Discover Movies

5,836 Matches Found

Triangular Duel

Kon Loong, a rickshaw boy, learns kung-fu from master Auyang Tin-Kin, for three years of practice. Kon Loong is recognized as the best among all the students. One day, when the master is out for a journey, another fighting association sends a challenge to the school, and Kon Loong accepts it. He goes with four other brothers, but they are badly defeated by their opponents, who hired the help of a Japanese karate fighter. When the master returns, he will have to save the school's honour, in a duel against the two other schools.

Triangular Duel

6.3 1972
Seven Women: Liza Wang

In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.

Seven Women: Liza Wang

NR 1976
The Shocking History of the Death Penalty

Do humans have the right to judge and kill other humans? This program includes a history of capital punishment around the world through documentary footage and commentary. The electric chair, firing squad, hanging, poison gas, beating to death, slow execution, crotch-splitting, iron maiden, guillotine, execution by running, and beheading... It features a military execution in a South American country, obtained from a former prison officer. It also includes footage of the reality of life in Japanese prisons, death row inmates facing death, the parents of death row inmates, the families of their victims, and the gallows.

The Shocking History of the Death Penalty

2.0 1977
Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter

Fujishita Kumi is an ordinary office lady. Longing to escape her poor fishing village for a life in the city, she came to Tokyo. One day while alone in the office, she's spotted rolling up her pantyhose by the window cleaner Kurata Katsuo. This was to be their first encounter. Completely enchanted by Kumi, Katsuo does everything he can to get close to her. Katsuo is a man with a terrible past. With the death of his coal miner father, his family was broken up and he was forced to follow in his father's footsteps laboring away in the mud. In spite of this, Katsuo still has dreams. He dreams of living in Resiporuko, a utopian fantasyland that exists only in his imagination. When Katsuo and Kumi finally meet they find themselves unable to communicate. Katsuo spends all his time talking about Resiporuko with a starry look in his eyes, while Kumi dreams of living the high life in the city. One day when the two travel to the seashore, they discover a wounded seagull.

Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter

6.0 1975
Woman's Police: Appointment with Danger

Kagari (Akira Kobayashi), a scout and overseer of Ginza bar hostesses, receives an urgent phone call from Sawako, a hostess at the bar Rie, and rushes to Tokyo International Airport to meet her. When he arrives she is gone. At the bar he learns that Tabuchi, a steady customer, had been quite friendly with Sawako and may know something. Tabuchi claims he knows nothing and Kagari lets the matter drop. Over time Kagari learns from Takijima, a businessman, that Sawako is in a hospital in Yokohama. Takijima explains that he found her in Singapore working as a street girl and brought her back to Japan. Sawako had lost her memory after being subjected to narcotics. Kagari swears to find the person responsible.

Woman's Police: Appointment with Danger

8.0 1970
Oil-Coated Umbrellas: Meinung

Once essential on rainy days in Taiwan, the handcrafted oil-paper umbrella from Meinung,was not only a symbol of local craftsmanship but also a major source of livelihood. However, as Taiwan rapidly shifted toward an industrial and commercial economy in the 1980s, mass-produced plastic umbrellas replaced these meticulously made paper ones. What was once a daily necessity gradually became a nostalgic cultural artifact. Today, a handful of long-established artisans continue to follow traditional methods. With patience and precision, they craft each umbrella by hand. Though its original function has faded, their emotional bond with the craft remains unchanged. Their dedication and skilled workmanship reflect a deep-rooted respect for materials and tradition, preserving a vanishing heritage one umbrella at a time.

Oil-Coated Umbrellas: Meinung

NR 1978
Happy Days of Mr. M

Unidentified people appear around the protagonist, Mr. M. No matter how many times he wakes up, he cannot escape from his dream. In a speeding, deserted subway, Mr. M falls asleep again. This is Yamazaki's second work in his filmography. Reflecting on the fact that his first 8mm drama, "The Melancholy of Poplar Trees," was less than a school play, he decided to make this film to see how much he could do within his own field of expertise. He unashamedly quotes various films, including Masanobu Nakamura's "Autumn in Beijing". An interesting precursor to his works " Anti-Interpretation" "Memories of the Seaside," and "Ghosttown at Dawn". This filmwork won the Student Encouragement Award at the 1980 Fuji 8mm Contest.

Happy Days of Mr. M

NR 1979