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Eye for I

During the 10:00 minutes of this silent video there is a close up image of the eye that most of the time looks straight into the camera lens. The eye occasionally blinks, looks down and is covered with an eyelid for a few seconds. It is a paradoxically peaceful video. There is a certain promise and visual tension that something is about to happen, but nothing ever happens. The image of the eye fades out to black after ten minutes. The question remains: is this videotaped omnipresent eye providential or ominous?

Eye for I

NR 2002
HELLO PERFORMANCE!

From May 2001 to February 2002, transsexual performance artist Mirha-Soleil Ross appeared pregnant every time she was in public. This video features Mirha-Soleil performing pregnancy by the Golden Gate bridge in San Francisco and an audio recording of her mother speaking about the ups and downs of having a baby. Created as a part of Mirha-Soleil Ross' performance art cycle: The Pregnancy Project. The Pregnancy Project explores some transsexual women's relationship to the personal and institutional aspects of motherhood and hopes to foster community discussion around controversial reproductive technologies.

HELLO PERFORMANCE!

NR 2002
Wrestling with the North

Every year for the past 26 years, a courageous team of semi-professional wrestlers goes on what has been called the toughest wrestling tour on Earth. Rookies with stars in their eyes join tough-as-nails veterans like Chi-Chi Cruz, Leatherface, Eric the Lumberjack, and Crash Crimson to pack into a van and head for the far northern reaches of Manitoba. Only accessible in winter by frozen lake roads, these remote First Nations communities get a rare show of live wrestling entertainment, complete with stunners and body slams. Wrestling with the North captures all the pain, glory and determination of these die-hard wrestlers and through the wrestlers' eyes we glimpse northern aboriginal communities holding fast to their traditions while embracing a pop-culture circus with zeal.

Wrestling with the North

10.0 2004
Over Land

Over Land is an intimate and personal portrait of a family facing a crisis in agriculture. Between 1996 and 2006, despite warnings of an impending food shortage, prices for farm goods dropped to their lowest point in Canadian history, driving many farmers off the land. With a family history of farming spanning generations, the Sudermans now face a challenge that threatens to pull the family apart. As Steve Suderman films his family, the fight for economic survival becomes a poignant story of hope, determination, and the search for purpose.

Over Land

NR 2008
Masque à transformation Kwakwaka'wakw

In Kwakwaka’wakw society in British Columbia, masks form part of the symbolic heritage of nobles and chiefs. The mask shown here, a late 19th-century transformation mask carved from cedar and taken from the Musée de l’Homme, expresses duality: closed, it is a crow; open, a human face with a hooked nose. These ancestral objects, manifestations of spirits, accompany myths, dances, and costumes, appearing in ceremonies and potlatches, gatherings where privileges are transmitted. Long suppressed, Amerindian culture was rediscovered by ethnologists E. Curtis and F. Boas, and later by surrealists and Claude Lévi-Strauss in exile in New York during the 1940s. Bill Holm, an expert in Indigenous art, analyses the mask’s form. A sculptor evokes the recurring egg shape, basis of all creation, while a dancer recounts the legend of the crow that brought the tlasala, the dance of peace.

Masque à transformation Kwakwaka'wakw

NR 2001
The Mushuau Innu: Surviving Canada

They are an Indian people who have suffered for many years. They were forced to live in unimaginable squalor. Houses not much better than cardboard boxes. No running water, no sewage disposal. Human waste tossed into the streets where children played in it and dogs ate it. As their sense of worth disintegrated, they engaged in a process of self-destruction. 90% of the community became alcoholic. Many of their children sniffed gas. Many more suffered from chronic disease. Stripped of culture, meaning, and hope, they killed themselves at a rate among the world's highest. But their tragedies did not occur in a third world country. They happened in a country with a reputation as one of the world's best places to live-Canada. They are the Innu. For thousands of years they roamed strong and free.

The Mushuau Innu: Surviving Canada

NR 2004
Smoke From His Fire

Seventy-five years ago the nobility of the Kwakwaka'wakw of the Pacific Northwest Coast chose a young man, secluded him from the authorities when his peers were sent to residential school, and trained him in every aspect of the culture and tradition of his people. Today, caught between two worlds, he is needed more than ever by his people to reclaim their teachings. Adam Dick or Kwaxisistala is the Clan Chief of the origin story of his nation and the last orally trained Potlatch Speaker of his people.

Smoke From His Fire

NR 2007
How to Play the Theremin With Peter Pringle

Peter Pringle's How to Play the Theremin is a valuable addition to any thereminist's collection. Totalling one hour and forty three minutes, Pringle demonstrates his impressive collection of theremins - Samuel Hoffman's RCA, Julius Goldberg's RCA, the Moog Ethervox Theremin, and the Moog Etherwave Theremin, describes and demonstrates impeccably a variety of theremin techniques, and even goes as far as demonstrating the MIDI capabilities of the Moog Ethervox. Whether you are a beginner, a veteran thereminist, or simply interested in the history of the instrument and the development of the techniques and methods that have been devised to play it, this DVD will have something for you. With a total running time of 1 hour and 43 minutes, the disk features three instruments: the Samuel Hoffman 1929 RCA theremin, the Moog Music Ethervox, and the Moog Music Etherwave. This covers every sort of theremin from the rare vintage models to the modern 'entry level' instrument.

How to Play the Theremin With Peter Pringle

NR 2004
O Fortuna

Video V of Cartmell's unfinished series Shipwreck Theory. Part of Shipwreck Theory II (The Writing) A tale of Cartmell’s friendship with Mickus, sung up at the camp, the island getaway, the last mother, the picture divided as they were not, the lines of flight scrolling until Montaigne dies and then returns in order to birth the project of self-portraiture. The filmmaker practices death. Mike’s obsession with chiamatic doubling continues in the picture’s split, even as he heals it by running his touching comrade ode across it. “Even in your dying, and despite my state of wreckage, I was accruing benefits, coming closer than I had ever been to death, your death, watching you sink from the safety of the shore, and soaking up the knowledge to be had, the macabre poetry of it.”

O Fortuna

NR 2007