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Kinkón

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema

Kinkón

4.4 1971
Hands of the Ripper

A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father's spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.

Hands of the Ripper

6.2 1971
Waar de vogeltjes hoesten

'Waar de vogelstjes hoesten' is a rare, satirical fable presented as a fantasy musical. The film tells the surreal love story of a flower girl and a scarecrow who leave their rural home for the big city. Upon arrival, they quickly become corrupted by industrial capitalism and victims of their own growing greed. Featuring unique choreography by Lydia Chagoll, this experimental production serves as a powerful artistic critique. It explicitly warns against the degradation of the environment and the spiritual pollution of modern human society.

Waar de vogeltjes hoesten

NR 1974