Discover Movies

A pair of eyes is no longer enough.

System of a Down at Cidade do Rock, Rio de Janeiro, Brazil on September 24, 2015. Setist: I-E-A-I-A-I-O / Suite-Pee (Incomplete) / Attack / Prison Song / Know / Aerials / Soldier Side - Intro / B.Y.O.B. / Soil / Darts / Radio/Video / Hypnotize / Temper / CUBErt / Needles / Deer Dance / Bounce / Suggestions / Psycho / Chop Suey! / Lonely Day / Question! / Lost in Hollywood / Vicinity of Obscenity / Forest / Cigaro / Toxicity (with Chino Moreno) / Sugar

A young man on leave from prison, his straitlaced brother, his best friend, a rookie cop and a young actress collide over the course of 72 hours.

After a terrible accident, a patient is admitted to the hospital. The patient is questioned by police, claiming to have been marked by the devil after acquiring a picture of a crying child.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

From dawn on in her dance lessons until nightfall in a nightclub, young Emma defies standards and tradition through her visceral dance. Between dream and reality, a metaphor for repressive society.

A terminal patient needs to choose where he wants to live after his death. Two real estate agents specialized in business of this nature offer him some options on the market with different points of view about a property so intangible and unlikely.

An outsider arrives in Cabeceiras with a Taurus. He is about to meet Jesus.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

Founded in 1968, in tiny 18 square meters of Copacabana, Bip Bip is a carioca cultural heritage. The bar reflected the spirit of its owner, the emblematic Alfredinho. The film is an affectionate record of his funeral, a ceremony that began at the bar table and took the São João Batista cemetery with joy and longing on a carnival Saturday.

Two young film students, Pedro and George, who spend more time watching films than studying, go to the video store to pick up some films for another weekend of student procrastination. There, the two rent a film that was mistakenly delivered by a member of a family of sadistic cinephiles. Unaware that they have an incriminating DVD, Pedro and George run the risk of participating in a bloodthirsty film where they will be hunted.

An animated short film about the origin myth of the ayahuasca uses by the yawanawa people, an indigenous nation from the brazilian Amazon. It's a yawanawa movie.

An indigenous young group take part in a ritual with alcohol and another substances that push them to suicide, asthe only way to get out from a social reality without perspectives.

Boy meets girl. Boy meets girl again. An ashtray in-between.

In debt with a dangerous loan shark, Paulo plans an insurance fraud to get money. However, a series of events puts his plan in jeopardy.

Nuno is a man working at a hot dog stand, who also invented a machine which promises to revolutionize the shoe industry- a foot scanner. In the middle of a gasoline embargo and finding himself in a strange predicament, Nuno becomes mysteriously confined to his car, finding his life suddenly embargoed.

The indigenous woman Mãtãnãg follows the spirit of her husband, dead bitten by a snake, to the village of the dead. Together they overcome the obstacles that separate the earthly world from the spiritual world. Once in the land of the spirits, things are different: other ways govern the supernatural. But Mãtãnãg is not dead, and his soul must return to living with the living. Back in his village and reunited with his relatives, new vicissitudes during a ritual will provide the opportunity for them to once again be alive and dead. Mãtãnãg is based on a traditional history of the Maxakali people. The illustrations for the film were made in a workshop in Aldeia Verde, in the municipality of Ladainha (Minas Gerais).

At school, Fabrício hangs out with the girls and with them creates a group of rap. Together, they sing provocative rhymes at the boys. He is in love and keeps this secret to himself, but soon enough the invisible wall of passion will shatter.

"Subversivas" is a documentary that reveals the brazilian military dictatorship from the perspective of women. Teresa Angelo, Gilse Cosenza, Thereza Vidigal, Angela Pezzuti and Delsy Gonçalves joined the resistance to the military regime in different ways. Their memories bring out events that marked that time and their life. These statements reveal their effort for freedom and democracy not only in political actions, but also in their family, work and everyday relationships, imbued with a belief and search for a fair and free country.

Brazil, 1981. Rodolfo sees his private and social life clashing when young Alberto is employed at the office of his little town.

A historical record of the introduction of the witch's broom disease, caused by the fungus Moniliophthora perniciosa, in the cocoa plantations of Bahia.

The documentary is an investigation into the life of Mario Wallace Simosen, a man who commanded conglomerates of several companies and was threatened during the Military Dictatorship, when his rights were revoked.

Quoting Borges is an essay about loneliness in the big cities and a tale of romantic longing for moments that are lost in time.

BR is a good ball teenager who dreams of being a great soccer player to be able to help your community, Morro Ball. When BR and his friends invade the Lawn Club Bacanas to hit a naked, opened a huge rift between the two communities. And this dispute will only be resolved in a thrilling football, watered the Brazilian music and magic.

Through reports from people who live or have experienced the routine of fighting drug trafficking and the police, mixed with reports from security specialties, psychologists, writers and journalists, we want to present the public with both sides of the same tragedy. Without taking sides either way, bringing the viewer to reflect on our current public security policy and its consequences on the lives of the population.

As Zulma heard the first noise, Mariano had been digging through a pyle of records, there was this one Beethoven sonata he hadn't yet heard that summer.

A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.

The documentary presents the saga of the construction of Brasília told by 50 women who arrived between 1956 and 1960. A new and feminine way of recovering the history of Brasília's beginnings. Times of dust and enthusiasm to contribute to the dream of JK, Niemeyer and Lucio Costa.

Lose threads intertwining are like paths converging, stories connecting, individuals realizing their better selves with one another. The body as a sculpture in motion.

Documentary about one of Brazil's biggest extreme music band, Vulcano.

Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.

Avenged Sevenfold at Fazenda Maeda, Itu, Brazil 01. Nightmare 02. Critical Acclaim 03. Welcome to the Family 04. Beast and the Harlot 05. Buried Alive 06. Afterlife 07. God Hates Us 08. Unholy Confessions (With extended "Mosh Riff")

What would death be? What would it mean to unravel death?

The film tells the story of the largest organized crowd in Brazil, the Red Black Race, from its foundation in 1977 until 2009, whose trajectory coincides with the greatest glories of the Clube de Regatas Flamengo.

Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).

Most often portrayed as an eccentric African pop idol of the ghetto, Fela is rarely presented as the strong political leader he was. Through the eyes his close friend and official biographer, the African-Cuban intellectual Carlos Moore, this documentary is devoted to unravel the complexity of Fela’s life. As the story unfolds, it reveals the glories and tragedies that shaped the lives of the pan-African generation as well as Fela's.

Based on the life of the inmate and Brazilian muay thai champion Fabio Leão. Born in Vila Kennedy, a suburb in Rio de Janeiro, Fabio was involved in drug trafficking and banditry since the age of 14. In prison, his redeeming passion as a teenager for the ring led him to teach sports to fellow inmates. Everything blends in with his love story for Luciana, a lifelong partner.