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A 2009 Kannada film.

The film is about the adventurous childhood enthrallments of Lord Hanuman and is full of action, fun, and information. He is shown as the savior of the weak. A major part of the film has action sequences, as Bal Hanuman is known for his Power. The little, cute, mischievous, strong, and brave Bal Hanuman is fighting the demons, who come in different forms of evil creatures to create terror and disturbance on the earth.

The film set in the time of riots, tells the story of three characters, Vineet, Kamlesh & Suhana each a victim of circumstances caught in the web of tumultuous time that alter their lives forever.

A scary horror hindi film starring Geeta Chauhan, Aditya Mohan and Ashima Pandey.

Seetha is shunned by her family when her husband commits suicide. They try to drive her out of the village, but Abu, a ferryman, saves her.

When you’re in a crowd you prefer to be alone. When you’re alone, you want to be part of a crowd. You’re never satisfied with yourself, Wherever you are…… The protagonist of this film is an Indian who is in Finland for three months on a scholarship. His sense of alienation Is not merely because of physical detachment from life familiar to him but also due to a subjective point of view. He feels he is trapped in a dream…a reverie that doesn’t satisfy his soul.

16mm - Memories, Movement and a Machine tries to trace back the trajectory of film society movement in Kerala and its relationship with the machine - 16mm film projector.

Bimawl, an honest government officer, lives an apparently happy conjugal life with his wife Mouli. Things change when Mouli's college friend visits their home.

Jasawar (Gurdas Mann) a lawyer from Punjab who comes to Canada to work as a lawyer, but is unable to work as a lawyer and does other jobs instead. He falls in love with Bhumika Chawla but he meets an accident and plots a way to get easy money along with his helping hand Khanna, He later finds out that the driver he was suing was the uncle of his lover yet he continues to sue.

To pursue her education, Gayatri moves to her childhood friend Ajay's house in the city. However, problems arise when she falls in love with her classmate.

An old crowded chawl in the heart of Pune city. Managed by a stern landlady, it houses among others, an old man who has no family and is on the verge of becoming senile. He is all alone and the people around him don’t seem to care much. Caught in a time warp, he is slowly losing touch with reality. As time stops for him, for the rest of them life goes on.

Ronnie is a troubled teenager grappling with questions about his sexuality and secretly suppressing strong feelings for his best friend, Aziz. He knows he is different on the inside and constantly feels unsettled by the disgust his father expresses for his lifestyle. Left feeling incomplete, Ronnie constantly searches for love and attention. In this loneliness, Ronnie develops a tentative friendship with a reclusive fisherman, who is also grieving for his estranged son. The story explores how their unusual companionship encourages Ronnie to come out of the closet and helps the fisherman to make peace with his son.

Set in Tamilnadu, India, ‘Our Family’ brings together excerpts from Nirvanam, a one person performance, by Pritham K. Chakravarthy and a family of three generations of trans-gendered female subjects, Aasha, Seetha and Dhana, who are bound together by ties of adoption. They all belong to the trans-gendered community called Aravanis (aka Hijras, in some parts of India). The film juxtaposes the ‘normality’ of their existence with the dark and powerful narrative by Pritham- ‘Nirvanam’; Nirvanam (Liberation) refers to the act of liberating oneself from the male body and transforming oneself to a female. This narrative bears witness to the tumultuous journey towards a reinvented selfhood, a journey fraught with violence, exploitation, affection and courage. The pains, pleasures and dilemmas of becoming the ‘other’ is the motif of the film. Weaving together performance, life histories and everyday life, it problematises the divides between ‘us’ and ‘them’.

In many ways the heart of indigenous India, mineral-rich Jharkhand is and has been at the core of India's industrial development after independence. There, the indigenous Adivasi people have borne the brunt of what is arguably India's most fundamental developmental conflict, which has pushed them to the verge of extinction as an agricultural people.

Star Cast : Tina Joshi, Sapna Sappu, Ali Khan, Shah Gayaz Khan, Sohail Khan, Mahendi Merchant, Ankush Mohit, Anil Nagrath, Vinod Tripathi. Director : Shammi Khan Writer : Rajan-Dilip Genre : Horror

Set in the midst of Goa's sprawling rain drenched landscape, Tripping on a Bicycle is a heartwarming story that brings to life the trials and errors of two Buddhist monks struggling to let go. Living a modest life in a remote Goan village, Dorje and Jamyang reside together with Sir Albatross Sinclair, the goat, and Mildred, the buffalo, for company. A law unto himself, Dorje has not spoken to his parents back in England for the last seven years. He keeps himself busy by offering astute advise as a local Chaplain and surveying Jamyang's progress on the sewing machine stitching habits for Catholic nuns, their primary source of livelihood. Jamyang, on the other hand, is haunted by nightmares of his upcoming court case that decides the custody of his eight year old daughter. Their fairly nondescript existence is propelled into action when their close neighbor has a terrible fall and is in desperate need of an operation.

What does it mean to perform socialist ‘agit-prop’ theatre in India in a globalized era of increasing intolerance and inequality? Natak Jari Hai is a documentary about JANAM (The People’s Theatre Front), the little theatre group that never stopped performing in the face of dramatic political transformation and personal tragedy. The film explores the motivations and ideals of the JANAM actors and their vision of resistance and change as they perform their ‘People’s Theatre’ in diverse parts of India. It brings to life the world of socialist theatre through the words of JANAM’s members, and through a reflective portrayal of the group’s greatest tragedy - the assassination of its convenor Safdar Hashmi in 1989.

Starring:- Durgesh Nandini, Amit Pachori, Shahgayaz Khan, Mohan Joshi, Deepak Shirke, Razzak Khan, Anil Nagrath, Gajender Chauhan, Arjun,Vinod K Directed by:- K.I.Shaikh Produced by Bhagat Singh

This is the story of a small family which has 2 brothers and their respective love inserests. Chhattisgarhi language film.

At the wheel of a lorry, Manju travels the roads of India carrying goods to Delhi. As head of the company Manju is respectable, well dressed and regularly visits the barber. However, Manju is a woman. It is not only because of her job, traditionally reserved for men, that she is breaking taboos. A beautiful and rare documentary on the position of women India, and those who break the barriers.

It was a sunny day in Shimla. A tall and slim spectacled old man, wearing a brown checked coat with a colourful t-shirt passed by. His posture was erect and gait confident. He had a bunch of stories to tell – about his interactions with B.R. Ambedkar. He called himself Bhagwan Das.

a woman whose sleepless nights continue to be haunted by memories of sexual abuse as a little girl, resulting in bed-wetting.

Film starring Rajendra Babu, Jalak Nandini and Ratna Bhattal

A young man who falls in love with a woman, leaves town, and returns after 14 years.

Interweaving the folk music traditions of the mystic poet Kabir with the life and music of the late Indian classical singer Kumar Gandharva, this film searches for that elusive sound, that "jhini si awaaz", that Kabir urges us to hear. Where does it resonate, that subtle sound? Journeying between folk and classical, oral and written, rural and urban expressions of this 15th century mystic poet of north India, the film finds moments of both continuity and rupture between these disparate worlds.

Kaveri dies, leaving her child with her husband, Sanjay. He plans to meet Kaveri's family, who did not accept their marriage, hoping that they would accept him and their child.

The film is a journey into the sweet science of boxing being practiced by two Indian women. The film unfolds with them as they wrestle with their day to day existence of being a boxer and the conflicts that surround them. While one of the boxers, is facing hardships to become a champion, the other struggles with the limitations of her own body and need to prove that she too can box like her brother. Using cinema verité style and shot over a period of two and half years, the film articulates the boxers concerns and share experiences and ideas about their future.

Govinda Rajulu is a mesthri (construction worker) who drinks a lot and lives a care-free life. His son Siddartha, on the other hand, is a popular TV show host and is a more disciplined man — the opposite of his dad. The son gets his father married to Shanti to sober him. Siddartha is in love with Shwetha, who is the daughter of a big-time contractor, Veerendra. Veerendra agrees to get his daughter married but tries to distance the father-son duo as he does not like the father's influence on the son. The situation comes where Shwetha's engagement is called off and she turns vengeful to separate the family. She moves into the house and makes sketches to create differences but fails. The rest of the film is about if she succeeds or not.

In a world which runs on the steam of individualism, how satisfying can the inner journey be? Does a worldview that looks at a purpose beyond the self, hold currency in a society drained of cultural values and driven solely by market considerations? This is the dilemma that haunts the protagonist. Integral to this experience is the loss of intensity and social integrity that marked the cultural movement of the '70s, particularly after the Emergency. The film aims to capture this existential predicament in its various shades and tones. It is this struggle, perhaps vain, that forms the central theme. And, quite fatalistically, see no logical conclusion. Leaving the protagonist suspended in the grey area between ideals and reality...

Kaasi learns the location of the people responsible for his parent's death and decides to seek revenge. However, unexpected circumstances cause Kaasi to become a gangster himself.

2001 Bollywood Movie

Ajan Faquir Saheb is an Assamese language biographical film produced by Bani Kalita and directed by Asif Iqbal Hussain. The film was released on 25 April 2008. The film is based on the life of Ajan Fakir, the Sufi saint and poet who came to Assam from Baghdad. Taken from Wikipedia.

Dhanvi, a brave man, lives a cowardly life shackled by a commitment made to his mother. As a result, he is unconcerned with social injustice. His wife, on the other hand, despises the concept and encourages him to interfere to correct the wrong.

Husband makes a plan to teach his ever suspecting wife and a pampered son a lesson.

The film depicts the creative instincts of tribal women of Hazaribug in Bihar through the paintings, drawings and sketches done traditionally.

This documentary is about A. Ayyappan, a well-known poet who works in Malayalam. Alcohol and love are his two life-long obsessions. This documentary on Ayyappan’s life and work is filled with musings on his comrades, travels, college years, and his eccentricities, sharp political insights, humorous chit-chat, and renditions of his rousing poetry.

A closer look at a taboo subject in India: menstruation and how it is embedded in Hindu rituals and beliefs, dating back to ancient times. A short docu-fiction in the enigmatic, associative narrative style typical for this award winning South Indian director. This film by Tiger Award winner (in the category short film) contemplates in a very exciting visual manner on one of the taboo subjects in India - female menstruation and its connection with Hindu rites and beliefs. While in Brahmin Orthodox culture the period of menstruation is considered to be impure and women are not supposed to cook or touch any food prepared for other family members, the main character in this film evokes old menstrual rituals and places them in ancient Indian culture.

The idea of determinism and freedom in the Khayal tradition of Hindustani music.

Set against the beauty of Loktak Lake, "Mami Sami" follows the heartbreaking journey of Tayal, a spirited village girl caught between love, loss, and insurgency, in a powerful tale of resilience, emotional awakening, and survival amidst the chaos of conflict-torn Manipur.

After the sudden death of her father, Venkat, Kerala-based Disha goes to live with his business partner, Shekhar Pillai, who wants her to marry his son, Ravi. But Disha needs more time to think, and as a result re-locates to Kent, England, to work as an Accountant. Upon arrival there, she will be compelled to work as a slave-nanny to the nephew and niece of a wealthy and influential brute, Vikram Singh, who wants her for himself at any and all cost.

2001 Indian Hindi film, directed by Willy Raja. The film stars Dharmendra, Poonam Dasgupta in lead roles.

Vishnu, a poor man, loves his sister and helps her become a doctor. However, Anu is suspicious about her brother's source of income and decides to investigate.

Bhole Shankar revolves around the unemployment issue of Shankar and his brother Bhole. Shankar becomes an underworld Don. Language spoken Bhojpuri.

Watch the full movie, Koduku, only on Eros Now. Koduku is a 2004 Indian Telugu film, directed by M S Narayana and produced by Thadi Thatharao. The film stars Vikram, Aditi Agarwal and Mounika in lead roles.

The Nagas are a three mllion - strong indigenous peple who occupy the Northeast frontier of India. The Naga political struggle is one of the oldest National movements in South Asia,and is continuing still.. The film provides an indroduction to the history of Naga struggle,and documents the human rights abuses suffered by the people for more than 50 years since the existence of independent India

The documentary narrates about world paintings and painters through a conversation with a painter, Sujith Aalungal and introduce his "Veenaavaadanam" painting.

Based on the song “Quien engaña no gana”. The central theme is a journey in which whoever cheats loses, depicted through visual elements like roads, signs and a shining light sought after by many.

A film that recreates the horrific 26/11 terror attacks that took place in Mumbai in 2008.

A documentary on the struggle of Tamil writer Sundara Ramaswamy to evolve modern literature in a society stuck with caste identities, traditional hypocrisy and language chauvinism.

Aditya and Karan are two inseparable collegians, who are now taking an active interest in the opposite sex. While Aditya does find his match in a fellow-collegian, Karan is unsure, until he meets with Aanchal Agnihotri. Aditya proudly introduces his girlfriend to Karan and several of other friends, but Karan does not mention Aanchal, leave alone introduce her to his friends.

A 2007 Indian thriller film.

Selfish bird harms others to survive himself.

A meditative, non-fiction visual poem shot among the people of Sikkim in a North-Eastern state of India.

Priya is forced to marry Abinash despite being in love with her childhood friend, Raj. When Abinash finds out about Priya's past, he helps her reunite with Raj.

Aftershocks is about the transformation of the Welfare State into an ally of the Corporation. It examines the acquisition and displacement of two earthquake-affected villages for lignite mining and power generation. It probes the microcosm in the nature of a study "from below" of globalisation of Economy and corporatisation of Democracy

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