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At the end of the Spanish Civil War, almost half a million people moved by fear of reprisals to France. A hundred thousand of them were children. The French Government overflowed by the human avalanche, put them in improvised refugee camps. Chilean poet Pablo Neruda, former consul in Spain before the war, convinced the President of Chile to save more than two thousand refugees. The film tells the story of Julia, a little girl that escapes Barcelona with his father, a young widower. They embarked on the Winnipeg, a ship chartered by Neruda. That saved them from a dark future in Europe. Now, she is “a daughter of Neruda”, as the descendants of the 2,200 refugees call themselves.

The third interview short in the Four Paintings series with painter Edward Povey. In this short he explores his painting Accomodation, considering how, in many ways, it shouldn't work but somehow does

A documentary highlighting the talent and plight of a successful British women’s football team who fought against sexist attitudes to become champions.

An experimental film about the ambiguous sensation of fear and elation experienced during the loneliness of a night race. Original footages of the 24 Hours of Le Mans are associated with pictures of Charles Lindbergh's transatlantic airplane The Spirit of St. Louis and quotations by Antoine Saint-Exupéry and Bertolt Brecht.

New dad Oli has a crisis of confidence when driving his new born home from the hospital.

Mariana and Xevi work the land from opposite ends of the world. Rooted in agroecology, their projects trace a quiet dialogue between territory, nature and family.

Websites mimicking the appearance of journalistic media, but which mainly generate advertising revenue by disseminating disinformation, are spreading like wildfire online. In this 3D animated documentary, Spray and Pray plunges us into the dark side of the web, where the anti-LGBTQ+ political agenda serves the economic interests of an unscrupulous minority.

The female body as a site of power, beauty, labour, exposure, violence, control, and politics. In an imaginary changing room, women perform everyday routines and explore each other and themselves.

Gabriela returns to her family home in Chile, left behind after exile. Between her grandparents' tenderness and her mother's emotional distance, she begins to question how love can endure when shaped by fear, absence, and silence.

The rapid development of artificial intelligence is profoundly transforming the filmmaking processes of the cinema industry, ushering it into a new era.

The renowned Japanese choreographer Saburo Teshigawara takes over the Château de Champlâtreux for *Sur Mesure*. He has invited dancer Rihoko Sato and violinist Sayaka Shoji to join him in this performance.

The definitive documentary on AI's origins, told by the people who built it. A thriller-paced reckoning with ambition, rivalry and the question that now haunts everyone: Will artificial intelligence save humanity or destroy it?

A multiform project spanning many years, this tale bewitchingly spins the dark yarn of runaway lovers from a memory. Rising from a fetish for a haunted house, it led to a collaborative exchange with folk trio Lau, and later, provided visuals for Martin Green's live gothic spectacular, CROW'S BONES.

In a stony steppe and along its edge, beings emerge like mirages.

As a woman wearing a mask on a meadow and a man in his living room gaze deeply into each other’s eyes via his television, the boundary between fiction and reality shifts. A dialogue-free and interpretively open art project about the influence of film on humans and vice versa, which raises the question of whether we, as viewers, might at precisely this moment merge with the play on the screen.

What Clint can't express in words, he sings it with those of others, run through by the songs as if by a shiver. But when you're a musician, if you want to shine, you have to compose...

There is a house in the mountains of Graubünden. The mother is dead, the daughter arrives, then the granddaughter. They want to clear out the house—but inside, they sense the presence of the dead woman's secret companions. In addition to a silent hunter and an intrusive chiropodist, another figure seems to have found its place in the woman's life, telling her story from heaven: "S'Tuntschi vo Juf," the doll that came to life from the mountain legend of "Sennentuntschi."

In the middle of Maike's sister Inka's wedding preparations, the marital dispute between Sören and Maike is still simmering because she has been cheating. Maike suggests that Sören should have a fling himself so that peace can finally be restored. With whomever! But Sören ends up in bed with Maike's best friend Doris, of all people. Dirk, Doris' husband, is not the only one fuming with rage and wants to give Sören a thrashing. Maike in particular reproaches Sören: the offer was never meant to be like that! And in the midst of all the chaos, Inka decides to throw the stuffy wedding, which groom Nils only wants to go ahead with for the sake of his conservative mother Renate. So: no wedding and three break-ups?

Lyon’s Nuit Sonores festival welcomes two living legends of Detroit techno to the party: Carl Craig, a towering figure in electronic music since the 1980s and Seth Troxler, one of the world’s most popular DJs according to Resident Advisor.

I can’t quite grasp the adventurous life of my brother Siavash, so far from my own. While I have just become French and he is about to become American, far from our native Iran, we are searching for common ground.

A journey into the largest and oldest transgender community in Europe — that of Naples — told through the voices of six femmenelle, suspended between centuries-old rituals and contemporary tensions.

CAUGHT BETWEEN LIFE AND DEATH, WILL ETHAN FIND THE PEACE HE CRAVES? Ethan Pulman, a mortally ill boy, finds himself lost in a surreal dreamscape after being prescribed morphine to help him sleep and forcing him to confront his deepest fears. Will he be able to make it through until morning to reunite with his mother?

Based on some true events, a couple’s final breakup getaway — planned as a peaceful, mutual farewell — takes an unexpected turn when an unseen presence within an isolated estate quietly reshapes their journey, drawing buried feelings into the open and challenging everything they believed about endings and letting go.

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

"Don't Let The Bastards Grind You Down" is a documentary film about British social policy. The focus is on the political struggle against neoliberal austerity policies, which have their origins in the hated Thatcher government. The film features the former socialist MP Dave Nellist, who is now the national chair of the Trade Unionist & Socialist Coalition and Hannah Sell, the general secretary of the Socialist Party. The film features a local election campaign in the miners' town of Nuneaton, students campaigning against an increase in tuition fees and refuse workers from Birmingham striking against massive cuts to their wages.

Altmark is located in the northern part of the German region of Saxony-Anhalt. This area of the country is sparsely populated and rural, and is mostly defined by agriculture and a rather frugal architecture reminiscent of that of the Hanseatic cities. It's here that an extensive military site was built in the 1930s. It is used as a training area for the German army and also includes a garrison town, in which parts of the military corps reside. The site covers a surface area of 323 square kilometres. It is the third-biggest military area in Germany and the most modern in Europe.

Lili, a young French woman, lives in New York between odd jobs and coffees with friends while overstaying her visa. A chance encounter with two police officers tips her — and the film itself — into another dimension.

Alex, 17, is taking care of his little brother as he often does, doing his best to make up for their father's shortcomings. It's the beginning of summer and maybe the beginning of something else too.

A series of old photographs awakens memories of childhood in post-war Spain, where a daughter and mother are struggling to find their place between grief and prejudice. Smells ambitiously attempts to stimulate our senses to help understand the protagonists' lives. With very few elements, the film succeeds in wafting off the screen, suffusing our memory.

A pompous musician goes down the rabbit hole when he puts his career on hold to take up birdwatching

Director Daniel Hopp and his neighbor Daggi, a former private investigator from East Berlin, investigate the death of his previous tenant. Daggi not only brings with her keen powers of observation, but also her own story of escape, ruptures, and distrustful care. During their investigation, their two biographies become increasingly intertwined—reinforced by an actor who embodies Hopp and elevates the events to a reflexive meta-level.

Healers, Midwives, Witches is an experimental documentary that traces connections between village midwives and the figures of healers and witches found in historical archives. Moving between archival engravings from London and intimate conversations with the filmmaker’s grandmother and great-aunt, former midwives in rural southeast Turkey, the film brings different times and places into dialogue. Through archives and oral histories, recurring gestures, rituals, and ways of care reappear across centuries. The film approaches the witch not as a myth, but as a figure shaped by fear, control, and misogyny, carried forward through women’s memory, labour, and survival.

Lou and Marius are having fun in the street building a snowman. But Mom calls them home—Marius has to practice his clarinet, and Lou has to do her homework.

Like the hippies of yesteryear, several couples set up their own community in the heart of the Cévennes. Despite the total freedom of this lifestyle, teenager Anya becomes increasingly withdrawn and ultimately goes to live deep in the woods, much to the consternation of her family and the concern of the local population.