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Night of the Dragon

Short propaganda film produced by the U.S. government about the Vietnam War, narrated by actor Charlton Heston. The movie includes scenes of battle that have been identified as staged and shouldn't be interpreted as an accurate depiction of fighting during the Vietnam War. For more on the accuracy of the footage in this film see the book "The Cold War and the United States Information Agency: American Propaganda and Diplomacy, 1945-1989" by Nicholas J. Cull (pages 248-49). This film was produced by the U.S. Information Agency (USIA) and is in the public domain. National Archives Identifier: 1182760 Local Identifier: 306.5798 Accession Number: NC3-306-77-7 ARC Identifier: 1182760 https://catalog.archives.gov/id/1182760

Night of the Dragon

NR 1965
Patient 411: A Progress Report

A UCLA student film by Ronald Raley. Fellow UCLA student Jim Morrison (future member of The Doors) participated as the director of photography. A faux scientific film supposedly made by the "California Institute of Neuropsychiatry." An arrogant scientist, who also narrates the course of the "treatment," picks up a Hollywood street hustler and gets him to agree to a program of retraining. Using shock treatment, the patient is taught to loathe images of himself as a male escort and love the new personality created in the lab.

Patient 411: A Progress Report

4.0 1965
In Search of the Miraculous

In the Search of the Miraculous is a multi-levelled story realized with extremely personal techniques and with the kind of atmosphere of Poetry and Introspection, only a poet could create. It is, in fact, the story of a poet searching himself through his love for a girl, and of the girl searching for her father. Obsequious to the iron rules of the avant-garde, the film has neither a beginning nor an ending it is a series of moods, it is a search which is at the same time spiritual and concrete, it is a moment in the life of two people. (Donatella Manganotti)

In Search of the Miraculous

3.0 1967
Crisis: Behind a Presidential Commitment

During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.

Crisis: Behind a Presidential Commitment

6.9 1963
Bike Boy

Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.

Bike Boy

5.0 1967
Couch

The couch at Andy Warhol's Factory was as famous in its own right as any of his Superstars. In Couch, visitors to the Factory were invited to "perform" on camera, seated on the old couch. Their many acts-both lascivious and mundane-are documented in a film that has come to be regarded as one of the most notorious of Warhol's early works. Across the course of the film we encounter such figures as poets Allen Ginsberg and Gregory Corso, the writer Jack Kerouac, and perennial New York figure Taylor Mead.

Couch

6.4 1964
Five Faces of Vietnam

An anthology of five short films ("The Hands of a Stranger", "The Other War", "A Distant Province", "The Eighth District", and "PHILCAG"), made jointly by Vietnamese and American filmmakers. Collectively, the films "explore the faces of the Vietnam war that lie behind the fighting--those that must fight a war against fear, hunger, and despair. [They are] told through the stories of five "faces": a Filipino doctor and a Vietnamese child; a Vietnamese soldier and a Vietnamese villager; an American technical expert; a Saigon youth; and a Philippine Civic Action Group (PHILCAG) contingent" (US National Archives). The film is hosted by an unnamed man speaking to a Filipino audience (in English); so the anthology likely was screened in and/or partly produced with the Philippines.

Five Faces of Vietnam

NR 1966
Laila Majnun

Qais and Laila fall in love with each other when they are young, but when they grow up Laila's father doesn't allow them to be together. Qais becomes obsessed with her, and his tribe Banu 'Amir and the community gives him the epithet of “Majnun” ("crazy", literally "possessed by jinn"). When Qais asked for Laila’s hand in marriage, her father refused because it would be a scandal for her to marry someone considered mentally unbalanced. Soon after, Laila was married to another noble and rich merchant. When Qais heard of her marriage, he fled the tribal camp and began wandering the surrounding desert.

Laila Majnun

NR 1962