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To Ride A White Horse

The story, which takes place during a few hot summer months, centers on the coming of age of 15-year-old Leo. Leo lives with her half-sister Katharina in an old, dilapidated house in the countryside. Katharina has gone "mad" since the death of her son Max and hears voices. Max's father Frank became a pimp back then. Now he owns a bar and is after Leo. Micki Finch, a handsome man with a dark past, bursts into this fateful constellation. And a bag of cocaine around his neck.

To Ride A White Horse

NR 1993
The Roman Street in the Aosta Valley

Today, the Römerstrasse in Italy's Aosta valley, is a significant traffic artery in the center of modern Europe. Nestler's journey explores the moving history of the Aosta valley, which passed through many hands - from the Roman Empire to Burgundian and Frankish kingdoms - until it was acquired by Italy in the 11th century. The now busy motorway, which runs from the Po Valley to the Great and Little St. Bernhard passes, is revealed through the timeless eyes of a historian. At the same time, the documentary sheds light on cultural traditions and contemporary life in the region.

The Roman Street in the Aosta Valley

5.8 1999
Freddie der Delphin

On the North Sea coast, between the port city of Newcastle and the Scottish border, lies the town of Amble by the Sea. Long, almost untouched beaches, very cold water, rain, few lucrative jobs, a fishing industry in decline, humor, a thick dialect, friendly people. An English region that is being abandoned. Four years ago, fishermen spotted a dolphin near the coast. It was early summer, salmon season. The dolphin found plenty of food and stayed. Children named him Freddie. He made the place famous, and Amble became a tourist destination. Northern England, 1991, a visit to Amble by the Sea above and below the water.

Freddie der Delphin

NR 1992
Sleepy Haven

Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic daydream; the film is a cocktail that merges Müller's own shots and found footage like a love act. Nude bodies of sailors are flaring up in flickering solarization effects; they are given an ardent aura of physical desire by this tattooing of the film emulsion. Müller only gradually changes his material metaphors to metaphors of love. But it is not only FIREWORKS the film is alluding to; there is yet another classic shimmering through Müller's imagery: Jean Genet's Un Chant d'Amour.

Sleepy Haven

4.3 1993
The Different Faces of Sergei Eisenstein

Eisenstein is celebrated either as the last Leonardo da Vinci of modernity or attacked as Faustus, Faustus who made a pact with the devil. Whichever is the case, neither friends nor foes are able to resist the powerful draw of Eisenstein's work. He was a person of complexity who was understood in very different ways, as a generous cosmopolitan and a stingy hermit, a cynic and yet a highly sensitive, vulnerable being. The film deals with a number of phases in Eisenstein's life, and tries to get away from the orthodox image of him by using new material to shed a different light on his biography.

The Different Faces of Sergei Eisenstein

NR 1998
Sonic Youth: Rocknacht - Live In Dusseldorf 1996

Live at Rocknacht, Germany 1996. Sonic Youth is an American alternative rock band from NewYork City, formed in 1981. In their early career, Sonic Youth was associated with the No Wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than its specific sound. As a result, some consider Sonic Youth as pivotal in the rise of the alternative rock and indie rock movements.

Sonic Youth: Rocknacht - Live In Dusseldorf 1996

NR 1996
Barclay James Harvest - Live at the Town and Country Club

Recorded live at London’s Town & Country Club in February 1992, Barclay James Harvest play a selection of their most popular and timeless classics. Coinciding with the 25th Anniversary of the band’s formation, this live concert is an evocative testament to one of the greatest exponents of British progressive rock. Opening with an extended and haunting rendition of Mockingbird, the guitars of John Lees and Colin Browne blend magnificently on Medicine Man and Play to the World, with Les Holroyd rendering a dramatic vocal performance on the latter. BJH’s more ponderous progressive rock set pieces are pierced by the rousing upbeat guitar-based Life Is for the Living and the crowd pleasing Stand Up.

Barclay James Harvest - Live at the Town and Country Club

10.0 1992
The Narthex-Mosaics of San Marco in Venice

One of the most complete of the preserved image programs of the Middle Ages, at the same time abstract and full of touching details. The creation story, which begins with the big bang, has perhaps not been recorded more precisely anywhere. Also ingenious is the mosaic of the Alypius portal, in which the transfer of the bones of St. Mark to the building in front of which the viewer stands is depicted. A wonderful archive of the development of European art between 1100 and 1290, in which the Romanesque image is increasingly supplemented by vivid backgrounds and in the “Dream of Moses” a whole landscape is already presented under a romantically lying crescent moon. In addition, you can see in the circular compositions of the domes (with partly already framed picture fields) not only an early form of cinema that reminds of the movement experiments by Marey and Muybridge, but also the prototypes of our DVDs today, a round disc with image storage in mosaic -Pixels. - K. Wyborny

The Narthex-Mosaics of San Marco in Venice

NR 1995
Mind, Power, Castration

Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to reigning political power. Given his many writings on Frederick the Great, it is not surprising that Müller begins the discussion with the “love-hate” relationship between the 18th Century Prussian King and the French Philosopher Voltaire. Moving to the 20th Century, the conversation then focuses for the most part on intellectuals and their relationship to totalitarian regimes. An initial sketch of an encounter between the Russian writer Maxim Gorky and Vladimir Lenin in the post-revolutionary Soviet Union segues into a treatment of the German writer Ernst Jünger in the Third Reich (1933-1945). Müller follows this up with remarks about the importance of Jünger for his own thinking as a writer before and after the founding of the German Democratic Republic.

Mind, Power, Castration

NR 1993
The Revolt and the Desire

Unpunctuated sentences appear word by word on the screen, pointing to the temporality of the reading process and the instantaneity of their appearance. Various phrases comment on this fragmentation: "Irritatingly searching for a medium to express the simultaneity of spatial and temporal jumps" or "The concentrated gaze of the female fetishist experiences objects and movements in exactly defined excerpts." The body, too, as another phrase suggests, is split open (aufgesplittert). In this film about seriality, people are referred to as A or G" in their sexual relations with one another.

The Revolt and the Desire

NR 1991