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Infunde Lumen Cordibus

"The film was made using principles derived from Stephen Wolfram’s work on cellular automata (A New Kind of Science) to determine the content or colour of the shots, their duration, and the time of their appearance: the palette of effects, and their rhythmical development (from the simple alternations with which the film begins to the complex dynamic structures of its later parts),is entirely the result of computational processes that model natural events. John Cage instructed us that art should imitate nature in its manner of operation; I have tried to take the lesson. The music was composed by Colin Clark, using related principles".

Infunde Lumen Cordibus

NR 2004
High Speed

Images are shown on a screen split into four, while a voice-over fills these spaces with fantasies, with a mix of encyclopaedic culture and visionary intelligence, made of anecdotes, lucid reflections, paranoid obsessions, urban legends, memories of films... Suddenly, the man appears, in medium shot, baseball cap and fake glasses hiding his eyes. He talks about nature and technology, about Star Trek, the Bible, extraterrestrials, artificial intelligence, humanity controlled by higher powers. Although his discourse follows the logic of conspiracy theories, the truth of his solitude emerges.

High Speed

NR 2007
Faces

Shahram Golchin is a professional film actor from Pre-Revolution Iran who was trapped between worlds in the prime of his career. Debilitated by a range of illnesses and a strong sense of exile, he is our window to the other characters of this film. Faces is an experimental documentary exploring the life and work of diasporic artists as they represent themselves through their art and stories. This multi-layered documentary reflects on politics, pop-culture, history and the power of popular media.

Faces

NR 2008
Good enough for two

Right from his adolescence, William Commanda started making canoes. His masterpieces have been shown all over the world. At 90 years young, he will once again build a birch bark canoe to teach his technique to Todd Labrador, a Mi'kımaq Indian from Nova Scotia. All while being a renowned artisan, he is today a loved canadian elder of the Algonquin nation, spiritual leader known for his inexhaustible drive to sustain indigenous nations all over the world, and his work toward global interracial peace and the protection of Mother Earth. During the 10 days of the canoe's construction, while sharing his daily life, we get to know William, his sense of humour, his personality, and his teachings. All with the simplicity and humility of an ordinary man, he's nevertheless quite extraordinary. Born on the eve of the First World War, he sees the end of his life approaching but nonetheless doesn't low his pace to improve the world in which he was brought to life.

Good enough for two

NR 2005
Ithaca

Somehow in silence, I traveled home to here asleep, trying to think, to pull what I’d once felt out of the shadows. I had to make a leap into the not-yet- conscious, into the truth and absolution of images and sounds, toward the countenance of something still nameless. The only means of doing so was to find and found this thing. This nameless thing that emerges, as I do, again and for the first time, into the world, and will never leave it. This thing of love’s black sail. This foundered foundling thing. This thing of you. The gusts of wind were very hard and the night very dark, but our little whaleboat glided away like a thing of life.

Ithaca

NR 2000
Variations on Two Photographs of Tina Modotti

Originally, the images of Variations on two photographs by Tina Modotti were engraved directly on 16mm film to be projected as a backdrop for Louis Bédard's choreographic piece entitled Elles, which was inspired by the life and work of the well-known Mexican photographer Tina Modotti. My animations were particularly inspired by two images, first a photography of roses and second a photography of telegraphic wires, suggesting on the one hand an intimate and enclosed universe and, on the other, an infinite opening of space full of potential messages. I have reworked and developed them into an almost abstract meditative drama, caught in a tension between those two photographs.

Variations on Two Photographs of Tina Modotti

NR 2005
In the Theatre

Commissioned for The Colin Campbell Sessions by Lisa Steele at Vtape, one of a half dozen shorts made in tribute to one of our video dads. Colin had died suddenly and unexpectedly of colon cancer in 2001, but not before lending grace to more than fourty low-tech wonders of cross-dressing satire. An excerpt from his first movie, Sackville, I’m Yours (made on the Sackville football’s team portable black-and-white video deck) provides a closing note in Hoolboom’s video grieving.

In the Theatre

NR 2004
The Wait

High school is over, summer is ending, and Jake must say goodbye to his best friend Sarah but can’t. Instead, he confesses his true love and his desire to go with her. When Sarah rejects him, Jake seeks out escape by any means necessary: random sex, violence, going crazy, even buying into Charles’ deluded dream of driving to Toronto to become a stand up comic. But Jake’s real escape route leads not along the open road. It leads in the direction of a crazed dancing stranger.

The Wait

NR 2006
Exercising with Princess Headgear (Adjustable)

This video is an artistic interpretation of an actual performance that took place in the summer, 2000 on Mount Royal in Montreal. All the scenes of the video are in slow motion. Kinga Araya climbs wooden stairs to get to the top of Mount Royal. Dressed in black, she wears a beautiful, yet cumbersome and dangerous copper hat (adjustable refers to the copper band inside the Headgear to fit almost any human head). When she finally reaches the lookout, she continues to walk in a circle. She finishes her 'Royal Promenade' with a final spin, in the middle of this picturesque public space.

Exercising with Princess Headgear (Adjustable)

NR 2000