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Vendémiaire

If you’re already familiar with Louis Feuillade, his little-known opus Vendémiaire may come as a surprise. Unlike the bulk of his work which was characterised as ‘Fantastic Realism’, Vendémiaire is wonderfully down-to-earth realism – or down-to-French-earth realism to be specific. The film itself is divided into four chapters, the titles of which suggest that this is a movie about the cultivation and consumption of wine. But as the narrative unfolds, it becomes clear that the cultivation and consumption of wine is an allegory for French culture and French land as a whole, and the real purpose of the film is to persuade the director’s fellow citizens to defend that spirit and those lands at all costs. It’s September 1918 and the war is coming to an end, but here on the Castelviel estate in the south of France the news has not yet arrived and everyone is busy with the grape harvest....

Vendémiaire

6.0 1919
Dreyfus Court Martial - Arrest Of Dreyfus

Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort.

Dreyfus Court Martial - Arrest Of Dreyfus

4.9 1899
The Infidels

The story takes place in an around Lebanon. It concerns Farid, a repentant Islamic fundamentalist and Charles, a French diplomat. Farid is prepared to give the French secret service a list of names of terrorists operating in France on the condition that they liberate a friend of his imprisoned in France. The deal is complicated by the fact that Farid and Charles are irresistably attracted to each other, which inflames great jealously in Charles' wife, Juliette, estranging the couple.

The Infidels

7.0 1997
Summer Strolls

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

Summer Strolls

5.0 1992
The Siren

La Glu tells the story of a woman, separated from her husband, and of evil reputation, who at a summer resort tries to capture the fortune of a wealthy aristocrat whose nephew had been in love with her, and is herself caught in the toils of her interest in a poor and primitive Breton lobster-fisherman. His simple soul discovering the past career and the heartlessness of the Parisian woman, in despair he tries to kill himself by throwing him-self on the rocks. When the Glu, the name given to the woman in question, tries to see the youth, his mother kills her with a mallet on the steps leading to the room of the invalid.

The Siren

5.5 1913
Little Lili

This film, loosely inspired by Anton Chekov's The Seagull, weaves a story about sex, family and the business of making films. When the young and overly sensitive filmmaker Julien screens his new DV art-film starring his girlfriend Lili (Swimming Pool's Ludivine Sagnier) --a sexy young local girl--to his famous actress mother Mado, and her lover Brice, an accomplished film director, an unraveling of the delicate peace in their house begins. The graceful beauty Lili, who dreams of becoming a famous actress like Mado, is immediately fascinated by Brice, who gladly falls prey to her charms.

Little Lili

5.4 2003
The Arab

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

The Arab

3.0 2026