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KYOSHIN

Takehiko Kayano, an empath who is naturally more empathetic toothers than most people. After being involved in a horrific incident, he begins to feel the physical pain of others as if it were his own pain. Not only is he unable to lead his life as before, but he is also unable to leave his house. He goes to every doctor he can find, but his days are filled with anguish as he cannot find an appropriate treatment. One day, Takehiko finds an opening for a clinical trial for people with empathic tendencies, and decides to take it. Takehiko receives therapy from Ishii Shiori, a researcher of cognitive behavioral therapy, and his symptoms seem to be getting better, but...

KYOSHIN

NR 2021
Gingja

My mother, Gyeongja , who celebrated her 60th birthday in the Year of the White Rat (called "Gyeong Ja year" in Korean) according to the Chinese zodiac, got divorced after 29 years of marriage. She leaves the city where she lived and moves from place to place in search of work. With my heart for my mother in such a situation, I stay with her and start making a film. Following my mother's story that I shared with her late at night, I look back on the past year filled with many worries and sensations.

Gingja

NR 2021
Dear Father

Dear Father is an experimental project which is divided to 3 parts. "Hello, have you eaten" is a collection of voicemails from a father calling his son to asked has he eaten and also their daily conversation of a father and son before the father passed away."Letters Never Sent" is a voice message from the son who he have never able to express his feelings to his late father who had passed away."Memory" is the final part where all the moments that we have would slowly fade away when time passes.

Dear Father

NR 2021
The Princess and the Magic Birds

One night, two enchanted birds fly in through the window of a sleeping adolescent boy. Perching upon his ear, these magical creatures recount fantastic and peculiar folk tales into the teenager’s mind, as if speaking directly into his dreams. Relating an erotic fable of an Arabian princess who escapes her palace to spend lurid evenings with common men, the birds entice the young man toward his own desire. Their elaborate narrative, which unfolds with ambiguous shifts in genders and protagonists, escalates in intensity until it is suddenly interrupted, just before it reaches the best part of the story.

The Princess and the Magic Birds

NR 2021
I Miss Her

With a marriage built on regret and the suppressed emotions following the death of their daughter, the relationship between the parents in this family has affected their son, his whole life. One family lunch, the son reflects on the memories of his beloved sister and his controlling father. Determined not to let her death haunt him as it does his father, the son choses to embrace the loving memory of his sister to break free from his father's tyrannical control once and for all.

I Miss Her

NR 2021
Date by the Sea

In 2040, the continuous discharge of global pollutants has caused severe pollution of seawater and coastal areas, making them no longer suitable for human habitation. As a result, humans have initiated an inland migration plan, and all coastal residents are moving inland to bid farewell to the sea; Akai and his girlfriend, who had never met before, made plans to meet at the beach where they lived. They explored each other's different lives, but were diagnosed with color blindness during the driver's license examination. At the same time, his girlfriend was forced to move away from the beach

Date by the Sea

NR 2021
Ice Cream Discourse

A mixed-media installation project developed based on my video work, ” The first United Ice Cream Assembly closes today ”. I combined static video, live streaming news, found-object-based sculpture and scent together to enrich the context of the alternate world in “The first United Ice Cream Assembly closes today ”. In this project, a sugary scent oil was sprayed on several artificial ice cream installed on microphone stands. The static video and the news live streaming will play together. The former is set to a higher volume, but audiences could hear the sound from the live streaming more clearly when the static video goes to a 30 seconds silent transition before the next loop. The project intends to explore media representations, relationship between our daily life and the media, and how incidents are transformed into information by the media.

Ice Cream Discourse

NR 2021
Pickles and Komian Club

A film about the disappearance of something that seemed as though it would always be there: the long-established Maruhachi Yatarazuke pickling company, a shop that bore a key role in the food culture of Yamagata. The Komian Club to which it was attached had supported the Yamagata International Documentary Film Festival since 1993, offering a venue for free social interaction. But in April of 2020, it was suddenly announced that the shop and restaurant were shutting down. As the curtain closed on 135 years of business, disappointment spread, along with questions. This film looks at the proprietor who made the painful decision to close the business and at the people who lent support to this space of interaction. It asks what the YIDFF, and what Yamagata itself, meant as experienced through the Komian Club, by filmmakers and audiences from Japan and abroad.

Pickles and Komian Club

NR 2021
grained time vol.5 walker(s) on the crossroad

This film is the 5th work of "grained time" series. What I want to express with this series is disassembling and restructuring the human sense. This time, I constructed a series of actions by extracting one frame from hundreds video material. The video materials are shooted in another time, another person of another place. I focus on what is different and what is the same in each frame of the film, and ask what the film is and the boundaries between montage and animation.

grained time vol.5 walker(s) on the crossroad

NR 2021
AKSARA MAYA

«AKSARA MAYA» is a suspenseful drama that deals with time distortion in a setting of a dark period. Appropriating the role-playing game format, the work gathers and reconstructs languages in a world where games and reality get confused, and eventually builds an imagined space. The characters referred to as users here function as shadow writers who lead the narrative. They are noisy yet tenacious and sincere in their roles, allowing us to look at the present more closely and personally through their psychological statements.

AKSARA MAYA

NR 2021