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Proud and Gay

A documentary portrait of gay life, activism, and history in Germany. Through interviews and observational footage, Rosa von Praunheim explores themes of visibility, pride, discrimination, and political engagement within the LGBTQ+ community. The film features conversations with gay actor Kurt von Ruffin, Berlin-based promoter Harry Toste, and activist Andreas Meyer-Hanno, whose perspectives reflect different facets of gay cultural and political life. A central element of the film is the portrait of three older homosexual men, whose personal histories collectively trace a broader arc of 20th-century gay experience in Germany. One recounts life in the relatively liberal 1920s, another describes persecution and imprisonment in a Nazi concentration camp, and the third reflects on the continued hostility faced by homosexuals in the repressive climate of the 1950s. Together, these testimonies highlight shifting yet persistent forms of oppression and resilience across decades.

Proud and Gay

8.0 1991
Frederick of Prussia

Kluge here presents a portrait of Friedrich the Great by means of quotations, film clips, historical images, and film documents. The program is a contribution to a public discussion about the role of the Prussian king in German and European history that unfolded after the transfer of the Hohenzollern sarcophagi in 1991. The excerpt of an interview with Heiner Müller lasts 2:50 minutes. Müller calls Friedrich a "murdered Mozart," the only intellectual among the German rulers, and a source of dramatic material. He also talks about his play Gundling. An excerpt from an interview between Günter Gaus and Hans Bentzien, the former culture minister of the GDR, deals with the rescue of the Friedrich monument on Unter den Linden after 1945.

Frederick of Prussia

NR 1992
Vom Leben Lieben Sterben

A documentary film on the taboo subject of Aids. In the foreground stand five people whose lives have been taken many different directions because of Aids. They tell of the experiences which they or others have had with the disease. The "topic" is not the important thing, rather the situation in which the environment confronts one with resistance - often enough in the form of negative experiences - rather than mysteries. These experiences do not require definition or inclusion in a discussion which demands distance between the way of considering and the concept of the disease.

Vom Leben Lieben Sterben

10.0 1993
Love/Hate Lola

Lola L., a washed-up travesty star, is extremely taken with the shy, young Turk Hasim when he comes into her dressing room and wants to get to know the famous artist. While her main aim is to lure him into her lottery bed, he remains steadfast and is only interested in Lola helping him with his career. Soon enough, he outflanks her, and the deregistered Lola is forced to realize that jealousies and intrigues have now caused the situation in her travesty theater microcosm to spiral out of control.

Love/Hate Lola

9.0 1996
DDR: Der Aufstand vom 17. Juni 1953

"GDR The uprising of June 17, 1953" - : Since its founding, the German Democratic Republic (GDR) has repeatedly struggled with domestic political problems. While the standard of living of the population in the western part of Germany steadily increased, it stagnated in the GDR . A one-sided, industry-oriented reconstruction policy, coupled with rapid militarization, weighed on the country's economy, which was already under pressure from Soviet reparations demands. A majority of the population did not identify with the socialist system, which accordingly stood on shaky ground.

DDR: Der Aufstand vom 17. Juni 1953

NR 1990
Staßfurt – Windhoek

History in a hurry: Namibia becomes independent in March 1990, in July the Publicly Owned Enterprise DEFA becomes a GmbH, in October GDR becomes FRG East, in August a West and an East German filmmaker record one of the last GDR inconsistencies for DEFA. The state in pre-retirement sends 425 Namibian children, whom it had rescued from Angolan camps eleven years earlier, “home.” Hastily. But why? When Grote, Kunert and the children arrive, a Namibian minister explains that the East German supporters of these colonial war victims are now out of power. The new powers had no interest … In the Leipzig festival selection in 1990, and again in 1991, this film about German-Namibian foreignness and alienation cannot be found. The Retrospective 2024 makes up for this strange omission.

Staßfurt – Windhoek

NR 1990
Ritt über die Grenze

A young woman is searching for a place to call her own. Wherever Nele ends up, she feels that something is missing, something she believes can only be found elsewhere. No sooner has she settled down with her dog in Amsterdam and furnished her caravan than she no longer knows why she is there. So she sets off again: to Berlin to visit a friend she can't find, to Dresden, which was once her home and is now unbearable to her, to Hamburg, where she gets into trouble with the police and the money from social services fails to materialize. Resigned and completely exhausted, Nele finally hears about a way out, a way of life she can imagine without having to stay in one place.

Ritt über die Grenze

NR 1993
Die Gilge

Shortly behind the once East Prussian, now Russian town of Tilsit, the Memel splits into a delta. The widest arms of this delta, the Ruß and Gilge, finally flow into the Curonian Lagoon. The river landscape is characterized by high soil moisture. Cultivation was only possible thanks to a complicated drainage system. The Gilge was also an important waterway. Today, this drainage system is decaying, the Gilge is silting up and the landscape is being renaturalized. The old villages are falling into disrepair due to a lack of money and life is characterized by increasing poverty. We meet the inhabitants, such as the farmer Anatoli, who came here from Siberia and built a new house on the foundations of a German house, or old Anastasia, who can still remember living with the Germans until they were expelled.

Die Gilge

8.0 1998