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The Fountain of Youth

A darkly comic fable about vanity and desire, "The Fountain of Youth" follows a newly married couple whose relationship is destabilized by the arrival of a potion that promises centuries of youth and beauty—but in a quantity sufficient for only one person. As temptation and resentment grow, the gift becomes a catalyst for moral and emotional collapse. Written, directed, and narrated by Orson Welles and based on John Collier’s short story “Youth from Vienna,” the film uses stylized narration and experimental visual techniques to construct a compact essay on human vanity. (Note: Originally produced in 1956 as a television pilot and broadcast once in 1958 as part of NBC’s Colgate Theatre anthology series (S1E5); it later achieved independent archival and cultural status, including a 1958 Peabody Award.)

The Fountain of Youth

6.2 1958
Escape from San Quentin

Desmond plays convict Mike Gilbert, who goes on the lam with fellow prisoners Gruber and Graham when he finds out his wife is divorcing him and feels he has nothing to lose. Gruber intends to get his robbery loot, which his father, Curly, has successfully hidden from the law. After commandeering a plane, they double-cross Graham, who assembles his gang to get revenge - and Gruber's loot. Meanwhile, Gilbert falls in love with Robbie, his ex-wife’s sister. Through Robbie’s influence, Gilbert decides to go straight, but his cohorts aren’t quite so willing to reform.

Escape from San Quentin

6.3 1957
One Who Came Back

US Army Corporal George Kritzman recounts the aftermath of what was his third combat wounding in the Korean War. A former LA police officer, Kritzman was under heavy sedation due to the severity of his leg injury, which was initially operated on at the 8055 MASH unit. Unaware of what would happen to him and what his long term prognosis was and would be, he, along with many of his fellow wounded, was transferred from hospital to hospital, each a little better equipped to deal with his injury. However, his ultimate goal was to make it back home to his wife and son, from who his thoughts were never far.

One Who Came Back

6.5 1952
Saadia

Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the "evil eye" and brings disaster to all who love her. French doctor Henrik takes her to his clinic, for rehabilitation purposes, and falls in love with her as does his friend, Si Lahssen, the reigning prince of this small Moroccan state. When a plague falls on the town, Saadia is convinced she is responsible, and rides alone into the mountain country to retrieve the plague serum being held for ransom by bandits. The love triangle dominates most of the rest of the film.

Saadia

6.0 1953
For Which We Stand: To Be Held In Honor

In this film, servicemen are strongly urged to forgo illicit and casual sex because it is degrading and contrary to divine will. The joys of marriage and family are stressed. Long-term happiness should be the goal, not immediate gratification. A medical officer discusses sexual abstinence, saying that it will not adversely affect a man's virility. A commanding officer points out that sexual promiscuity among troops is not just the concern of the medical officer and the chaplain. He says that self-control should be practiced by everyone. Marriage and family should be the goal of every man. A chaplain speaks of abstinence and self-control as obedience to divine law. Shots include: sailors with their families; a wedding; sailors picking up girls and visiting prostitutes. There is some animation.

For Which We Stand: To Be Held In Honor

NR 1950
Northern Patrol

Northern Patrol was the last entry in Monogram/Allied Artists' off-and-on "Northwest Mountie" series. Taking time off from his Sky King shooting schedule, Kirby Grant stars as mounted policeman Rod Webb, while second billing is bestowed upon Webb's faithful dog Chinook. In this one, Webb tries to prove that the suicide of a young trapper was actually murder. The film offers a dash of novelty value in having the principal baddie turn out to be a beautiful woman (Marion Carr). Scripted by actor Warren Douglas, Northern Patrol was directed by Rex Bailey, the former assistant to the series' original helmsman, Frank McDonald.

Northern Patrol

7.0 1953