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In Bhutan, a country of 700,000 people, everyone knows everyone else. Nima, a schoolteacher, faces trouble when an explicit intimate video surfaces online, featuring a woman who looks exactly like her. Determined to calm her students’ outraged parents, Nima embarks on a quest to find her naughty lookalike. But her doppelganger, Meto, has disappeared without a trace. The locals, struck by Nima’s uncanny resemblance to Meto, begin to believe she is Meto’s long-lost ghost. The village elders suggest singing Aum Tshomo’s sacred song to unravel the mystery. Now, Nima must open her heart and sing to rebuild her shattered life.

1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

Emilia's quiet life in Calabria changes when her husband is diagnosed with Alzheimer's. Together they travel to Germany to visit their son Antonello, hoping to finally speak openly about the father's illness.

An extraordinary event marking the run-up to the opening of the Rome Opera House for the 2025/2026 season and celebrating the 125th anniversary of *Tosca*.

Liliana Cavani's "The Night Porter" is a film that, fifty years after its release, continues to spark debate and mixed reactions. The story, set in Vienna in 1957, follows doorman Max Aldorfer and his former concentration camp prisoner, Lucia, who reunite after years in a hotel.

An autobiographical bittersweet drama centered on Contarello’s rapport with his daughter.

Alba lives inside a 1920s silent film, in black and white. Each day repeats: she stands in the garden of her villa above Trento, watching the city and its promise of a brighter future. Her dreams are always cut short by the marriage proposal of a man she cannot accept. One day, she finds a small wooden box and opens it. In an instant, she is in Milan in 2025, where she meets a young man weighed down by disillusion. Together, they begin a journey of self-discovery, love, and the courage to claim their own future.

Marco and Francesca are two thieves who have planned a heist to steal a precious object: the statue of the Goddess of Fortune. The two find themselves in trouble when they are tracked down by criminals who own this rare item.

Bianca is 12 years old when she is chosen to play the angel — a symbol of purity and grace — at her town fair. As she prepares for the moment when she will be lifted off the ground, her encounter with Ginevra fractures the surface of childhood and opens a crack from which a new and unsettling desire seeps in. In a suspended time and place, the film covers the imperceptible yet radical transition between imposed purity and awareness of one’s own body, between childhood and adulthood. A female coming-of-age tale that investigates — through its hagiographic and apocryphal aesthetic — the symbolic construct of grace and the inherited weight of guilt.

After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.

Alessandra Ferrini examines a photograph from an official visit by Gaddafi to Italy during the Berlusconi era. The film delves into the connections between Italy’s colonial past and its contemporary politics.

During a storm, Filo's dog vanishes in the woods. He and his friend Rullo search for it, starting an unexpected adventure where friendship becomes their guide.

A troubled young man falls for an American military auxiliary in postwar Italy. A year later, he relocates to the American Midwest to write his first novel, next to her elderly mother's house—separated by a grim garden.

In the heart of New York City, Mike, a curious young teenager, sets off on a seemingly simple mission: to buy a magazine. One quick errand - What could go wrong? And yet, as the journey unfolds, Mike’s quest spirals into chaos and becomes a coming-of-age moment. Who knew buying a magazine could become the most complicated adventure of his life? An ode to courage, independence and self discovery.

South Tyrol, 1961: Paul was hoping to escape the confines of his village and study painting. But because his older brother Anton is a wanted terrorist, he’s forced to stay at the farm and help Anton’s wife, Anna, and their son. As Paul is drawn into a vortex of violence and toxic masculinity, Anna struggles with the radicalization of her husband and the patriarchal structures in place at the time.

Two friends at opposite ends of the political spectrum, destined for a completely different future after founding the independent press agency Albatross together. Amerigo will discover his vocation as a journalist in a war zone, taking his life at just 34 years old in 1987 in Mozambique, filming his own death in subjective terms. Vito, on the other hand, will have an important career in the media.

Set in the near future, a student accidentally discovers old photographs of the same stretch of beach taken by school students over the past 65 years. The temporal distance between the old photos and the protagonist immediately creates a sense of disorientation. In a sort of time loop, we witness successive generations, all drawn to the same thematic focal point.

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

Richard Strauss' Salome opens the 87th Maggio Musicale Fiorentino Festival. Alexander Soddy conducts; Emma Dante directs the new production. Lidia Fridman is Salome, Anna Maria Chiuri is Herodias, and Nikolai Schukoff plays Herod.

Michele, Tiziana, Nino, Antonella, Filippo and Linda are the six aspiring content creators selected to participate in Dedalus, a new social game that promises to make the winner rich and famous. Locked up in an isolated arena, the contestants participate in trials that prove increasingly dangerous. What seemed like a simple game slowly turns into something completely different and the contestants, find themselves both executioners and victims of an elaborate revenge.

“What is hell? It is the inability to love,” writes Dostoevsky. From this wound emerges a work that intertwines music, virtual bodies, and images.

Blinded by jealousy and pain over his partner's betrayal, a young man kills her lover, convinced that he has restored his honour. But the crime brings no relief: only fear and the weight of a guilt he cannot handle.

A pig recounts his last day of life, imagining a better future.

I Fuori Campo di Anna are approximately 30 tapes containing the video footage from which the film was edited, along with other video material shot during the same period. Thanks to the work of Annamaria Licciardello, the Cineteca Nazionale, the A.P.S. Grifi, and the La Camera Ottica lab in Gorizia, these hours of footage have been restored and made accessible.

Two criminals must get rid of a corpse, carrying it through a forest that seems to stand in their way.

Mirela, a Bosnian woman living in Rimini (Italy), returns to Sarajevo and the orphanage where she grew up, searching for her mother and herself amid memories of war and rediscovered identity.

Alessandro lives a mundane life, working in an office and expecting a child with his wife Giulia. One day, his routine is disrupted by an ant invasion in his house. Unable to get rid of them, the ants follow him everywhere, and their numbers keep increasing. Alessandro is determined to discover their origin and eradicate them.

Daniele lost his sight after a failed eye surgery. When his sister Sara spends a weekend at his house, she notices disturbing and unexplainable behaviors in him.

Bruno, a textbook anxious man, is persuaded by his teenage daughter to host his ex-wife Terry for a month, just out of a long psychiatric hospitalization. After all, it’s only 30 nights—what could possibly go wrong? Yet Terry’s exuberance and blunt honesty put Bruno’s routine to the test, as he finds himself stuck in a lackluster relationship and in a job where he struggles to assert himself as he would like.

In 19th-century Montenegro, the free mountain territories are surrounded by Turkish forces, isolated from the West and steeped in conservatism, patriarchy, and superstition. Morlak, a poet and bishop inspired by the historical figure Petar II Petrović Njegoš, leads his tribe in resisting the invaders. Gravely ill, he is sent to southern Italy in search of a cure. The journey takes him to a house in Naples, a city that contrasts sharply with his homeland’s isolated hills. As Morlak contemplates his existence, his loyal servant Djuko struggles with profound nostalgia, driven by the fear of his master’s death in a foreign land.

In a not so fictional Italy trying to solve the N.Ε.Ε.Τ. problem, the government decides to reintroduce compulsory conscription for one million young people under 30 who are not studying, working or looking for work, who will have only one month to find real employment and thus avoid the entire year of conscription. Facing this doom four guys try to cheat the system by growing hemp and meanwhile really discovering themselves.

Elodie makes her San Siro debut with "The Stadium Show." A comprehensive artistic performance combining music, dance, and visual arts, promoting messages of freedom.

Claudia, a 25-year-old with serious insecurities, rents the upper floor of a isolated house. There she meets Letizia, a charming woman who introduces her to metaphony. That innocent game soon turns into a nightmare.

At the 48th edition of the Laceno d'Oro Festival in 2023, Paul Schrader is the guest of honour in Avellino, receiving a lifetime achievement award and taking part in this conversation with Sergio Sozzo and Aldo Spiniello, pillars of Sentieri Selvaggi and curators of the festival.

In a room (a mental prison): the only way out is to enter oneself. Normal Lithium is inspired by bipolar disorder, the loss of self and hope, and the inner search for salvation. Symbols accumulate in a journey to find balance, even as those same symbols wildly invade the image.

Anxiety frightens, but can it be used to improve ourselves?

Architecture student Bruna wants to renovate the convent located in the center of Piazza Magione in Palermo. This means dealing with the joys and contradictions of a square that is above all a community: there are the people who live in the buildings around it, there are young people who gather there, and there is also an association that takes care of the place and the events that are organized there. From a situation of apparent simplicity, Bruna, however, gets lost in the unsolvable enigma of bureaucracies and in the tension of an ambivalent risk: would a renovation be valorisation or denaturalization?

There's a first time for everything, and thus Chinese multi-disciplinary artist Ai Weiwei set out to make his debut as an opera director, with an entire film crew following the meticulous preparations of this endeavour. Ai Weiwei's Turandot provides not only a rich insight into the creation process, but also offers a glimpse into the heart and brain of China's most famous artistic dissident.

Andrea, a spoilt and inexperienced thirty-year-old, lives with his grandfather in a villa. When the elderly man, who is terminally ill, decides to die at sea aboard a catamaran, he forces his grandson to sell the house within three months: otherwise, everything will pass to the family tax accountant. While attempting to sell the house, Andrea finds himself dealing with secrets and unexpected situations.

A man loses his mother to the COVID-19 pandemic. Driven to madness by grief, he embarks on a killing spree targeting anyone who breaks quarantine rules. A podcaster and a policewoman investigate the case.

VIVA VERDI. is an intimate glimpse into lives of celebrated opera singers and musicians living our their 'third act' while mentoring music students at Casa Verdi Milan, built by Giuseppe Verdi in 1896.

Twenty minutes of excerpts from the film, still in progress, that Franco Maresco dedicates to his dearest mentor, Goffredo Fofi, who passed away last July. Pressed by the director, the intellectual from Gubbio, Umbria, in central Italy — who considered Palermo his university of life and activism — lets out a courageous confession, recalling the crucial moments of his unparalleled human, cultural and political experience.

Attilio is a 17-year-old boy living in the Traiano neighborhood of Naples. With his father having just been released from prison, in order to earn some money he agrees to be a guardian for Anastasia, a young prostitute from Eastern Europe. Progressively a feeling arises between the two that will push the boy to make choices.