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Tot - Aber Glücklich

Michael wants to get out of a satanic sect and a world breaks down for his girlfriend Doris. When she tries to kill him in her madness, he kills her in self-defense with an iron. Together with his buddy, the somewhat crazy Frank, they dispose of the body in a forest lake. But there is a curse on the lake and Doris comes back as a murdering zombie. Meanwhile, the Grand Master and her loyal assistant Schröder are after Michael and want to sacrifice him. More and more dead people want to be disposed of and this creates more and more zombies and the sect members also put the two on the skin enormously.

Tot - Aber Glücklich

7.0 1998
Die Contr-Contras

The Contr-contras are the very last of the ancients and true inhabitants of Gdansk. They are a perfect cross-breed of Germans and Slavonians: slim, beautiful, powerful, and tall (up to 5 metres). Because their species has been safeguarded, they live in a zoo. The Contr-contra couple, Rita and Stan, have a baby. From the beginning, the child causes trouble. In the end, it turns out to be an ambassador of the devil and persuades its parents, Rita and Stan, to take drugs. After having beaten them up, the child gives its parents to Brother Lucifer.

Die Contr-Contras

NR 1997
Like a Bird on the Fence

The people appearing in the documentary are not Transylvanian Saxons but Deutschböhmen, that is Germans from Bohemia who settled around the Semenic-Mountain (Banat) in the first part of the 19th century. Since the production of the documentary, however, things have changed, not necessarily for the worst. (it could even be the subject for a documentary itself): in some of the villages (formerly) inhabited by the Deutschböhmen, people from Timisoara built their holiday houses, Weidenthal (which is featured in the docu - the Romanian name is Brebu Nou) and Wolfsberg (Garâna) are not completely deserted, the mayor of Garâna (might be known to some Romanians for the Jazz Festival there) is actually of German origin.

Like a Bird on the Fence

NR 1992
The Ways of an Animal Filmmaker

Siegfried Bergmann, with his oeuvre of around 80 films, is one of the most important German wildlife filmmakers alongside Heinz Sielmann and Bernhard Grzimek. But Bergmann was more interested in the ant lion in the Lausitzer Sands than the lion in the African savannah. What began in the 1960s with fantastic animal observations using special technology soon became a representation of comprehensive ecological relationships and the search for solutions to environmental problems - no easy undertaking in the GDR. All this always with a fresh breeze of humor and playfulness in filmmaking.

The Ways of an Animal Filmmaker

NR 1990