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Hong Kong's 1971 Diaoyutai Movement

Hong Kong Diaoyutai Movement (1971) documents HK youth protesting the U.S. decision to transfer the disputed Diaoyu Islands to Japan alongside Okinawa's return. The protest joined the transnational Baodiao movement, launched by overseas Chinese students in America and taken up across Taiwan and Hong Kong in defense of Chinese territorial claims. The film was produced by 70s Biweekly, a radical publication that served as a crucial platform for political debate among young Hong Kong intellectuals. Co-founders Ng Chung-yin and Mok Chiu-yu, who organized the demonstrations themselves, commissioned directors Law Kar and Chiu Tak-hak to create a documentary from inside the movement. The camera moves with the protesters, capturing chants, gestures, and surging crowds as they unfold. This approach transforms cinema into a tool of activism—the filmmakers weren't documenting history but participating in it, positioning the camera as part of collective action rather than a neutral observer.

Hong Kong's 1971 Diaoyutai Movement

NR 1971
Twisted Sex

A look at sex in Japan, that covers underground gay life, transvestites, sex change operations, tattoos, and S&M. What does it mean to live an individualistic life in the modern age? By capturing the seemingly bizarre customs of men in drag and women in men's clothing seen on the streets, and examining the world of sexual perversion in an attempt to unravel the mysteries of our homogenized modern society, we explore whether it represents the pinnacle of pleasure, or a world of endless hell.

Twisted Sex

4.0 1971
What will we become and where will we meet again?

Eom Jang-ho, a student of sculpture art, will appear in a folklore presentation hosted by his girlfriend Oh Hyo-jin, a historian. In the process of projecting various folklore materials, she sees a rotten heirloom mask and awakens a certain subconscious mind in the form of the mask. Her story is the story of how a clown dancing in her cloak raped her Thatcher's wife, causing her to plunge into her well. Eomjang-ho, who is engaged in the final practice of her sandae play mask dance, suffers from more vague fear because of her succession mask written on his face. Meanwhile, Oh Hyo-jin, unable to meet Jang-ho after the incident in the auditorium, goes down to the countryside with her classmates as a member of the archaeological excavation team. Even after she begins excavating the archaeological site, she is still depressed and asks if it's because her advisor loves her mother-in-law. She feels that she is in love with her majestic Ho.

What will we become and where will we meet again?

NR 1977
The Homecoming Pilgrimage of Dajia Mazu

Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu, who protects seafarers, on a 9-day, 8-night procession, stopping at several prominent temples along the way. The religious pilgrimage is a round-way journey from the Zhenlan Temple in Dajia, Taichung City to Fengtian Temple in Xingang of Chiayi County on the Western plains of Taiwan. The mesmerising festival takes place every year during the third lunar month and still attracts large masses to this day. The audio track of the film was once banned under the Kuomintang (KMT) due to the film’s inclusion of spoken Hokkien (Taiwanese), giving viewers at the time an altered and suppressed understanding of the event and its cultural significance in Taiwan. Viewers now can revel in the beauty of the Taiwanese language and see the film for the true spirit that it captures.

The Homecoming Pilgrimage of Dajia Mazu

NR 1975
When the Night Breaks

In a bustling shopping district, a humble tailor accompanies his daughter for an afternoon out — until a trio of thugs begin harassing her in broad daylight. Unable to stay passive amidst the crowd’s indifference, he intervenes with tragic results. Two years later, having served time for excessive self-defense, he remains haunted by both the violence and the apathy of society. A veteran detective, still unsettled by the case, notices the tailor quietly providing money to the same thugs. What drives him? A modern horror tale with social undertones, adapted from Futaro Yamada’s short story “The Black Curtain,” this episode merges psychological unease, moral ambiguity, and a chilling critique of bystander indifference.

When the Night Breaks

NR 1973
School Festival Night: A Sweet Experience

A teenage drama film about Makiko Hayashi, a top student who is aiming to get into University of Tokyo, together with a group of other students. She befriends one of the school's misfits, Yoshiyuki Mizuno, which starts to change her life. The film follows the way Makiko Hayashi's life changes throughout the time, from a model student with high ambitions, to someone who is uncertain enough about her future, that she feels the only way out is to start anew.

School Festival Night: A Sweet Experience

NR 1970
Strange Feeling

Going to a gallery to sell her pictures, Yun-Hye meets Seong-Jin, whose father is rich. Seong-Jin introduces Yun-Hye to his family on his father's birthday. Knowing that she is a child of not communicated to leprosy, his brother forces her to give up Seong-Jin. She tries to avoid meeting Seong-Jin but finally, accepts his proposal of marriage. On the wedding day, she runs away with the help Yun-Hyeok, who is not communicated to leprosy and a singer now. By a car accident, Yun-Hyeok dies and so does Yun-Hye after giving a birth without consciousness. Seong-Jin cries and yells with the baby in his arm.

Strange Feeling

NR 1975