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Frankenstein's Kung Fu Monster

After fleeing Europe, the brilliant scientist and mad doctor Frankenstein prepares his campaign of revenge against all of humanity in distant China. Completely isolated from the outside world, he develops his terrifying kung-fu monsters in his laboratory, using both test tubes and operating tables, quickly spreading panic and terror. With his weapon of horror, he also intends to destroy the Earth's axis. No one dares to oppose him, no army can stop his monsters. Only the Kung Fu Super Riders, a small elite troop of daring death riders, possess the technological skills, thanks to their advanced weaponry, to avert catastrophe. A race against time begins...

Frankenstein's Kung Fu Monster

4.0 1976
Dad

Lucy Gannon (Soldier, Soldier, Bramwell, Trip Trap) has written Dad, the poignant story of Larry James (Richard Briers), a cheery and independent 86-year-old who has been caring single-handedly for his beloved wife Jeannie James (Jean Heywood) who has Alzheimer's disease. When Larry falls and breaks an ankle his life with Jeannie abruptly changes forever. Jeannie is moved into residential care and Larry goes to stay with his son Oliver (Kevin Whately), his daughter-in-law Sandy (Sinead Cusack) and their teenage daughter Millie (Hannah Daniel). But love and consideration wear thin as father and son have to learn to live together all over again.

Dad

9.5 2005
The Year 01

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

The Year 01

6.6 1973
Maurice Audin, The Disappearance

In Algiers, in June 1957, Maurice Audin, a 25-year-old mathematician, was arrested by French paratroopers. His wife, Josette, and their three children never saw him again. This documentary interweaves testimonies from French and Algerian protagonists: activists for Algerian independence, lawyers, historians, and military personnel. Drawing on the research of historian Pierre Vidal-Naquet, it blends archival footage, newspaper articles, books, drawings, and reenactments to reconstruct the context of this disappearance and denounce the torture and murder practiced in Algeria. Josette Audin is the central figure and the moral compass of this film.

Maurice Audin, The Disappearance

10.0 2010
Così fan tutte

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Così fan tutte

6.8 2013