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The Den

In the summer of his nineteenth year, Giulio has decided not to go away: he will spend his vacation at home, helping his parents with their work in the vegetable garden. In the house next door, empty for some time, arrives Lia, a twenty-year-old girl. Giulio would like to get to know her, but she is sullen and introverted. One day Giulio is swimming in the lake and Lia plays at drowning him. Giulio is a regular guy, sensitive and polite to a fault. Attracted to her, he starts thinking about her day and night. Lia initiates him into strange and increasingly dangerous "games." The girl won't talk about herself though. She has told him she came alone to spend her vacation in the old family home, where she hadn't been since she was a child. But Lia has secrets to keep and won't let anyone set foot in the old and abandoned house.

The Den

5.3 2022
RSC Live: Richard III

Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.

RSC Live: Richard III

8.0 2022
Espera & Sedimento

An empty house. A journey through the corners of a space occupied by three generations of women. Through her family history, the author examines the relationships between the steel industry and the women who coexisted with it, as well as the imprint left by industrialization in the domestic sphere. The film is presented as a sort of archaeological investigation of workers' housing, where empty rooms or inert objects are the only elements that make up the image. In this process, the trace of an ideology of domesticity linked to the figure of the Angel of the Home emerges - whose origin dates back to the end of the 19th century - and which collides with the mentality of the new generations. By questioning forms of patriarchal domination as strongly rooted as the family institution or the idea of home, the film opens a space for the depatriarchalization of memory.

Espera & Sedimento

7.0 2022
Remembrance

The film by the renowned filmmaking duo Anna Faroqhi and Haim Peretz was created within the framework of the German program «Film ohne Grenzen» (Film without Borders), which supports young individuals from various social backgrounds, including refugees, migrants, and teenagers from disadvantaged families. In 2022, the program's regular instructors, Faroqhi and Peretz, engaged former homeless youths in the making of a film. With the guidance of a social worker, an architect, and a historian, these young people worked on crafting a kind of memorial for the victims of a Nazi concentration camp that was once located in the area of a present-day Brandenburg village.

Remembrance

NR 2022