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Lilies

A gang of happy Halloween party animals are heading for the haunted party of the year, when they are accosted by a strange old man. He's laying flowers for a funeral that hasn't happened yet...or has it? This is going to be one party no one forgets in a hurry. After Trick or Treating in the Deep South in the 80s as a sugared-up tiny ghoul, writer/producer Nina Romain has never stopped being obsessed with Halloween - which is why five of her horror shorts are about 31st October. Shot in the mean streets of urban decay in south London, this modern day take on Clockwork Orange sees the tables turned on Halloween revellers in a way you won't see coming. Lilies has been selected by Hollywood Horror Film Festival, Take It Easy Film Festival, MedFF, Aab International Film Festival, was a semi-finalist at the AltFF Alternative Film Festival, a finalist at Upstate NY Horror Film Festival and the Shock Stock Fest.

Lilies

NR 2018
The Language of Our Dreams – The Conductor Teodor Currentzis

“The most important work doesn’t take place on stage, but everywhere else,” Teodor Currentzis is convinced. And that is precisely where this film portrait follows him. For eight months, German director Andreas Ammer accompanied the charismatic conductor. He observed him in rehearsals with the SWR Symphony Orchestra, which Currentzis leads as chief conductor since 2018. He has visited him at his former place of activity in Perm, where he led the opera house from 2011 to 2019 and launched his career through meticulous work with his ensemble musicAeterna. He accompanied Currentzis on guest performances and had numerous conversations with him. The result is a many-faceted portrait of the impressive musician, who sees his profession also as a spiritual mission.

The Language of Our Dreams – The Conductor Teodor Currentzis

10.0 2018
Mark Thomas: Showtime from the Frontline

Name the comedian who might say 'I wonder if I can set up a comedy club… in a refugee camp... in Palestine?' Of course, it’s Mark Thomas. And that is exactly what he tries to do. Dodging cultural and literal bullets, Israeli incursions and religion, Mark and his team set out to run a comedy club and put on two nights in the Palestinian city of Jenin. Only to find that it is not so simple to celebrate freedom of speech in a place with so little freedom.

Mark Thomas: Showtime from the Frontline

NR 2018
Salarium

Just like sinkholes – these gaping holes that, since the 1980s, have damaged the roads and tourist sites along the shores of the Dead Sea (which bathes Israel but also Jordan and the occupied West Bank) at breathtaking speed – SALARIUM causes a collapse in the viewers’ perception: it obliterates their conception of this territory as being essentially empty, a space offered to tourists for its salty uniqueness. Drawing on the shared etymology of the words “salary” and “soldier”, the filmmakers re-inject a strand of history and politics into this space now given up to leisure (three soldiers enjoy their ice cream on the beach, a group of fifty-somethings living on the edge of the Judean Desert unpack their soda cans, deckchairs and transistors).

Salarium

5.0 2018
Am Ende ist man tot

The two washed-up TV stars Micki and Ginger and the unemployed physicist Reno try to kidnap a young woman. But one of the three kidnappers suddenly doubts the value of the money and drives his accomplices mad. The kidnapped woman is already missing. Three children from a good family are looking for their sister: the dutiful Junior, who counts up his day in seconds, his brother Adrian, who, by contrast, thinks life is one big family outing, and Sophia, the artist, who never finds the real thing in life.

Am Ende ist man tot

NR 2018