A high school girl in Asia whose father left the family at her early age is struggling financially with her mother, she gains empowerment and new directions from a coincidental encounter with an online sex-cam girl.
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A high school girl in Asia whose father left the family at her early age is struggling financially with her mother, she gains empowerment and new directions from a coincidental encounter with an online sex-cam girl.
A decade on from its triple core meltdown, we take stock of the mammoth task of decommissioning the Fukushima Daiichi Nuclear Power Plant, an undertaking fraught with both technical and social challenges. The Japanese government maintains the process will take up to 40 years, but the schedule has already been revised 5 times, with pivotal elements postponed. Meanwhile, as people return to their homes in surrounding areas, disposal of unprecedented volumes of radioactive waste has become a point of contention between residents and the government. We look back on the 10 years since the nuclear disaster and explore the choices that will shape Fukushima's future.
A carefully selected horror video supervised by psychic researcher Taketaka Karasuma.
This film spanned 18 years, documenting the dramatic changes and difficult process of transitioning from nomadic to settled home lifestyle for the last Mongolian herders in a high mountain pasture called “Eternal” on the westernmost border of Xinjiang, China.
Not a big fan of kids, Tung (uncle) is too busy playing video games to babysit his nephew. Suddenly, his nephew falls from the window…
Gayuan is a small village in the mountainous area of eastern Fujian, where I grew up. I tell the stories and philosophies about nature, life, growth and human nature in the small world of Gayuan through handheld photography, manga and animation.
A grandmother remembers her first childbirth, and a mother reveals her dreams. The stalactites are slowly taking shape, and an underground world emerges, an image of the time when becoming is assimilated from within.
The short film mainly talks about the dream Pirate who travels around in different housing estates in Hong Kong to look for the dream photon. On the way, he meets a child who has a relationship with him and encounters the threat of the dream eater. Will it save him or continue to escape?
Deep in the wet forest, breezes and sand leaves, rain flowers fell on the nose of the little squirrel, began to rain.
"We dream of a world where we can find our own way." If a woman removes the option of 'marriage' from her life, even those who see her for the first time predict her miserable future. The old belief that a woman's life has a happy ending only when she ends up as a 'wife' or 'mother' is still alive in 2020. Now in 2020, many women are throwing away old customs and flying into their own world. This documentary sheds light on the stories of women who are walking the path of singleness over time. Through this documentary, I hope that the freedom is expanded into two options, and thus make women's daily lives more diverse and free.
An undersea explorer called Goar dives into the bottom of the sea to save her robot friend.
This film is about the story of the main character and his younger brother, the younger brother saw the comic book of the main character, in his brain, he had a fight of animal chess related to memory. The younger brother belongs to the green party, the elder brother belongs to the orange party, at last the elder brother lost and the younger brother won in his consciousness, the younger brother took the elder brother to see the future elder brother in the heart of the younger brother.
Liang Yan is a freelance writer living in Beijing. He went to a house church to experience the atmosphere of fellowship. A girl accidentally unmasked his behavior, and he became more and more interested in this girl. At the same time, he participated in a book launch for the poetess named Ma Yan. Ma Yan's poem reminded him of a former friend named ChunTian. The contact with ChunTian made Liang Yan immersed in the memories of the past. When he emerged from the surface of reality, he found that all these things were just a few words in the poem.
The old man who has no dreams, forgets the dream of the dream, said that the dream of being educated, the child who is chasing dreams in the streets, can we really have a dream? In front of the new crisis that has aroused the new crown virus, I came to Yunnan with a camera, I hope I can reactivate my movie and a few musician friends who have already realized it is facing new challenges. In Kunming City, a child of a roadside stall, every day, like a beast is usually playing in the road of the car, only six years old, he has not started to go to school, and his parents did not take care of him. . And when they said their dreams, the dream of teaching with strong people, and it is incorporated with this. The dream of spiritual medicine may not exist at all, but it is really a tragedy, and the tragedy is staged daily.
Despite his nice and organised life planned out by his parents, Francis finds himself attracted to Tommy, his carefree former schoolmate. He travels between the restaurant where he works and a city he barely knows, trying to navigate between family pressure and his relationship with Tommy. The two radically different worlds draw closer together until they finally clash.
The naval base has been constructed in Gang-Jeong village. The Village seems troubled as it's always been for years due to coexidence of two different forms of peace. Can Gang-Jeong maintain its peace with the opposing believes peace clashing unceasingly?
Adju, originally means sisterhood and has also been used by the LGBTIQ+ community from the Taiwanese indigenous group Paiwan people to express their trans identity. Director Lu follows the musical journey of Mo-Fu, who identifies as Adju.
"After Jiang Ge's murder, Liu Xin and her family's approach and attitude are the only reason that triggered this lawsuit; I just use the law to legally defend my rights and interests, not to talk about being more serious. But no matter how much legal responsibility Liu Xin should bear, I never wanted anyone to commit cyber violence against her, such as disinformation and defamation. As early as the beginning of Jiang Ge's murder, someone added a WeChat to scold me: sending Jiang Ge to study in Japan deserved it. I couldn't understand at all. Sending my daughter to study abroad was to let her learn more, so why should even that be attacked after Liu killed her. After that, some people publicly abused Jiang Ge on Weibo, and in the first half of 2017, I went to the local police station to report the case. in December 2017, when the trial of Chen Shifeng was held in Japan, the net storm was the craziest. Numerous netizens could not stand to see it and helped me report it..."
A Precious Hotel in the woods, where Japanese soldiers, yangbans, sangnomists, pro-Japanese, and independents come to visit. The hotel's owner, Mi-hwa, saves her Shin-ae and Yeon-hwa's lives, allowing them to stay at her hotel and do her job. She takes revenge on Seong-gyu for taking her child's life. First, she serves Sung-gyu with all her heart. One day, Go Kyung-jin visits a hotel, and Yeon-hwa seems to know him. Mihwa, who sleeps with all the men and saves money. What is the purpose of the women in the hotel?
A training potty and a boy are very good friends. One day, however, the training potty realizes that the boy will one day grow up and leave the training potty behind. With me, you will never grow up, for your sake, I'm leaving you.
A patient goes to the doctor for surgery, but soon, his inner self and superego clash over the future of sickness, merging identities with the performing surgeon.
When a series of customers who run a small hair salon start to run out, they are shaken by the gangster's suggestion to run the hair salon as a decadent business. After seeing a sales method that allows her customers to freely touch female employees while receiving services such as shampoo, she leaves the salon, but a few months later, she suffers from the hardships of her life and goes back to find her gangster.
I came out to my mom in the summer of 2019. She revealed a secret by giving me a treasure that she had kept for 25 years.
The protagonist, who has a too big body for the house, goes through all sorts of hardships outside the house, and finally finds the house fit for the body.
A film about the relationship between male and female customers who deliver trucks.
In the warehouse of the Korea Democracy Foundation, a bundle of mysterious old roll films written "Film damaged by the flood" is found. In attempts of restoring it, they visit the groups of photographers who recorded the field at the time and try following the traces of the roll film. However, as that world is restored and damaged photos are brought back, deleted worlds are discovered. The world of the many workers who fought to prevent the hell created by the protagonists of the democratization movement after they became president. In the midst of the alternateness, the landscape is gradually revealed.
During the homeroom in June, the class was informed that Rina was caught up in a incident and can no longer come to school. “Whose fault is it” and “who is to blame?” This is a coming-of-age story of boys and girls who are swayed by youth.
Min-min is a business partner and sex partner with Tae-jun, the president of the business. Tae-jun's son, Jun-ho, meets by chance, falls in love with Min-joo, and the two marry despite her father's objection. Tae-joon can't forget Min-joo, who became her daughter-in-law. She asks her daughter-in-law to have sex, but she refuses. When Jun-ho's business becomes difficult, Min-joo asks his father-in-law Tae-joon for money on behalf of her husband, and Tae-joon uses this as an opportunity to claim the body of Min-joo...
The pandemic-born “emo rave”-categorised “Change, Reset ft. PRINCI” portrays how distressed human beings lean on their desire for intimacy and connection on chat apps, without any physical interaction. The personality-training AI chatbot app “Replika” and dating app “Tinder” specifically, became the inspiration for this music video. The First-Person point of view coupled with a “Pokémon GO”-like AR interface fills this journey with sorrow and uncertainty. As the story starts with a user (Sonia Calico) who refuses to update her AI chatbot (PRINCI), she desperately ventures to find the AI partner’s crystal avatar in limited time as the obsolete-version of the world around them starts to fall apart.
Han Jeong-min, who placed second in Taekwondo competition, never beat her rival Sua for three years in high school. Jung-min loses power from repeated defeats. Can Jung-min find the strength to run again, ahead of the last game of high school?
The Last Page documents the final days of a bookseller Polan Shobo, specialising in antiquarian books in the Tokyo suburbs. Kyosuke Ishida, the owner, decided to close down his shop after 35 years due to the recession brought on by the pandemic. In the week before the closing day, the shop saw an unexpected surge in visitors.
Young-joo calls his childhood friend Woo-hyun when he drinks. Woohyun always comes to pick up such a youngju. He went looking for a long time and was having a hard time, but he couldn't let go when he saw the lord. In fact, Yeong-ju knows that he has a crush on Woo-hyun since childhood and that he has a girlfriend, but doesn't break her heart. Na-hee, the girlfriend who is annoying to such a young-joo. She decides to make Woo-hyun more firmly her own.
In this performance, Imai remediates photographic images appropriated from popular magazines into a series of line drawings superimposed on each other. Photographs that Imai took with his camera from female fashion magazines and weekly photography magazines are projected one by one on a large white paper attached to the wall using a 35mm color slide projector which displays each image for fifteen seconds. During the fifteen seconds, Imai traces the contour of selected parts of the projected image with a marker pen. Repeating this process for about twenty minutes results in an accumulation of line drawings overlaid on top of each other. Through the process of fragmenting and taking apart each image, Imai seeks to objectify the information environment shaped by today’s mass media.
None, nothing, and struggling. TRANSPARENT DRAGONFLY is an experimental animation about non-feeling.
The chest medals represent not only the prestigious and righteous decorations but also the heavy guilt. A veteran chased the stealing medals and started recalling the life with getting these medals. It reveals the ambiguous righteous under the medals.
That night, a lady met a lovely beast, a gigantic slimy cheesy one.
Aya has lived a lonely life without an official identity because her mother is an illegal migrant worker. When Aya becomes ill, she meets two playmates in the hospital and discovers they are also Invisible Children, incapable of growing up ...
Hazuki works part-time at a movie theater. Though she lives at home with her parents, she no longer even exchanges greetings with her father. One day, Hazuki is invited on a trip to India by a co-worker, but she is less than thrilled.
In a world where you can rent everything you need from huge machines, a girl wants to be a guitarist but people choose her to be something else.
It is a work that gazes at the distance between stillness and movement, between scene and scene, between different entities and time and space. It pays attention to the usage, movements, and possibility of variations of the diverse 'distances' that exist between them. If it takes a long time to move from one scene to the next, and if there are things that can only be seen after some time or from a distance, the 'time-distance' is necessary for an image to appear and disappear. What if this work captures this 'time-distance'? When a scene/image contains a single space-time, it might enable different time-space, objects, matter, non-matter in a far distance to meet, even for a brief time. Based on such ideas, the work connects one scene to the next, the voices of anonymous speakers to another. It captures the distance and the sense of distance of the things that do not stay and cannot be reached. By doing so, it seeks possible formless connections and temporary coexistence.
In the summer of 2019, his family's trip was the last one with their father, husband, or father-in-law. My father-in-law passed away one day in January 2021 when it was snowing. I looked up photos and videos of him with my wife and fixed my gaze at the record of the trip two years ago. His body was with us, but often his mind was beyond our reach. What was he looking at, how was his time going? The time of this work moves forward as a whole, but continues to reverse in frame units. The cinematic time of eight, eleven, and fourteen frames, which is going backward, is in line with the way he experiences time with dementia. Like the scenery of a train rushing in front of him, his time runes forward, but his memory continues to backtrack.
Current Layers represents the topology of the current times or the layers to represent how we look. The work consists of three layers: ‘The Chronological Study on Earth’ looking into the history of layers in alignment with the folklore mythology of Hawaii; ‘The Form of a Plastiglomeratic Life’ depicting the future to come following the current plastic abuse; and ‘The Manner of a Photoshopping Life’ dealing with our mode of expression varying with the usage of computers.
Peninsula Tour departs from Seoul and travels through the “Asian Highway” into China. This tour finds the worlds dis/continuity through air and land, virtuality and reality, old and new technologies. The tour ends up with an unexpected encounter of a German traveler who visited North Korea. The film reflects the hypocrisy and the deception of globalization, freedom and unification today through a stranger with similar experiences.