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Royal Opera House: The Sleeping Beauty

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

Royal Opera House: The Sleeping Beauty

7.0 2020
Schuss in der Nacht - Die Ermordung Walter Lübckes

On June 1st, 2019, around 11:30pm, the shoot which represents a turning point in the federal republic falls. In the hessian small town Wolfhagen-Istha, the district president of Kassel, Walter Lübcke, is murdered during this night, while, just a few meters away, the annual carnival is putting the locals into a festive mood. It is DNA-evidence on the clothes of Walter Lübcke which leads the investigators on June 15th, 2019, to his presumptive murderer: Stephan Ernst. The previously convicted right-wing extremist Ernst gets arrested by a SEK unit in Kassel. A first background check reveals: Stephan Ernst was known to the security authorities, but they did not have him on their radar for six years. Now he is back. And a person is dead. The docu-drama “Schuss in der Nacht” („Shoot in the dark“) tells emotionally, and simultaneously factually, how the deadly attack on Lübcke came to be. It tells about the first far-right motivated murder of a politician since the era of national socialism.

Schuss in der Nacht - Die Ermordung Walter Lübckes

NR 2020
Chaco

In 1934, Bolivia is at war with Paraguay. Liborio and Ticona and other Bolivian indigenous soldiers are lost in the hell of the Chaco, under the commandment of German Captain Kundt. They're looking for the Paraguayan enemy that they haven't seen for months, and that they will never find. They leave together in a search that will make them realize, progressively, the destiny they have been pushed into and the inevitable condition of a defeated troop. They're walking like shadows, wandering forever in the middle of dust and silence.

Chaco

7.8 2020
cnfnmnt e/scp(i)sm

In "Spaces #2", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "cnfnmnt e/scp(i)sm" is Denis Côté's submission.

cnfnmnt e/scp(i)sm

NR 2020
Le Vin herbé - WNO

A magic potion becomes both a blessing and a curse for two young people. Tristan is about to bring the Irish princess Iseult to Cornwall where she is to marry his uncle. A love potion has been prepared to get the arranged marriage off to a happy start. But when Iseult’s chambermaid pours it into the goblets of her mistress and the Cornish knight, they cannot hide their feelings, even if their love means treason to the crown. Sweet compassion instead of ecstatic love: Frank Martin’s Le vin herbé offers a new interpretation of the tale of Tristan and Iseult, which goes beyond Wagnerian pathos. Tom Randle and Caitlin Hulcup embody the fatal lovers in this production by Welsh National Opera.

Le Vin herbé - WNO

5.0 2020
A So-Called Archive

With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.

A So-Called Archive

NR 2020
Cut the Chit Chat

Hairdressing salons, or beauty salons, have always been a place where most people feel comfortable to vent and talk about their personal problems. In this documentary by French filmmaker Léa Forest, eight young men, aged between twelve and eighteen, are interviewed in a small French salon, while getting their haircut. With the hair clipper sound as background noise, they talk about girls, first loves, the difficulties they face daily, defining episodes in their lives, as well as stereotypes they admit to embodying as male-identifying persons. It is a brief, yet pertinent, journey that tries to get to know the perspective of these young men, from different backgrounds and walks of life, on the world around them

Cut the Chit Chat

NR 2020
Bedu Beddna Naiesh

Bedu is the manifesto of how a people can be violated in its human rights. Through the stories of the son of Sinai, interviews and witnesses, we retrace the whole story of the injustices suffered by these people: the Bedouins From the days of the Six-Day War through the tourist revolution to the Arab Spring up to the coup of al-Sisi and today to Isis. Deprived of their lands and the water, hijacked by the large European hotels. Deprived of basic human rights, such as having a home, access to health services and education. Reduced to cultivating and selling opium under contract with the police. Up to the interview with Mussa'ad Abu Fajr, the only Bedouin who spoke violations suffered by his people in a blog beddna naiseh (we want to live) for which he served three years in prison. Hence, the title of the documentary, because these nomads simply want the basic right: life.

Bedu Beddna Naiesh

NR 2020