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Restaurant

The film begins with a close-up of a table in a restaurant covered with a checkered cloth, in a composition that strongly suggests a still life. It lingers there for a long time before beginning a slow outward zoom. All the while we overhear poorly recorded snippets of conversation. We see hands move in and out of the frame, lifting glasses and tapping cigarettes. We recognise Edie Sedgwick by her signature dancer's tights and jewellery. The group discuss a recent trip to Tangier; the conversation returns frequently to past and upcoming travel. At one point, a whole, uncut pineapple is delivered to their table, despite the fact that they are in an Italian restaurant: it is not meant to be eaten, but to evoke the possibility of adventure in exotic, semi-imaginary lands.

Restaurant

8.0 1965
The Colony

A railwayman from St. Kitts, a bus conductor from Jamaica, a family of singers from Trinidad and a nurse from Barbados ... Philip Donnellan's Birmingham-based film gives a voice to West Indian immigrants who movingly describe their experiences of trying to integrate into a surprisingly unwelcoming ‘mother country’. Shot in 1964 the film provides an important snapshot of Britain in the early stages of momentous social change and first-generation Afro-Caribbean immigration.

The Colony

10.0 1964
Joe Navidad

In a small western town in Arizona called Jaspen, a boy is born on Christmas Day. Joseph "Joe" Novak is born in a makeshift shelter, but his mother, Marika Novak dies during childbirth. Because of the day he was born, the boy will be nicknamed Christmas Joe. Joe's father will never forgive him for the death of his wife, which will lead Joe toward a rebellious attitude. He will become a troubled teenager, and will end up learning how to shoot. Joe will also reject his father's pacific attitude.

Joe Navidad

5.0 1967
Mister E

A domestic black comedy, MISTER E expresses some of the edgier mischief and discontent that women of mid-century America could rarely express openly. This short film narrates the revenge acted out by a young wife, left at home while her husband is at a card game; by staging a rendezvous with a mannequin, this woman provokes an eruption of jealousy and violence before bringing about the desired marital tenderness. Preserved by Chicago Film Archives with support from the Women’s Film Preservation Fund.

Mister E

NR 1960
You're No Good

Troubled youth Eddie McGeer, on a whim, steals a motorcycle and takes it on a short joy ride with his girlfriend Marie before they ditch it when they hear police sirens. Indeed, the police do know he stole the bike. Eddie doesn't know what to do except hang low for for while and dream about getting away from his troubles by going someplace like Acapulco with Marie. He tells his friends that they haven't seen him if anyone asks. He doesn't tell his mother what trouble he's in this time. And his social worker, knowing something is the matter, tries to get him to at least open up to him. Eddie eventually does tell his social worker, who knows that Eddie is not a bad kid but a scared one who needed to grow up far too quickly. Only Eddie can decide to take his advice to turn himself in, or continue to run, especially as Marie seems to be distancing herself further and further from him

You're No Good

10.0 1965