, each finding their own way forward as time starts to flow again.

In 1974, a child begins drawing lines on paper, anticipating the thrill of playing a video game. This film captures the essence of that moment, staying true to the act of drawing as if playing a game . As lines transform into sprites, the film evolves, creating a sense of movement and excitement, reminiscent of the classic arcade experience.

A hunter stumbles upon a strange forest and ventures into grotesque dangers, encountering natural horrors, biological oddities, and a group of humanoid monsters...

Veterinarian Yu-Husan Lin originally majored in forestry in college. After graduation, she decided to retake the college entrance exam to pursue her dream of becoming an veterinarian. She successfully got into the Department of Veterinary Medicine at National Pingtung University of Science and Technology, realizing her aspiration to care for animals, especially wildlife.

The phenomenally resilient sea women of Marado Island, at the southernmost tip of South Korea, are like no one else on the planet. Six women aged in their 40s, 60s, 80s and 90s have lately been joined by a solitary young male diver, Min-Jong. Most of the women are well beyond 60. They may stumble walking on land, but underwater, they are transformed into graceful swimmers who haul in twice their bodyweight in seafood every day. These are Korea’s traditional Haenyeo: female divers who hold their breath for more than two minutes to depths of up to 20 meters. They make their livelihood combing the seabed for culinary treasures for restaurants in Korea and Japan: kelp, sea cucumbers, conchs, and, most prized of all, abalone.

What if the delusions of the dissidents are in fact real? What if their paranoid fantasies are not fantasies at all? In other words, what if it’s not the political dissidents who are crazy, but the politicians? You’re about to learn about the dark history and the even more disturbing present of political psychopathy.

A Japanese horror short film.

2025 release

2025 release

Yugo dreams of the time he spent training to be a champion with Gardevoir, his partner Pokémon, but now he’s too tired and busy with work. However, some friendships and dreams are just too mega to be forgotten...

24 is a fragmented return to my family memories, where sound drifts away from abstract imagery to expand the space of the screen. Moving like a single current, the film lets viewers wander through what’s remembered—and what collapses—until rebuilding begins in the aftershocks.

I injured my right hand, and I live with my left hand for a while. I attend a Japanese language school with friends from Myanmar, and I go to meet a white dog. My left hand is awkward and imprecise as a foreign language. The left hand temporarily forgets the lives left behind by the right hand, offers food to the white dog, and slowly traces things that the right hand cannot reach.

Forever is an intimate portrait of Midori and their relationship with Morgyn Ember, a fictional character. Following daily life and dates, the film reveals how storytelling shapes their world, and how love and connection can exist beyond conventional understandings of relationships.

The form of life originates from within and is manifested outwardly; it is both positive and negative, and at the same time, it is excessive.

On the eve of graduation, I deposited the red envelopes I collected during the New Year into the bank. Meanwhile, my soon-to-start live streaming job demanded an advance deposit. Shuttling between the church, the bank, the parking lot, and the garbage dump, I remained ensnared in the system's cage. What roles are we truly playing? This is not merely the confusion of a single youth, but a symptom of an era—where everyone employs role-playing to confront the void and absurdity to counteract absurdity. The film examines the existential states across different social spaces, inquiring if we can still reclaim our true selves amidst the role-playing and absurdity.

Musician Ahmad Abu-Amsha has been forced to live as an evacuee in a refugee camp at Gaza’s Unknown Soldier Park. Despite bombings and food shortages, he continues to teach music to children within the camp.

On the remote Tibetan Plateau, Old Zhaxi, a herdsman, relies on a white yak that once saved his younger son and carries the memories of his late wife and eldest child. Now grown and yearning for a new life in the city, his son Gongbu decides to sell the yak, hoping to bring his father along. But the plan ignites a fierce confrontation. As the son insists on parting with the yak, father and son clash in the tension between tradition and modernity, between staying and seeking change. The enduring bond with the yak becomes a thread that tugs at their shared attachment to home and the widening rift of their era.

The "Limited Express Shinano No. 81" is a special train that, unlike the regular "Limited Express Shinano" which connects Nagoya Station and Nagano Station, enters the Oito Line from Matsumoto Station and heads for Hakuba Station. This documentary captures the train, nicknamed "Hakuba Shinano," just before its final run, which disappeared from the timetable on February 11, 2025.

N, who has long yearned for the Meteor Festival, comes for the first time to help on the host world of the festival—the “Main Star, Planet R.” The residents here are full of enthusiasm, diligently preparing for the celebration. Just as N is swept up in the lively, joyful atmosphere, he catches sight of another, very different side of the Meteor Festival…

The paradise of life, I believe, exists in the interlude – a fleeting moment granted to all, equally, that quietly arrives between one thing and the next.

2025 release

2025 release

2025 release

2025 release

2025 release

OSK Revue's performance.

2025 release

This documentary anthropologically records an 80-year-old Horqin shaman's final 3-day initiation ritual, showcasing traditional ceremonies and spiritual trances, with the passing of sacred instruments symbolizing cultural continuity.

Shy So-mi gathers the courage to go on a blind date, but her worries never seem to end.

Thirteen-year-old So-hee travels alone to visit her divorced father, Su-hyuk. By his side is a his boyfriend. In the fish farm, the fish are dying, and a typhoon brews over the sea. What will happen after the storm passes?