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Baby-Cue

Baby is a tiny doll who lives in the perpetually dark Niteworld. The only light place left is the theme park Welcomeworld, the creation of Baby's long lost father. Baby travels to see him and wreaks havoc with the help of her special powers, a supply of jelly beans and her mysterious friends. Can she destroy the ultra-powerful, mega-rich 'nice-guy-in-a-sweater'? This film takes place in a dystopian world slightly different from our own, where houses are made out of candy, Michael Jackson is an ice-cream man, and Reality TV stars face consequences for their actions.

Baby-Cue

NR 1997
Coming Home To Banaba

Banaba is a remote and tiny island in the Pacific Ocean, about 50-miles South of the Equator, at the Western limit of the Republic of Kiribati. Once it was known as Ocean Island, named after ship that “discovered” it. Once it was the colonial capital of the Gilbert and Ellice Islands, and one of the British Empire’s richest sources of phosphate, the raw material for the fertiliser that enriched the soil of Australia and New Zealand. From 1900 to 1979, phosphate mining devastated Banaba, leaving a landscape of barren coral outcrops and rusting machinery. Most Banabans now live in Fiji, two thousand miles away from Banaba, on Rabi Island (pronounced ‘Rambi’) to which the British exiled them in 1945, after three years of intense suffering under Japanese occupation. In July 1997, a small group of Banabans and ex-miners made a return journey to the island that was once their home. This documentary tells the story.

Coming Home To Banaba

NR 1998
Teenage Diaries: In Bed with Chris Needham

Seventeen-year-old Chris Needham is Loughborough's leading heavy-metal philosopher. He's putting together a band - but Manslaughter's bassist has no bass, the drummer can't play and Chris's mum says he's got to be in bed by nine o'clock. His confident public face often collapses, leaving him depressed, confiding in the video camera. Hilarious but touching, his diary is the inside story of so many bored and energetic youths who hang around the shopping arcades and dream of becoming rock stars.

Teenage Diaries: In Bed with Chris Needham

9.0 1992
InterCity Norwich

With a top speed of 100 mph, the hourly InterCity trains normally cover the 115 miles between the capital of East Anglia and London's Liverpool Street Station in well under 2 hours. One feature of note is the single line swing bridge built at the time of electrification to Norwich in 1987. It is one of only a handful of operational swing bridges in the world provided with overhead line equipment. Our InterCity express calls at Diss, Stowmarket and Ipswich. South of Ipswich, Anglia trains are joined by those of GER, and at Colchester by Clacton services - all squeezed onto just two tracks signalled for bi-directional working. Relief comes at Shenfield where the Southend lines provide an additional pair of tracks. With freight traffic to Felixstowe and Harwich a wide variety of trains rush past.

InterCity Norwich

NR 1997
The Far North

The line follows the coastal contours through Invergordon to Tain and heads inland via Lairg. After Rogart we pass through the long-since closed "Mound" station, still with it's platform for the Dornoch branch derelict but intact. We take a look at the remains of this erstwhile line and discover Dornoch station building still surviving. At Golspie the line became the "Duke of Sutherland's Railway" - one of the longest-ever privately built lines. Dunrobin Castle station is next on route. Here we learn a little about the Third Duke, from his great great grandson Lord Strathnaver. By the time the train reaches Helmsdale, the coast has become more rugged than ever. From there it proved absolutely impossible to drive the railway any furthe ralong the coast, so our "Sprinter" heads inland again, this time through the remote Strath of Kildonan for 25 miles to Forsinard. At least there is a road along the valley but from there to Georgemas the railway is quite alone. Filmed in 1991

The Far North

NR 1991
Diary

‘Diary, a haunting short film by Peter Todd, crafter of poetic ruminations about ordinary life….just a camera trained on nondescript surroundings, made poignant by the soundtrack’s medley of voices and the director’s sensitivity to the layers of emotions that shape the most ordinary lives.’ Geoff Brown. The Times. 1998.‘Or different voices, still lives: Todd’s short is a poeticrather melancholy meditation on memory and the difficulty of expressing love, which counterpoints evocative images of London with a familial litany of questions and confessions. Moody and intriguing.’ Geoff Andrew. Time Out. 1998.

Diary

NR 1998