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Horror Hotel The Movie

"Aliens Stole My Boyfriend" - Two cute alien chicks crash land their space buggy in the parking lot of the motor court looking for Earth boyfriends. "Coma Girl" - A macabre maintenance man falls in love with a comatose patient at the convalescent home where he works much to the dismay of her faithful husband. "Brain Robbers In Love" - A powerful older woman steals the body of a young woman using a top-secret brain-swapping devise stolen from a government vault. "The Problem With Clones" - A skip-tracer must search through a family of clones to find the sister who murdered her look alike. "Four-Eyes" - A paraplegic hit man is encouraged to pursue his gruesome talent by a man who wants to murder his ex-wife. "Life After Men" - In the near future, males are virtually extinct from disease and are tracked down my man hunters working for the new government.

Horror Hotel The Movie

4.1 2016
Anything You Want

Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.

Anything You Want

5.5 2010
Toro Loco: Bloodthirsty

A homeless man wanders the lands in search of revenge for the murder of his son at the hands of an unknown gang. Upon arriving in a new town he finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless crime boss peddling the mind-bending drug, "El Ultimo Aire." This man is a legend, a hit man, the killer of killers and the people call him "Toro Loco." He fights punks, crack-heads and tough guys with his trademark shooter, a Smith & Wesson 34-1, but you take that away from him and it doesn't matter. Toro Loco has another deadly weapon: his hands! is here and the first to die are the lucky ones!

Toro Loco: Bloodthirsty

3.7 2015
Two Autumns in Paris

A striking political activist and refugee from Paraguay escapes to Paris and falls in love with a rich law student changing their lives forever. The beauty of their love is challenged by a fervent devotion to fighting for a cause. "Two Autumns in Paris" has won more than 130 awards and was the most awarded Venezuelan film of 2020. A historic examination of class, refugees, and political rebellion that subtly speaks in parallel to the world today. Its turbulent romance set with the background of the 'City of Love'.

Two Autumns in Paris

6.9 2019
Natalia Nikolaevna

Natalia Nikolaevna lives 400 km from Havana, in the city where the first nuclear power plant would be built in Cuba. He arrived 20 years ago from the USSR, to be reunited with her husband and work as an opera singer. In 1992, he began the great crisis, known as the Special Period. Natalia divorced, and rooted in the place gradually discovered him as the most hostile of spaces. Single mother without job opportunities, invented their own stage-a park-, their own -the spectators tourists- and their own livelihood: what gave him for his arias.

Natalia Nikolaevna

5.0 2014
Los diablos azules

More than 3,000 miners of Chile’s La Pampa were shot down by the national army during a demonstration in Iquique, a massacre told in Luis Advis’s 1969 cantata Santa María de Iquique. In The Blue Devils, Charlotte Bayer-Broc wanders through one of the ghost mining towns—a remote outpost in the Atacama Desert—interpreting Advis’s lament across eerily abandoned landscapes and industrial vistas. Bayer-Broc upends cinematic convention in a beguiling adaptation that is entirely her own; this medium-length musical is at once personal and political, reverent and burlesque.

Los diablos azules

NR 2017
Tierras construidas

The trajectory of Félix Cuadrado Lomas includes a post-war childhood, a bohemian youth and resistance, and a maturity of recognition when all his generation companions have already disappeared. His painting supposes a reinterpretation of the Castilian landscape, recovering the ethical meaning it acquired for the Generation of 98. The film accompanies the painter for a year, recording the seasonal changes in the landscape, as well as his artistic and creative processes.

Tierras construidas

NR 2015