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My Nostalgia, My Songs

My Nostalgia, My Songs is a poetic documentary centered on Lin Hwai-min’s landmark dance work for Cloud Gate Dance Theatre of Taiwan. The music, curated by iconic photographer Chang Chao-tang, weaves Taiwanese folk melodies into reflections on urban migration and collective memory. Through the cinematography and editing of Christopher Doyle, the stage becomes a cinematic space, transforming performance into a sensory meditation on Taiwanese identity and cultural displacement in the 1980s.

My Nostalgia, My Songs

NR 1991
Connection by Fate

A-Te used to be a social movement fanatic. But after suffering the pain of divorce and the death of his child, he changed his profession and became a taxi driver. Ma Le, a young aboriginal man, came to Taipei alone to earn a living on construction sites. However, unable to bear the exploitation, and in a rage, Ma Le accidentally killed a site superintendent and was sentenced to death. A-Te gave Ma Le a ride in his taxi on the night that Ma Le committed the killing and their two fates were thereafter intertwined.

Connection by Fate

7.0 1998
Among Us

In 2010, director Lin Cheng-sheng made Twinkle Twinkle Little Star, a documentary about autistic children and their teacher Han Shu-hua, who taught her young charges to express themselves through art. In this moving follow-up, Lin once again follows Han, who has since founded a shelter institute where autistic children can nurture their talents in painting and music. Because of their inability to effectively communicate their emotions and thoughts, people with autism can often be treated like outsiders. To inspire empathy for them, Lin made this moving documentary that embraces the diversity that these talented individuals and their stirring works of art bring to our lives.

Among Us

NR 2021
A Place She Called Home

In Taiwan’s struggles for housing justice, it is always the women who hold on until the very end, standing guard over the home. For them, it may be their grandfather’s home, their father’s, their husband’s, or the future home of their children—but rarely their own. These women support one another, refusing to yield, and with resilience they resist the state, the law, and powerful corporations under a patriarchal system. Told from a female perspective, this film asks: what does “home” truly mean to them? Why can they endure for so long, refusing to leave? And, at the same time, it confronts another question—where are the men?

A Place She Called Home

NR 2025
When We Were Wild

Once a top waterskiing prodigy, a young man alienates his three godfathers and shuts out the world after a career-ending injury. His life finds light again when he meets a mysterious girl, but his desperate need to prove his worth leads him to pawn his late father’s keepsake for a luxury car. Consumed by vanity, he allows materialism to erode their pure love, eventually driving her away. Now hitting rock bottom in a desolate reality, he must decide whether to remain in despair or find the strength to face his past and seek the redemption he so desperately needs.

When We Were Wild

NR 2026
The Evil Inside

This is a story about ?evil inside ?, based on a true Taiwan social event. ?Evil inside? means the devil lives inside your heart, or the darkness inside your conscious; such as fear?hatred?greed?pride?stubbornness?selfishness. The darkness can be always exit, or come out in a sudden. It can hide and grow deeply in your mind to make you either become stronger or to be overwhelmed. The story happens in the present day of Taiwan society. ?The deceased collaborated organization ?as so called ? D.C.O. ?or ? The Help ? has existed in Taiwan for at least 30 years. The purpose of this organization to be founded is to help the family members taking care of the funeral affairs when their elderlies passed away. Because of the certain amount of money involved, some greedy businessmen take the advantage of elderlies? ?death? as a huge profit to lure people by gambling. Sadly, the gamblers sometimes includes the family members of the deceased...

The Evil Inside

NR 2014
The Trigger

A professional hit-man is hired to take out a target -- however, his girlfriend’s pregnancy gives him second thoughts. He decides that after this job, he will renounce his profession and turn himself in. This is the first feature film from Taiwanese director Alex Yang, who participated in script-writing and production on Edward Yang's early films. "The Trigger" has echoes of Yang's "Mahjong." The actors in the film, except for veteran Ngai Man-Yin, are all new faces -- unfortunately, Ngai's death in 2005 also made "The Trigger" his last appearance on screen.

The Trigger

10.0 2002