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A disabled person, abandoned by family, society, and the system, suffers through exploitation and abuse. When his last means of survival, his welfare benefits, are stolen through fraud, he takes his own life. After he throws himself off the building's rooftop, the building is abandoned due to terrifying rumors of the 'Wheelchair Ghost.' The building owner's desperate efforts - involving YouTubers, the police, and various shamans - all fail to drive the spirit out. The entity is revealed to be more than a single angry soul; it is the collective fury of all those neglected by society. Salvation arrives in the form of a disabled shaman who hears out the ghost’s words and faces his lifetime of anguish. The shaman understands his pain, performs a ritual of solace, and concludes with a final ritual to appease the spirit - staging it directly outside the home of the social enterprise CEO who defrauded the man. The marginalized voices that society chose to ignore are still being heard.

Blinded by love, Noni decides to give one of her eyes to her blind lover. With that eye, he finally sees the world and, the next morning, boards the first train to leave alone. At the end of Noni’s great courage and devotion, all that remains is an empty space where her eye once was, and a silent, vacant room. Marc, Noni’s closest friend, on his way to see her left alone, encounters unexpected landscapes along the path.

An elderly man tries to support a railway in the mountains of Japan that is facing closure due to huge deficits, using his own unconventional methods.

An actor endlessly reenacts the murder sequence from the scenario of the lost film, with repeated gestures intertwining countless reference points. The scene loops endlessly on the silver screen.

Five atoms, bound by love, long to reunite on Earth, yet upon arrival, they forget one another.

A child dozes off on the bus and gets off at a strange countryside stop. With no clear destination, he begins walking down a rural road - everything feels unfamiliar, a little frightening.

Shower and name. Destruction and reconstruction. Over and over. Again and again. This is my body and within my self. Long lays the nature. Nature.

Fukushima experienced the earthquake, the nuclear power plant incident, and the COVID-19 pandemic. The lives of people who have been living in Fukushima since before the earthquake, people who moved to the area after the reconstruction project, and Chinese people who live in various parts of the prefecture. A story of people living in Fukushima, who, though buffeted by many hardships, live with strength and, at times, with humor.

Can you paint your body hair to make it disappear?

Dodo, a 7th grader in middle school, has a secret. Whenever she feels emotionally overwhelmed, she creates a creature called the 'Blood Monster.' Her mother tries everything to make Dodo stop. She takes her to a traditional Korean medicine clinic, has her try herbal medicine, and even scolds her, but Dodo continues to summon the Blood Monster over and over again.

Seven-year-old Nari and her sister Yuri, 17, are close. Each day after school, Yuri drinks homemade red liquor, calling it “fox blood.” One day, while she’s out, a thirsty Nari takes a sip.

The Wandering Trees is a modern queer short film that delves into the emotional connections between people and the individual's self-identification. Through the stories of two female characters, Zhou and Yu, the film portrays the trials of emotions through time and distance and the struggles and growth of individuals when facing the past and reality. The“tree” in the play symbolises the deep yearning and dependence in people's hearts, while “wandering” represents the pursuit of freedom and the future.

After moving to China from New Zealand, two sisters try to adjust to their new ballet class, only to find that the teacher has an unusual teaching method.

A son came home and told his father that he had won the school football game, so his father wanted his son's glory to be seen by everyone.

A glorified childhood memory: a crispy dessert with a hole in the middle, seen in a Japanese cartoon. The mother corrects: It was a soft doughnut. This cognitive distortion inspired this film, which challenges the boundaries of subjective perception. Images and sounds mix and overlap. Street noise, excerpts of faces, snippets of interviews. Only the people's answers are visible, the questions remain hidden. Once you think about it, consciousness piles up.

A soundless montage film.

When a woman is bitten by a zombie, her husband uses a delay patch that extends the duration of her transformation by an hour so they can have one more meal together.

A faintly interwoven story, of a boy who wrote poetry beneath the shadows of a sleepless city, of an old man who lives simply to light fireworks and calling out to another world far beyond, of a young teacher who once believed, with all her heart, that art could reshape the world and a young woman who was at once, a dream, a hope, and a wound. Their conversation will carry through the night in an empty bar, clinging to what’s left of themselves and trying to preserve their identities in a world where nothing is certain, except change.

More than a decade ago, a pessimistic pastor, weary of the world due to his physical problems, imprisoned a woman who was passing by and had shown him no respect in his home one evening at dusk. He intended to teach her a lesson, but she ridiculed him again. In a fit of rage, he accidentally killed her. The next day, after regaining his composure, he decided to sell his cattle, dispose of the body, and flee. However, as two of his cows were not sold in time, he had to postpone his departure for a day. He did not know that on the last night, a small criminal gang of three people, intending to steal money, accidentally broke into his house. Fearing that his crime would be exposed, the shepherd decided to make another mistake. Finally, due to his serious injuries, he left this world that he loved and hated.

A ruined wedding photo sparks a journey through Taiwan’s iconic pre-wedding photographers—uncovering stories of fantasy, rebellion, and pain, and leading to a deeper reflection on femininity, absence, and the unreachable idea of perfection.

She does the laundry.
Unable to define how she feels about her father, she puts the wash on.
During a short call after years of silence, love and blame, concern and grief all surface.
She hopes the machine will rinse more than just clothes.

2025 release

Juwon and Soyun, who are in the same poetry class, sit on a rooftop watching the sunset. Juwon resents the setting sun, and Soyun must help him write a poem. She whispers into his ear, “Stop spinning and revolving.”

In a dystopian future, exiled Kung Fu master Big Sister 13 leads a gang of trans and queer fighters who reclaim a forgotten zone and transform it into the Martial Forest—a secret training ground where care is as powerful as combat. Together, they fight to survive rising violence and build a future rooted in chosen family and trans resistance.

Set in the Taoyuan Aerotropolis expropriation zone, this film traces a home that no longer belongs to us. Before relocation, my mother passed away—her “too late” compelled me to return and document what remains. Through father–daughter dialogue and acts of creation, the film records landscapes on the verge of disappearance, and the fragile traces of “home” that persist in the struggle against erasure.

Ju-won and Sol have very different personalities and backgrounds. Ju-won wants to pursue music, but she keeps having conflicts with her mother. Sol, on the other hand, lives in poverty and feels a sense of boredom and anxiety about life. One day, Ju-won happens to hear Sol singing and suggest that they perform together. As they prepare for the performance, they comfort each other and begin their journey toward independence and self-discovery.

With a continued interest in bodies that remain hidden due to invisible disabilities and stigmatized names, Between Word and Body explores how to position portraits and voices that are recorded for documentation yet rendered unusable. The film critically engages with the mechanics of projection—the spatial reproduction of digital technologies that capture the body, such as video and voice recording—and resists the act of “right seeing.”

In Jecheon, South Korea, there's a vocational high school for multicultural youth, where about 70% of students were born overseas. This documentary follows three students—Moses, Yushin, and Shakhzoda—as they navigate life as teenage immigrants in Korea, facing challenges with language, family, and visa status while pursuing their dreams.

Xiao Su yearns to escape reality and see the tropical fish. However, when his journey is unexpectedly cut short, he finds himself back home, gazing in silence at the captive fish in the dim light, where dreams and reality blur into one.

Five years ago, a group of form-six girls from a local all-girls school made a graduation video together. Now, the director picks up her camera again to document the friendships they shared back then. Can they keep the promise they made - to stay best friends forever?

A grieving teenage girl embarks on a moonlit scooter journey with a stranger. As memories and doubts surface, they navigate night streets together, searching for answers about her past, present, and future.

Haerim visits her grandmother’s coastal home dreaming of the sea, only to find the beach of her childhood paved over and inaccessible. Her inability to reach the water mirrors her own profound sense of displacement. An awkward reunion with her grandmother and aunt, the sweet yet alienating taste of canned peaches, a suddenly overturned umbrella - these scattered fragments make up her (un)ordinary journey. Through this empty summer, the film questions the very meaning of place and belonging.

We often hear that parents’ love is priceless and selfless. But accepting that love can come at a cost: a price of being controlled, a price of living under expectations. When this love intertwines with children’s rebellion, it creates a complicated and painful dynamic.

In China, unmarried women cannot access assisted reproductive technologies, preventing lesbians from becoming biological mothers. Despite the challenges, I plan to be a mother to fulfill a promise to my parents to have children by 35. My traditional parents want a grandchild, and I cannot disregard this. Is my girlfriend willing to raise a child with me? Society’s disapproval of our relationship requires frank discussions with her and my parents. On this fertility journey, how will we confront our desire for children and my parents’ acceptance? Who defines family?

Japan's Vocaloid culture is currently experiencing a boom in popularity worldwide. We examine why people are drawn to the voice synthesis technology and the artists that emerged from this culture.

Grandpa, Daddy, and two sons, Spanning three generations. Embark on a journey to Hungary to reunite with the mother. This road trip documentary captures the diverse natural environments and culturesthey encounter as they travel through various countries to reach their destination.

From a personal perspective, this documentary presents the history of the local church alongside an individual’s life story.

Tatarang the dog walks around and meets friends.

After a heated argument with his girlfriend, Yoonjo uncovers devastating betrayals within his inner circle, awakening a dark, seductive force that rips his friends apart.

Sun-ah, a first-year high school student, serves as a peer helper to her classmate So-hee, who lives with a brain lesion. When Sun-ah is selected as a model student by the Department of Education, she basks in a moment of pride and recognition. But the honor is short-lived, as the challenges of supporting So-hee begin to weigh heavily on her—testing not only her patience, but the very ideals that earned her the spotlight.

And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. — T.S. Eliot, Burnt Norton (No. I of Four Quartets)

In the year 2019, 'I' and my friends have responded to a sexual assault by a professor at an art school, but the #MeToo movement has left us with nothing but scars. I, along with my friends, confront the time we'd rather forget and begin a foolish attempt to glue a broken bowl.

Yoon-kyu is suffering from a terrible toothache but can't afford timely treatment due to a lack of money. One day, while staring into the mirror in pain in a bathroom, he hears the voice of a stranger. The man asks Yoon-kyu to buy him items like toilet paper and underwear. When Yoon-kyu, flustered, refuses, the man offers him money. Desperate for cash, Yoon-kyu reluctantly accepts the offer… and begins to grow closer to someone he should never have come face to face with.

By a riverside tree, a man mercilessly beats a mysterious sack. Black fluid seeps, flames rise, and a grotesque meal follows. No matter how hard he scrubs, the stains remain. As guilt resurfaces, he comes face to face with the hell he thought he had buried.

The story starts with the flower on the head of the main character, and tells the story of Xiaochun, a monkey, who is the first to stand out in a world of rules and regulations that domesticate and suppress people's nature, and is the first to blossom his own “flower of nature”, thus making everyone's “flower of nature” blossom. The story of the “Flower of Nature”.The music design of the film is based on the traditional Chinese opera “Qinqiang”, an ancient and passionate form of music that complements the traditional Chinese art style of the film.