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A 200 Dinars Note

While strolling through a garden in Algiers, a painter sees the silhouette of a man appear in the distance. Intrigued, she decides to follow him, but the man disappeared. Back home, she persists in finding him through her drawings and paintings. What follows is a long reverie, in the form of an initiation quest, imbued with mysticism. Is it the painter who has seen the man, or is it the other way round? Flirting with the absurd, the film explores our difficulties in seeing and representing in a world where reality seems increasingly elusive.

A 200 Dinars Note

NR 2024
Une poêle sur une plage avec des bras et des jambes

How can the legs be up when they are supposed to be down? The absence of arms is particularly intriguing. Did our frying pan decide that arms were unnecessary for a day at the beach? What happened to the frying pan itself? It seems that our kitchen utensil has managed to become completely invisible, leaving only these mysterious legs as evidence of its existence. This unexpected interpretation leads us to wonder: what really defines a frying pan? Is it its shape, its function, or simply the idea we have of it?

Une poêle sur une plage avec des bras et des jambes

NR 2024