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The Drunkmen’s Marseillaise

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

The Drunkmen’s Marseillaise

8.0 2024
La adúltera

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

La adúltera

7.0 1975
Lumière, Le Cinéma!

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Lumière, Le Cinéma!

7.0 2024
Hatred

Captain Justin Mollenard works for a company that sells armaments to the Far East. After an eventful stay in Shanghai, where he and his cargo are the victim of a malicious attack, he returns to his hometown of Dunkirk. Mollenard receives a frosty welcome from his wife Mathilde, who resents the way in which he has neglected his family for so many years. Mollenard’s only wish is to get back to sea as soon as he can, but a sudden heart-attack leaves him paralysed and entirely in his wife’s power...

Hatred

7.3 1938
Of Gods and Men

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

Of Gods and Men

6.7 2010
Far from Maine

Haunted by the killing by Israeli police of a Palestinian friend from his youth, an Israeli queer filmmaker embarks on a cinematic dialogue across time — confronting memory, friendship, and the genocide unfolding today. In this intimate cinematic letter, Israeli filmmaker Roy Cohen addresses his Palestinian friend and fellow peace activist Aseel Aslih, who was murdered by Israeli police in their youth. Cohen tells Aslih of his experiences navigating a growingly genocidal society and seeks Aslih’s moral clarity and resilience in the evocative letters he had written as a teenager.

Far from Maine

NR 2026
The Children

Pierre Esteban is a middle-aged technology teacher, divorced from Hélène, who has two children. Jeanne Lancry is a lively estate agent in the same situation : a divorcée with two children. They discover they love visiting empty apartments together and...more than just that! Life would be just wonderful if they were fifteen years earlier. But there are the children. It would be fine to live altogether in the same place. The question is : will the kids get on well with each other?

The Children

5.6 2005
L'Emprise

"L'emprise" is the story of a drama, adapted from the moving book-witness "Acquitted", by Alexandra Lange. The story of a mother of four children, which is found in March 2012 in the dock of the foundations of Douai for the murder of her husband. How does a woman manage to kill the father of her children with a knife? During the three days of the trial, panting narrative takes us into the daily life of Alexandra, a mother that the society has failed to protect, neither she nor her children from the control of a monster she has loved. Through this incident that made headlines and upset the public, an event movie that raises the question of the balance of justice. Will she be heard?

L'Emprise

7.7 2015
Le Beauf

Gilbert, assigned to incinerate old banknotes at the Bank of France, lives with his wife, Gisèle, and his young son, Thomas. A few years earlier, he had formed a rock band with Serge and Gisèle's brother, Marc. The latter, abusing his naivety, make him believe that he has been robbed of a briefcase containing a million dollars and that, because of his fault, Marc is in danger of dying. The objective is to force Gilbert to put his incinerator out of order to facilitate the bank robbery. Gilbert refuses at first, then gives in. But he discovers that he has been cheated. To get revenge, he tells the police the date and time of the robbery.

Le Beauf

5.0 1987